Espace Projeté

A train speeds through the country on its way to Berlin, then gradually slows down as it pulls into the station. It is very early in the morning, about 5:00 AM, and the great city is mostly quiet. But before long there are some signs of activity, and a few early risers are to be seen on the streets. Soon the new day is well underway. It's just a typical day in Berlin, but a day full of life and energy.

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

A gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

An early impressionist short featuring a woman who dreams of, and escapes into, an autumn forest.

The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.

The faces of a 5:00 PM crowd descending via the Pan Am building escalators in one continuous shot. In old-fashioned black and white, these faces stare into the empty space, in the 5:00 PM tiredness and mechanical impersonality, like faces from the grave.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

"From the Notebook of..." was shot in Florence and takes as its point of departure Leonardo da Vinci's notebooks and Paul Valéry's essay on da Vinci's process. These two elements suggest an implicit comparison between the treatment of space in Renaissance art and the moving image. The film marks a critical development in the artist's work in that he repeatedly employs a series of rapid pans and upward tilts along the city's buildings or facades, often integrating glimpses of his own face. As Beavers notes in his writing on the film, the camera movements are tied to the filmmakers' presence and suggests his investigative gaze.

Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with…a vampire?

A primeira parte apresenta a dor conseqüente à perda de uma melancia muito valiosa, seu dentista e transporte para o céu. Em seguida segue uma exposição elaborada da terra celestial, em termos de Israel e de Montreal. A segunda parte descreve o retorno à Terra.

A group of French students are drawn into the psychological and sexual games of a mysterious Dutchman. Once they sample his "fear powder" the students experience a series of hallucinations.

"Chronicles of the Present Times" - An experimental trilogy comprising 'Visa De Censure No.X', 'Livre De Famille' and 'Anima Mundi'. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.

Eggeling analisa objetivamente o movimento das formas enfatizando a linha em uma série de contrastes – vertical e horizontal, retas e curvas, claras e escuras, fortes e fracas, desaparecendo e emergindo – muito parecido com uma peça musical onde idiomas ou temas emergem.

A deconstruction of Dog Star Man that takes the four rolls and shows them first combined, then each combination of three rolls, then each combination of two rolls, then each individual roll. The plot is of a man who goes up a mountain with a dog to chop down a tree but has some unspecified transcendental experience while he is there.

Cenas filmadas em vários países do Mediterrâneo, com assuntos variados, são exibidas diversas vezes durante o filme, sempre separadas e com diferentes durações. As imagens são acompanhadas por um texto de Phillippe Sollers e trilha sonora de Antoine Duhamel.

Adaptação do romance de Anthony Burgess, Laranja Mecâninca por Andy Warhol.

This hand-painted work is easily the most minutely detailed ever given to me to do, for it traces (as best I'm able) the hypnagogic after-effect of psychological cathexis as designed by Freud in his first (and unfinished) book on the subject - "Toward a Scientific Psychology." (SB)

Paper-Scissor-Rock wars draws an episode where the two generals portray the Second World War, mostly through the rock-scissors-bag, but also by some absurd torture techniques that bring to mind some sort of Japanese artificial 70s jack ass. To the sound of classical music, birds chirping and Nazi incendiary speeches travels generals, ever contestant in the seemingly meaningless game around at an abandoned industrial area.

Alternando entre um estudo psicológico sobre a alienação e perda de direitos, e uma chamada urgente pela militância e atuação sociopolítica revolucionária da geração do final dos anos 60, a delirante montagem de Terayma de imagens fragmentadas, não sequenciais e desbalanceadas reflete a incerteza e o caos interior de um empobrecido - e apropriadamente anônimo - jovem, e de sua família igualmente disfuncional: o pai desempregado e voyeur, uma avó deliberadamente mentirosa, e uma irmã cuja ligação afetiva com seu coelho de pelúcia transformou-se numa obsessão bestial.