Voando Baixo (1948)
Gênero : Animação
Runtime : 7M
Director : Charles A. Nichols
Sinopse
Um passarinho cai na vasilha de água do Pluto pois tentou voar muito cedo para fora de seu ninho. Pluto decide então dar algumas aulas de voo.
The sea is the thin border between what we are and what we are forced to be.
In a desperate attempt to survive, two deserters and a green beret try to reunite with their forces after the enemy unleashes its secret weapon.
Mario has prepared something for Cristina, but she doesn't seem very interested in knowing what it is.
A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.
Fourteen years after the events of the first film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.
Marco is a shy courier instructed to deliver some jewels in a photo studio. Here he meets Giorgio, the photographer: handsome, gay, cheeky.
Daniel Solomon is not having a good day. Somewhere in the stratosphere between Bangkok and Tokyo, the jetliner on which he’s travelling breaks apart, ejecting Daniel and his fellow passengers into the sky. Strapped into his seat thousands of feet above the merciless Earth, time suddenly stops, the wreckage of the plane freezes in place, and Daniel discovers what it means to have your life flash before your eyes. Transporting himself into the past and re-experiencing his memories in real time — but helpless to change the present — he plunges into the detritus of his all-but- concluded life.
Brotherhood An Egotistic Journey of a Blind Mind is about "Two friends drawn apart by the most common human emotion...Love" Two best friends, Marcus and Vincent are your ideal hoodlums. On a daily routine they drink alcohol, play basketball and idolize women. Stuck in a rut the two are introduced to a young go-getter named Ariana. Through getting to know her a wedge is thrown into Marcus and Vincent's relationship and it might never be repaired. Ego gets in the way and it blinds them.
Daz finds an SD card in the middle of the woods.
In a hotel hallway, the camera plunges into the microcosm of the hotel corridor carpet. Between crystal structures and inhabitants of this world, we see an American house dust mite at work.
Nahal breaks her arm in a fight at school. A man claims she hit someone while riding a motorcycle and fled the scene because she didn't have a permit. Nahal claims the CCTV will show that she hurt her arm at school.
Despite having ocean water allergy, Ji-ah go to the beach with her friend Na-young to meet Dong-hae, a boy in love with Ji-ah. After having spent the night at a nearby beach house, Ji-ah finds her retained feelings for Na-young.
An ordinary Libyan citizen tries to cope with different ideologies by changing the way he dresses. The Random examines post-revolution Libyian society and the way individuals try to uphold their opinions by force.
A neglected young boy misses the opportunity of a lifetime or so, he thinks.
IFS-Film is a film made on an Atari Mega 2 ST computer using Forth and Assembler computer-animation software.
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg