Betty Sizemore (Renée Zellweger) é uma garçonete que mora em uma pequena cidade e vive sonhando com seu verdadeiro amor: David Ravell (Greg Kinnear), o médico da novela "Uma Razão Para Amar", que ela assiste todos os dias. Só que, depois de testemunhar o assassinato de seu marido, numa transação de drogas que saiu errada, Betty começa a viver como se estivesse dentro de sua novela predileta, quando se transforma da garçonete Betty para a enfermeira Betty. Resolve então partir rumo a Hollywood para encontrar o médico dos seus sonhos, mas passa a ser perseguida pelos traficantes que mataram seu marido e, principalmente, por um impiedoso pistoleiro (Morgan Freeman).
A doctor develops a new scientific breakthrough in female psychotherapy with the discovery of the “Dream Ring,” a device that is inserted into a woman to record her thoughts and dreams. But, one dark and stormy night, the doctor and his assistant end up dead… hanging by ropes from the rafters of their lab. The lovely Reiko suffers from a condition known as “genophobia” (the fear of sexual intercourse), so she is admitted to the Tachibana Clinic for observation. Another group of doctors have the “Dream Ring” device and use it on Reiko to analyze her wildly erotic, and violent, dreams and nightmares. The clinic doctors have more sinister reasons to test this device on Reiko, however, and secretly put her under hypnosis so that the ring is activated at any time she hears the sound of a bell. Can she escape the evil doctors’ experiment and, even if she does, who is that strange person, dressed all in black, following her around?
Roscoe's wife, tired of his endless drunkenness, reads of an operation that cures alcoholism and has him admitted to No Hope Sanitarium to get the surgery. Roscoe, wanting out, eventually disguises himself as a nurse to effect his escape.
A young nurse becomes romantically involved with an older doctor.
Arriving in an alpine village a crook is mistaken for a recently deceased doctor and decides to impersonate him. Three girls stranded in the same village are sheltered by the "doctor" and naked German hilarity inevitably ensues.
Banerjee stars as Ram Das, a jobless Indian man who, tired of life in Calcutta, steals money from his father in order to afford a passage to Britain and while there, falls in love with a white woman.
A blunderer barber ends after a misunderstanding to pretend doctor. However the patients problems aren't medical nature but personally so he helps them.
When Dr. Robert "Sweeney" Todd arrives to fill his post at a new hospital, he is shocked to see the lengths that the nurses go to in caring for their patients.
In a subterranean bunker, a man - rescued from the wasteland above - must lie about being a doctor in order to be deemed worthy of saving.
Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.
Sganarelle, mistakenly considered a famous doctor because of a prank, is brought in M. Geronte's house to cure his daughter, who went mute overnight.
Geoff, a man with an unusual compulsion to eat inedible objects, calls on the unorthodox services of backstreet practitioner Doctor Dora in order to cure his ailment.
