Jean-Michel Jarre: The Concerts In China (1982)

É o primeiro filme sobre o fenômeno da cultura pop que é o Daft Punk. O documentário revela uma dupla de artistas em uma busca permanente por criatividade, independência e liberdade. Entre realidade e ficção, magia e segredos, futuro e reinvenção, Os Robôs construíram um mundo único. O filme combina gravações inéditas e raras com entrevistas exclusivas com seus colaboradores mais próximos.

Martha (Marthe Keller) vive sozinha de frente para o mar em Ibiza e sua vida começa a mudar quando surge uma amizade inesperada entre ela e Jo (Max Riemelt), um músico de 20 anos que sonha em ser contratado como DJ na famosa boate berlinesa Amnesia.

Minsk, Belarus, 1996. Velya, uma aspirante a DJ, quer se mudar para Chicago para realizar seus sonhos, mas a burocracia, uma linha telefônica e a condição humana irão colocar obstáculos em seu caminho que serão difíceis de evitar.

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.

An independent documentary film about the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. Inventors, musicians, and enthusiasts are interviewed about their relationship with the modular synthesizer — for many, it's an all-consuming passion.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

The Concerts in China was a concert tour by Jean Michel Jarre, notable for marking the opening of post-Mao Zedong China to live Western music, in 1981. Five concerts were held in the two biggest cities, for an estimated audience of 120,000 spectators, on October 21 and 22 in Beijing, and on October 26 through 28 in Shanghai.

Live performance of the album Tubular Bells III at Horse Guards Parade London

Live performance of the album Tubular Bells II at Edinburgh Castle

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.

In the not so distant future, the war on drugs is considered a failure. Prohibition has ended. A group of friends risk their relationships and sanity, to create the perfect new drug.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage.

The complete collection of Depeche Modes videos.

A clean-cut synth artist in Germany hopes to turn his career around with the help of a washed-up, erratic, publicity-crazed American manager.

This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.

Armin Only é um evento de música eletrônica performado por Armin van Buuren. O evento consiste em vários generos da música eletrônica (porém o mais predominante é o Trance), luz, laser e um show de fogos de artifícios e com a interpretação de cantores/vocalistas como Raccon (edição 2005), Ilse de Lange (edição 2006) e Audrey Gallagher interpretando 'Big Sky' de John O'Callaghan.

His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.

The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.