The Little Cousteau (2014)

What is the value of energy invested into friendship? How can you defend yourself when there is no one to stick up for you? Our heroines find a way out of a complicated situation by continuing poetic life and by avoiding objective reasoning, proofs of innocence, condemnation and the need to win.

Joy can't let go of her ex, but doesn't seem to be able to fall for the new guy. In the meantime she keeps having casual sex with strangers.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

Two Spanish student and a bunch of French students aim to waste as much class time as possible

In a rare instance of literary adaptation, Chytilová was inspired by Franz Kafka’s writings. Mr. K stashes stolen jewelry away at home and seldom allows his wife to wear it. A nosy neighbour, Mr. B, drops in. A cat observes it all.

Fati Farari, a black man from Africa, is completing his studies in classical piano at the Music Academy of Prague. It's the day before his first solo concert, where he is going to play Bach. While he strolls around the city he is thinking, not so much about the concert as about himself, both as a lonely foreigner and as a human being in cosmos. Here and there he encounters some racist comments, but mostly he just feels the weight of social exclusion because of his otherness, especially when it comes to women. On the morning of the day for his concert the embassy informs him that his whole family has perished. He feels totally broken, although he thinks that everyone holds some pain inside. His piano teacher, a professor at the Academy, looks him up, and tells him that he heard what has happened. The professor advises him to communicate his feelings that evening by using his Bach.

The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.

Surreal film of non-sequiturs, swimming, death and the holocaust.

In this six-minute short, a man’s attempt to burgle a home is interrupted by a child.

In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.

A boy writes a comic book with his best friend, and finds situations depicted in the comic book coming to life. Along with the appearance of a mysterious girl, the boy is forced to face the reality of what he has written, and begins a battle to attempt to rewrite death.

A tram pasted with posters travels through Prague. The mounted loudspeakers invite passers-by to a series of concerts of Giuseppe Verdi's masterpieces. On the tram a party of young people is getting drunk.

A young man in Oakland, California, wakes with a heavy heart and decides to take a walk through the neighborhood to the local barbershop.

On a sunny afternoon an old man speaks to a laundress about his love for Provence, then a black flag is unfurled outside the town monument: news has arrived over the radio that the famous composer Foerster, born in the town, has just died.

By the end of the second World War, three prisoners wish to escape from the train carrying them from one concentration camp to another. To make it happen, they need to get food first.

Jurek is 23 years old and he is a history student. He lives with his loving auntie, who raises him and supports him. Feeling that she is a cause and a symbol of his existential boredom, monotony and malaise, he reaches for the hammer…

Her first foray into documentary filmmaking was a short called Green Street (1959), a look at an over-loaded freight train departing from Prague. Though only nine minutes in length, Chytilová’s astute editing ensured a visual spectacle.

Like every year, a group of friends arrives at a remote and secluded place to "celebrate their friendship". This is the 36th time now, but this year is going to be different. Stana has lost his battle with cancer and for the first time ever there are only five friends. Spring is blooming, they kill a lamb with their own hands and drink to Stana's memory. However, one of them, Dalibor, has a secret he does not want to share.