Cologne: From the Diary of Ray and Esther (1939)

A soundless mix of story fragments and images. Initially, images of death, a man with a guitar, a soirée. Some images are surreal: an older woman eats a leaf; a headless man pours a cocktail into his body.

Simple objects, photographs, and events prompt Frank to self-conscious rumination. From his homes in New York and Nova Scotia and on visits to friends, the artist contemplates his relationships, the anniversary of his daughter's death, his son's mental illness, and his work.

Uncle Sam has been living peacefully in the American southwest, running a gas station. But when terrorists kidnap the Statue of Liberty, Uncle Sam teams up with an eagle to go rescue her.

A formal 1861 portrait of a Chinese Mandarin and his wife is the starting point for this allegorical investigation of the fantasies spawned in the West about the East, particularly that which associates femininity with the mysterious Orient. ADYNATA presents a series of oppositions-male and female images, past and present sounds-which in and of themselves construct a minimal and fragmentary narrative, an open text of our imaginations, fears and fantasies.

A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries. 2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality. 3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation. 4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.

Documentary film and home movie about Dwight Core, Jr., a boy with Down syndrome. The footage was originally shot throughout the 1960s and 1970s by Core's father, Dwight Core, Sr. The footage was later discovered and completed by the filmmaker's grandson, George Ingmire

The camera pans across a field of flowers at extreme speeds in this short film by Hollis Frampton.

The 8 minute short is open to interpretation as it examines the inner thoughts of several people around a table, with the Rita Hayworth version of Put the Blame on Mame playing on the soundtrack.

A butchered cow is decapitated in this short film by Hollis Frampton.

A series of ghost-like vehicles drive by in this short film by Hollis Frampton.

New carpet factory footage intercut with old porn creates a brief but telling glimpse into the human psyche.

Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health.

Schultz raises prize chickens and roosters that are always getting into neighbor Max Davidson's garden and eating the seeds, leading to constant feuding between the two men. When their children announce their engagement the two men decide to bury the hatchet and Davidson suggests a dinner at his house. He gives his young son, Ignatz, two dollars to buy a chicken but the boy pockets the money and kills Schultz' first place rooster instead. Once seated at the table all but Schultz discover what they are eating and desperately try to hide the bad news from Schultz who is sure to kill Davidson if he knows the truth.

This classic short film depicts the Klondike gold rush at its peak, when would-be prospectors struggled through harsh conditions to reach the fabled gold fields over 3000 km north of civilization. Using a collection of still photographs, the film juxtaposes the Dawson City at the height of the gold rush with its bustling taverns and dance halls with the more tranquil Dawson City of the present.

When a mysterious figure appears to cause a series of disruptions at the Frisbie Home in New York, word goes out to Scotland Yard that the Fuzz-Faced Phantom is at work. Soon, Charley MacNeesha and his assistant MacGregor are sent across the ocean to investigate.

Explores the themes of trance and dance in the rituals and religion of Bali. The famous Kris Dance is performed.

An abstract experimental short film from Jordan Belson.

A 1941 film encouraging people to seek treatment if they had, or might have had, syphilis.

Um ensaio atmosférico, servindo como uma versão alternativa do “Conde Drácula”, um filme dirigido por Jess Franco em 1970; uma narração fantasmagórica entre ficção e realidade.

One of the earliest music videos, the film shows various pictures of San Francisco in the psychedelic era, with rapid cuts and freeze-frames, and Pink Floyd's music.