In Another Life (2023)

Against the backdrop of a European cityscape, worlds intersect when a woman and a man on separate travels meet, or rather, collide on the screen. Their affects mingle, creating a zone between their bodies in which something happens: intoxication, stillness, desire and love. Something that is neither one nor the other's, but a third creation between dreaming and being awake, where possibilities are held and lost. This is URDA / BONE.

Can an eight-year-old boy dressed as a bunny change the world? He thinks he can.

Kashou Minaduki, the son of a long line of Japanese confection makers moved out to open his own shop "La Soleil" as a patisserie. But upon moving out, hidden amongst his things were two of the catgirls, Chocola and Vanilla, that the family had been raising. When he tried to send them back, they begged and pleaded until he gave in and now they've opened La Soleil together. With two catgirls who really, REALLY love their master trying their very best and occasionally failing -- a heartful comedy opens for business!

A seemingly unremarkable man spends a day taking a bizarre test at a mysterious facility. Through his day he interacts with the odd, detached employees of the facility, guiding him from section to section, obscuring the intentions or duration of the test.

Emshwiller made this film on a Ford Foundation grant, and in his original proposal to the Ford Foundation, he outlined the film as "something that deals with subjective reality, the emotional sense of what one's perception of the total environment is -- sexual, physical, social, time, space, life, death."

Jackie é uma recém divorciada, mãe de dois filhos que viaja para o Havaí para comemorar os seus 40 anos. O amor chega novamente e com ele muitas e novas decisões a serem tomadas.

Uma jovem se vê perdida e lentamente dissociada da sua própria realidade conforme encontros e poemas esclarecem que algo desapareceu de dentro dela.

One day the boy met a friend who understood him without words.

A couple is overjoyed to welcome their firstborn into the world. Euphoria slips away when they return to an unwinnable argument over the name they will give their son.

In the early 1960s, teenager Adam Stafford (Cameron Bright) becomes obsessed with his new neighbor, Catherine Caswell (Gretchen Mol), a divorcée and free spirit. Stafford spies on Caswell as she meets with strange men, and, despite the warnings of his conservative parents, he begins working for her as a gardener. Amid rumors of her affair with President Kennedy, the two become close, but political intrigue surrounding her acquaintances soon infringes on their friendship.

Resigned to a life of sadness and regret at his hideous treatment of his wife many years ago, Trevor, an aging ex-con, spends his lonely life walking his dog and staying out of trouble. One morning he stumbles upon Melissa, a woman desperate, afraid, and operating on a knife's edge of panic. She's killed her abusive husband and is frantically trying to bury him. Sizing up the situation, Trevor recognizes the pain in her eyes and sees a way to save Melissa, and to redeem himself in the process. But the price of freedom and redemption will be higher than either of them could have ever imagined...

Charles searches for his mother on the day of her wake. In the midst of his grief, he finds her.

Set in the post-pandemic period, Tien meets his fuckmate Jay for the fifth time in Taipei, who he’d otherwise only meet once a year. Chatting and smoking like they used to before, Jay unexpectedly suffers a heart attack, thereby causing Tien to rethink his relationship with him.

Tina doesn’t know much about the schoolgirl in the Hijab. She might come from Egypt or Iraq – but what does it matter? She would like to be there for her neighbour, to protect her from her tough life at home and in the neighbourhood. But how come Tina thinks she knows so much about this foreign girl? Prejudice and tentative advances collide head-on in the block.