Solipsist (2012)

A short animation about a boy who sees an iceberg coming. Will he be in time to warn the captain?

Meis is fifteen, lives in the back of beyond and aspires to a grand and stirring life, but all that happens is the passing of the time, waiting for the next car to run into the front of the house.

James Broughton's creation myth, THIS IS IT, places a 2-year-old Adam and a bright apple-red balloon in a backyard garden of Eden, and works a small miracle of the ordinary. And since that miracle is what his film is about, he achieves a kind of casual perfection in matching means and ends.

Bandits in Sierra Morena assault the carriage in which the Duchess of Benamejí travels. A romance starts between her and the boss of the gang, Lorenzo, that arouses the jealousy of Rocio a gypsy who lives with the bandits. Meanwhile, the Marquis of Peñaflores, a captain in love with his cousin the Duchess, chases the bandits. Rocío reveals to the Marquis where Lorenzo and his men are and taking advantage of the tumult of the fight, she kills the Duchess. Her death will cause a change in attitude both Lorenzo and Peñaflores

An imaginary insight into Pablo Picasso's creative mind and painted creatures and characters. We enter in his head and walk with him the intricate maze that was his imagination to find the creatures and stories that populated his psyche and came out when he painted a canvas. His imagination is presented as the myth of the maze and the Minotaur, and some of the characters in the piece are in Picasso's real paintings - his famous dove, the Minotaur, and the ladies of Avignon, among many others.

DOGMA 95 exists for over 10 years now. But it has been living in the Balkans forever. A desperate filmmaker swears it's time to kill DOGMA . But how far will she go to make it come true?

Duras narrates a short story while the camera travels through the streets of Paris with short interludes of solemn music.

During a reality show a war starts, but the producer will do anything to hide it from the contestants.

Discovered in summer of 1985, of a set of “haiku-imagistic films” I did before coming to my characteristic style, as in Ray Gun Virus; I thought I’d destroyed all these pre-pure films, in about 1969-1970, the time of my separation from my first marriage. The film concerns my marriage, which lasted seven years; it was shot during its first year, when I was a painting student at the University of Denver. It is full of apprehensions, in a montage style which counterposes “opposites”: sexuality and religion; seasonal opposites; hopefulness undercut by fears of eventual separation (the image of a statue of two women, arm in arm, reading a book). I find it visually and kinetically interesting, after all these years. (Paul Sharits) —Canyon Cinema

In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, a nude art dancer/drug addict/scandalous figure of post-WWI Berlin. (Berber died of tuberculosis in 1928, having achieved significant success and recognition throughout the dance world.) Frau Kutowski is placed in a mental hospital, where in her own mind she acts out Berber's final days, including in her fantasies the hospital's staff and patients, to represent Anita's friends and associates.

Uma jovem noiva foge da própria festa de casamento com um estranho e inicia uma viagem épica por paisagens cada vez mais bizarras. Eles encontram animais falantes, viajam por um hotel psicodélico surrealista, incitam um motim na prisão e fogem de canibais nus que vivem em uma árvore.

While a man is trying to rest on a public bench, passersby want to know what he keeps in the bag next to him.

Created under a “manifesto” whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Fortunately, its directors – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make The Fourth Dimension an exhilarating experiment.

Shortlength that recreates the letters exchanged between Victor Erice and Abbas Kiarostami.

A strange dream forgotten in the morning and an unaccountable feeling cause Liviu to look with resignation upon the world he's living in. His awakening to reality may coincide with the birth of his child ...

Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models

Ramu, filho mais velho de uma família de imigrantes em Calcutá, é recém-formado à procura de um emprego como muitos outros na pós-Partição de Calcutá.

A beautiful young drifter comes to a small village and battles Death itself to save the man she loves.

A series of tail ends of varied strips of film, with sometimes recognizable images dissolving into light flares, appear to run through and off of a projector. A romantic "narrative," suggesting an "ending," is inferred.

The story of Danny, a 40-year-old man who is unwilling or unable to grow up.