Hell (1983)

Sonho? Realidade? Subconsciente? Uma aventura surrealista de Luis Buñuel e Salvador Dalí.

Na hipotética Paris devastada pela Terceira Guerra Mundial, os poucos humanos sobreviventes pesquisam uma forma de viajar no tempo, para assim poderem mandar alguém para buscar comida, água e talvez uma solução para a terrível posição em que se encontram. Um homem é assombrado por uma vaga lembrança da infância que se provará desastrosa.

A butcher in Paris takes his revenge after his daughter is brutally attacked.

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.

Trabalhadores atravessam o portão da fábrica Lumière para deixarem o local, seguidos por uma carruagem puxada por dois cavalos. Foi exibido em 22 de março de 1895, no Salon indien du Grand Café, quando Louis Lumière fez pela primeira vez uma demonstração pública de seu cinematógrafo. Pode ser considerado como o primeiro filme a ser projetado em público e originou 3 refilmagens dirigidas pelos próprios Lumière.

Pateta ilustra as várias modalidades olímpicas do atletismo, assim como os eventos e rituais relacionados à condução da tocha.

A teenage boy plays truant from school, and spends the day riding around the town and the deserted beach on his bicycle, letting his mind wander as he imagines he is the only person in the world...

A girl tells the story of her life and hopes for the future.

A man wakes on the ceiling of his bedroom and breaks a lamp to alert his wife to his predicament. She puts on her heavy boots, unstraps herself out of her bed and uses a hook on a pole to drag him back down. The next day he goes to his job where he works as a deodorant tester, sniffing the armpits of exercising test subjects. On this day though, he faces an event that will change his life forever.

The movie covers 3 events in a girl's life. The first shows her as a very young girl watching her father get ready to go out for a night. In the second segment she's a teenager who witnesses a nasty incident involving a cow. While in the third she's a young adult who goes to a creepy building with her boyfriend. He goes upstairs, leaving her to fidget nervously below. But then he calls to her ...

Buster manages the store while Roscoe delivers the mail, taking time out for hide-and-seek with Molly. The constable, also interested in Molly, steals $300 while being observed by Buster.

A series of adventures begins when Buster is mistaken for Dead Shot Dan, the evil bad guy.

This satirical parody of William S. Hart's melodramatic films finds Buster in the frozen north, "last stop on the subway." He uses a wanted poster as his partner in robbing a gambling house. When he thinks he spies his wife making love to another man he shoots them both only to learn it isn't his cabin after all.

In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.

Animated documentary about two Sudanese children who are abducted and used as slaves

A woman's story of how she became involved in terrorist activities in the 1970s.

At the height of the Great Depression, the showman of a renowned circus leads his troupe through the devastated American landscape, lifting the spirits of audiences along the way. During their travels they discover a man without limbs at a carnival sideshow. However, after an intriguing encounter with the showman he becomes driven to hope against everything he has ever believed.

Official animated movie of Tim Minchin's 9-minute beat poem Storm. Written and performed by Tim Minchin. Directed and animated by DC Turner. Produced by Tracy King. www.stormmovie.net www.timminchin.com www.kershoot.com

Uma vaca está sozinha de um lado do móbile enquanto todos os outros animais estão do outro lado. Ela quer muito ter um amigo, e o único que não recusa sua amizade é um ratinho bem pequeno...

Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.