Good One (2024)

A man in his 30s is on the run with a nine-year-old girl. As they take a ferry to the United Kingdom, traces of a common past come to light — a past filled with loss and sorrow. Fleeing in secret, they end up hiding in a small apartment on the seafront, where they live day-to-day, exploring each other’s emotional territories. Mourning will bind them, but is this alliance of dependence appropriate for them and for the outside world?

Thirteen-year-old Paula lives with her mother on a well-kept estate in a small town surrounded by nice neighbours. But Paula's view of normality has been sharpened by her extensive and consistent diet of horror movies.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

Considerado um dos filmes mais bonitos dos últimos anos, Rio da Lua se passa na Índia nos anos 30. Aos oitos anos de idade, Chuyia não é apenas casada, mas também já é viúva. E nunca conheceu o marido. De acordo com a tradição, ela é enviada para uma casa onde as viúvas são obrigadas a ficar, isoladas da sociedade, até o final de suas vidas, sem que possam alguma vez voltar a casar. Lá, conhece Kalyani, uma bela e jovem mulher de quem se torna amiga. Kalyani ousa desafiar as rígidas regras apaixonando-se por um jovem com estudos.

Lucy é uma mulher trabalhadora que tem uma vida amorosa resumida a relacionamentos casuais e superficiais. Um dia ela conhece Cal, um novo morador de sua cidade que irá despertar a vontade de Lucy de ter uma relação mais séria.

Marcelline (Valeria Bruni Tedeschi), uma atriz quarentona e solteira, inicia os ensaios de uma nova montagem teatral, dirigida por Denis (Mathieu Amalric). Atormentada pela sombra de sua personagem, ela começa a reavaliar sua vida, especialmente com a chegada de Nathalie (Noémie Lvovsky), assistente do diretor. Ao se conhecerem, as duas descobrem o quanto são parecidas...

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

For a lifetime, Hedi Ohlsen subordinated her needs to the family. She raised a child, took care of the house and learned the unloved profession of dental assistant for the sake of her husband Johannes. And although John has left her for a younger one, Hedi still cares for her elderly mother-in-law Agnes. As this now blesses the time and Hedi finally wants to start her own life, suddenly her pregnant daughter Leonie is attacking at the door. She has quit, no money and no father for the child Hedi is to raise for her. Is the dream of late freedom back?

As an awkward idealistic high school teacher begins her first job in the city, things turn out to be much tougher than she had imagined.

Trudi é informada que seu marido Rudi tem uma doença terminal, e sugere que visitem seus filhos em Berlim - mas sem contar a verdade sobre seu estado de saúde a ninguém. Ao chegar, seus filhos, em meio aos afazeres, os tratam com indiferença. Quando seguem sua viagem, o inesperado acontece e Trudi morre. Rudi só então descobre que o grande sonho de Trudi sempre foi ir ao Japão, e decide então fazer a viagem em homenagem à esposa. O filme, além de tudo, é uma homenagem ao grande diretor japonês Yazujiro Ozu, tendo sido baseado em algumas de suas obras (Filho Único, Pai e Filha, e outros). Um olhar poético sobre o Japão, o Kabuki e o Hanami é o formador da atmosfera deste filme.

A história real de Ralph “Petey” Greene, ex-presidiário negro que se tornou um famoso apresentador de rádio na capital americana, Washington. Greene virou uma celebridade ao embalar os ouvintes com canções de soul music, mas principalmente por falar exatamente aquilo que a comunidade queria ouvir sobre direitos civis e conscientização negra. Eram os anos de 1960, e Greene passou a ser visto como personalidade e um dos mais importantes ativistas.

Two best friends, a detective and a prosecuting attorney, tackle criminal cases in a small southern town.

In a neighborhood of Barcelona two conflicting gangs all kind of tricks to get better off than the opponent.

Leo's dreams of being an international drag superstar are hard fought working in a fish cannery in Alaska.

Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.

Lacey is a girl of about ten. On a lazy day, she watches some TV, rides her bike in front of her house, then explores a field across from her front door. A shirtless man pets her dog. She goes up to him and he bends close to take a bug off her shoulder and hand it to her. Is this an innocent or a dangerous world? Is Lacey in trouble?

The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.