Henry Goes Arizona (1939)

Bonny Kane and 'Skid' Johnson are vaudeville performers in the 1920s. The two of them suffer marital difficulties when Skid gets an offer to appear on Broadway while Bonny gets left behind on the road. Things get worse with Skid's increasing drinking problem and the fact that the press has reported him to be spending a lot of time with his pretty co-star.

Musical about vaudeville performers, from 1944.

A chorus girl gets bad advice from her fellow chorines in handling a rich suitor who assumes she is a gold digger.

Ted Healy and His Stooges alternate mildly risque vaudeville routines with semi-elaborate Berkeleyesque musical numbers with beautiful chorines.

A woman wearing a light-colored leotard, gathered at the waist, and tights stands against a black background. Although she is filmed in a long shot, her feet are cut off in the frame. She opens with a flourish of her arms and faces the camera. First stretching up with her arms, Latina then bends in half at the waist, steps into a metal ring or hoop, and places her head in the ring as well.

Part of the Wintergartenprogramm.

A man performs tricks on a theatre stage with a bowler hat and a billiards ball in equilibrium on his arms and body.

Husband-and-wife vaudeville stars separate when success goes to his head.

After listening to the waltz "Carmelita", dedicated to his wife, President Diaz instructs Don Susanito seeking the composer Chucho Flores to give her a piano. Don Susanito located Chucho, a bohemian who lives drunk and surrounded by poets and artists. Don Susanito was named patron protector of artists and aspiring young stars of the stage, which leads to a series of adventures in the middle of songs, dances and loves.

Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.

The vaudeville comedians Smith and Dale star in a clever satire on Prohibition and all its illegal shenanigans. Charlie Dale is the greedy owner of a sweatshop pants factory, and Joe Smith is his underpaid cutter. A letter arrives for Smith, informing him that he's about to receive an unexpected inheritance. Dale intercepts the letter, and offers Smith a partnership in the pants factory...

Dolly Havens, a small-town girl with big-town ambitions that are larger than her talents, hooks up with Johnny Storm, a vaudeville performer, whose talents make the act a success. Dolly, thinking she is the reason, meets a handsome leading man and joins up with him but, before long, he discovers 'she ain't a trouper' and she is soon performing with 4th-class acts in Tank Town America

Eugen Sandow, who claims to be the strongest man in the world, appears in the Edison Company's film studio.

King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home.

The president of a settlement-house group puts on a benefit variety show.

A showgirl with a dubious reputation flees the cops and transforms herself into a phony evangelist offering "cures" to the sick and disabled.

Broke lion tamers travel to Africa to make a movie about Amazon women, from a distance.

Two couples work through their issues in this backstage Broadway musical.

After eating a cheesecake given to him by a kind-hearted lady, a hobo goes to sleep and has a bizarre dream in which insects are putting on a vaudeville show for him, with a grasshopper juggling an ant, a dancing daddy long-legs, etc.

Three young women with dark, curly hair stand on a stage with a black background and patterned carpet or tile underfoot. They wear tights, ballet shoes, and frilly dresses to the knee with multiple petticoats and ruffled drawers. They begin by raising their right legs up by their heads, and then perform a dance with a variety of kicks and leg movements, their hands either in the air or pulling up their skirts. The sisters also grab their right legs again and hop in a circle, then do cartwheels and land on the floor in the splits. Jumping back to their feet, the women twirl in circles and around each other in circles in what appears to be a type of pirouette, while holding up their skirts and showing their bloomers in a manner similar to the cancan.