Shrimp Stories (1964)

A complex creature. Regular underwater photography, magnified close-ups, and film through a microscope present sea urchins. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

The one-celled long and slender diatom, up close: discovered in 1703 with the invention of the microscope. We observe them magnified 10,000 times: water expelled through the skeleton, mucilage constantly emitted, allowing it to glide. Their energy comes from sunlight. They divide and disperse. The narrator, conversing with a young woman, says their remains cover one-third of the earth's surface. They have uses in petroleum, explosives, and polish. Some live in isolation, some in colonies, like elaborate fans. They can move in clusters. Many small animals eat them. We watch them slide on each other in long strings.

Jean Painlevé se senta com crianças em um parque parisiense e conversa sobre pombos. Primeiro, sobre a aparência física (olhos, asas e cauda, sem esquecer a cor) e suas variedades.

Two kinds of starfish, the brittle and the feather. The brittle star moves its arms alone, without the aid of suckers. Underneath is a single opening. Stalks move food close to the mouth and move waste away. We see vents, used in reproduction and breathing. We watch the hatched young expelled into the water. The camera shows us brittle stars' intricate patters. We observe feather stars in clusters, like ferns. One turns over slowly; arms have branches with stalks for breathing and gathering microscopic food. Reproductive organs are inside branches. We see eggs develop at 1,400 nature's speed. Larvae emerge, 0.1 mm long. They grow. A feather star takes a walk.

Perrault's fairy tale presented in claymation with choral voices. Bluebeard goes courting, all six of his wives having died. He arrives at the house of a widow with two daughters. He's greatly feared, but he overcomes objections with a generous dowry. One sister (Anne) refuses him; the other accepts. At his castle, the damsel delights in precious minutes away from Bluebeard in the rose garden. The Saracens declare war; Bluebeard goes off to fight them, leaving the keys to the castle in the damsel's hands. He warns her not to enter the forbidden room. As war rages, she discovers riches in the castle and then enters the forbidden room. Will Bluebeard discover her act? Can she escape death?

Title cards introduce images we watch without narration; they are displays of shape and color. François de Roubaix's electronic music accompanies these images, photographed under a polarizing microscope. The crystals appear to move like tiny organisms: small four-part fans share the frame with flowing lines of pink. Multiple patterns appear side by side.

An educational film, a movie through a microscope, in two parts. Within minutes after the egg drops in the water, fertilization occurs and contractions start. Soon, in a fertilized egg, we see the germinal disc divide into two blastomeres. Divisions continue; contractions re-occur at the cap as it covers the egg. Title cards in French tell us what to watch for. Muscular movements and circulation appear; the heart beats. In part two, we see blood circulation begin as red cells develop on the surface of the yoke. They mass toward the heart. Arteries form, blood flows. The egg hatches and blood flows to new areas.

In December 1967 a Cuban film crew led by Santiago Alvarez, the veteran polemicist, traveled to Hanoi. They shot the footage which constitutes this short documentary all in one day - Tuesday 13. The film is the story of that day, and what happened to the North Vietnamese people in the course of it.

Impressionistic study of the fate of a stray dog, trying to avoid the results of human indifference and cruelty.

Em um lago de água doce, diversas criaturas aquáticas tentam comer outras para evitar que elas próprias sejam comidas.

Scottish physicist James Clerk Maxwell's classic theory about the behavior of gas molecules is represented on-screen by a man performing a series of Canadian air force exercises.

An educational film from 1967 designed to scare teenagers away from illegal drugs

Sonny Bono appears onscreen to tell kids that marijuana is a "bummer" that turns you into a "weedhead" and will make you "trip out" (the fact that, based upon his performance, Sonny appears to have ingested unknown substances before the cameras started rolling tends to limit the film's crediblity somewhat).

A graça e fluidez de um abraço de oito braços, o olhar sedoso de um olho estranhamente bulboso. Entre os filmes mais mágicos já feitos, este é o retrato carinhoso de Painlevé sobre a criatura marinha anômala. A trilha sonora surpreendente é do pioneiro da música eletrônica, Pierre Henry.

An inept barber maintains his good-humored optimism in his small town shop despite having a hen-pecking harridan for a wife and a total lack of sartorial skill.

Jean Painlevé short film examining proportion and its effects on organisms.

Rather than telling his parents, who have another girl picked out for him, Bob brings home his new wife disguised as his friend "Steve."

Ferdie's wife is fox-trot crazy, wanting to go dancing all the time. To get out of it, Ferdie fakes an ankle injury. When his wife spies him walking without his crutch, she writes a letter to her stern mother, inviting her to stay with them while Ferdie heals. Rather than face his mother-in-law, Ferdie admits he was faking his injury, and tears up the letter.

This spoof of 'Apocalypse Now' has health inspector Will Dullard travelling by car "uptown" with two friends to have a meeting with a certain Mertz, the owner of a meat processing shop, to "investigate with extreme prejudice."

A glimpse into the world and methodology of dancer Martha Graham.