Jock Love 4 (2021)

Join Falcon Exclusives Roman Heart, Erik Rhodes, and Ashton Star plus musclestud Marc Williams, Andrew Justice and Parker Williams as they introduce newcomers Max Schutler, Tony Masala and Justin Parker to the Falcon team.Andrew Justice and newcomer Max Schutler enjoy a frenzy of cock-sucking and ass-eating before Andrew pounds Max's ass. Parker Williams and newcomer Tony Masala suck rim and fuck their way into a state of exhausted relief against the backdrop of a graffitied alleyway. Falcon Exclusives Ashton Star and Roman Heart strip down for a sizzling threesome with newcomer Justin Parker. Musclestud Marc Williams and Falcon Exclusive Erik Rhodes challenge their strenght and endurance through an intense encounter of muscle worship, cock and ass-play, and rigorous ass-pounding.

Set in the very current world of gay clubs, Night In Eden finds plenty of time to dazzle with flashing fights, piercing sounds, a wild and aggressive cast, and some of the hottest and most talented porn studs around. Taped on location in one of Southern California's hottest, sleekest supper clubs, with a large cast of bartenders, deejays, security staff, and fun-loving party people, and produced with the technical expertise for which Studio 2000 has become noted, Night In Eden has the feeling and texture of a major studio release.

Todd has a filming fetish. He likes to invite good looking, sexually curious performers over to his house and then film them having hardcore anal sex. It doesn't matter their gender or orientation, what gets him off is his ability to lose himself behind the lens and watch beautiful people getting fucked out and shedding their inhibitions for him and his audience.

In the underbelly of the city, where the horny boys play, is a place with no windows, no light or life. It's in the Underground where prying eyes can't reach, where inhibitions are left at ground level and the guys fuck long and hard. Atmospheric, dark and hot!

Um jovem empregado como trapaceiro na indústria de entretenimento adulto se apaixona por uma estrela pornô gay que paga, cujo estilo de vida hedonista pode levar os dois à destruição.

Father figures share their wisdom and years of experience with eager young lovers in five tales of paternal passion. These young studs are about to learn that once you're in Daddy's arms, he knows what to do to make it all better.

With the release of Monster Bang #5: Pokin' in the Boys Room, Raging Stallion has pushed the envelope like never before in order to bring you the hottest sex ever captured on film. Cumming in at over two and a half hours long, with a cast of huge stars and 5 never-before-filmed studs, Pokin' presents a twisted tale that is certain to pop your cork!

On a summer day at this exotic Spanish Mansion things really heat up, Brett Bradley finds it hard to keep his hands off his huge cock while staring at pool boy Ray Daltonʼs muscular body. Brett then fucks Ray on the lounge chair. Trey Turner is concerned that other workers at the mansion make money than him, he approaches manager Hans Berlin who makes him an offer he can refuse for more money. Colton Steele is looking for a job, Ray Dalton and Draven Torres explain job details and give him a tour of the mansion that ends up in a hot three way with Colton being filled by Ray and Draven. Later in the day itʼs beginning to rain, so Chauffer Michael Derek canʼt wax his bosses limo, but Mr. West has something else he can wax.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

As histórias do calouro Neil sobre o super herói Vanguard são tudo o que importa para ele… até que ele conhece a aluna mais velha Julia, que o incentiva a colocar suas fanfics online.Quando o moderador do site demonstra um interesse especial no trabalho de Neil, isso abre um novo universo.

I'm a Porn Star segue as vidas de rapazes que provavelmente são muito mais famosos que você - pelo menos na web. Há uma estimativa de 370 milhões de sites pornográficos online. A pornografia agora é um negócio de treze bilhões de dólares. Então, quem está fazendo tudo isso clandestinamente? Acontece que - provavelmente deve ser alguém que você conhece.

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.

A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.

A beautiful young escort suffers from trip-like dreams he doesn't understand. These visions are shared by his clients, both scaring and exciting them.

A look behind the scenes of the Czech gay porn boom.

Daniel é homossexual. Tem quarenta anos, um belo emprego e uma família rica que ele está sempre usando. Contudo tem que esconder uma vida paralela a partir do momento em que conhece Kyrill, um jovem búlgaro impetuoso e terrivelmente atraente. Kyrill leva Daniel a caminhos de paixão, crime e perigos até então desconhecidos, que vão se tornar o sentido da sua existência e a a sua destruição pessoal.

Baseado no livro homónimo de Andy Zeffer, o filme dá-nos uma visão intrigante e verdadeira da Hollywood dos tempos modernos. Mostra-nos como a amizade é importante para seguirmos em frente com os nossos objectivos; um conto que reflecte a nossa cultura obsessiva de nos tornarmos celebridades; um olhar revelador sobre aqueles que anseiam e desejam ser amados, adorados e bajulados a qualquer custo. Os leitores habituaram-se a gostar dos imperfeitos e falhados, mas sinceros e simpáticos, personagens Adam (Mathew Ludwinski) e Candy (Allison Lane). Agora, os espectadores terão a oportunidade de os ver e seguir numa autêntica e louca viagem em Hollywood, com todos os bons momentos que dela farão.

Bem vindos ao mundo curioso, surpreendente e sempre sincero dos homens héteros que se tornam gays por dinheiro. Por que um homem heterossexual faria pornografia gay? O que o motiva a tentar isso ou a fazer carreira? Eles são realmente heterossexuais? Estão em profunda negação? É apenas pelo dinheiro? No começo são heterosexuais e acabam no outro extremo da Escala de Kinsey? Por que o grande interesse e debate sobre a sexualidade e a vida pessoal desses homens? E o que isso diz sobre nós, espectadores, o fato do pornô gay ser dominado por imagens de homens héteros? Existe sombras de homofobia internalizada vindo à tona? Por que perdemos o interesse se o homem na tela parece, fala ou age de um jeito que o identifica como gay?

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.