Samurai Geisha (1969)
Gênero : Drama, Crime
Runtime : 1H 39M
Director : Kōsaku Yamashita
Escritor : Tatsuo Nogami
Sinopse
Popular geisha Shinji (Fuji Junko) must defy a gang who plot to steal a lucrative coal business from struggling miners during the turbulent Meiji Era. With a stellar all-star cast, thrilling story and Takakura Ken's violent swordplay, makes this into a classic Yakuza movie!
Ryu, a low life thug, along with his mother, steals a shipment of drugs. Now with his machine gun and a gang of hoodlums, he must face the yakuza and the mafia.
A small yakuza gang is taken to war by a more powerful rival after a violent bar brawl involving members of both gangs. Young boss, Masaki, must decide whether to disband his dwindling gang or fight.
When Masaki find themselves at a bar owned by his friend Akemi and ponder the recent strange happenings. He later accepted a proposal from his old rival Hattori and join the Todo-gang. A member, Hazama, beeing jealous over Masakis high rank and starts planning ways to get rid of the newcomer from the gang.
Soma goes to Masakis allowed back to his former gang, led by Takeda who asked for his help since he had problems controlling their own men. But one fears how Somas former assistant Kokubu, now second in command of Takeda, should react. Soon Soma assassinated by three hired men, but one of them, Karasaki, who has just escaped an assassin is still possible to Masaki for help, explaining that Kokubu hired him. Masaki agrees to help him, but this also means that he exposes himself to danger.
A dark and strange comedy about a bank robber with bad luck. Bungling a bank robbery turns out to be a profitable mistake for Yamazaki, an amateur crook who ends up with 80 million yen after a string of improbable accidents. But having so much cash doesn't make his life is any easier. In fact, it gets much more complicated when Yamazaki stabs a hairdresser by mistake and instantly becomes a hunted fugitive. He's just one unlucky monkey but can he turn his luck around?
A bunch of young hipsters kidnaps a loving couple and keeps them trapped in a barren landscape. To the sounds of free jazz they are performing various experiments with the couple. In the distance is a yakuza gang keeping track of the youths. Who are really experimenting with whom?
A young girl named Oichi is abandoned by her mother and blinded by a lightning strike. When her guardian is killed, she learns to wield a sword from a traveling ronin. As she develops into a master swordsman, her profession becomes that of a bounty hunter. Many test her sword and many die by her skills. She travels throughout the countryside to seek her mother and her revenge.
A professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Despite being a minor, Setsuko is a liberated woman who does whatever she wants, including smoking. She even convinces Koyima to take her to a geisha house. When she gets rather tipsy, the professor calls Okada, one of his students, to take her home. The wife becomes suspicious of Setsuko when she sees Okada bringing her home.
Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.
Follows the fluctuating fortunes of three ronin in feudal Japan who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. Though they use the servants' entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.
Naoto Kiba takes on the task of protecting thug Junpei who embezzled 500 million yen from Okinawa's largest gangster gangs, Soryu-kai.
Miyashita, a former low-level yakuza member, has tracked down and kidnapped his daughter's murderer with help of his friend Nijima. But others are soon implicated in the death, leading the pair further down a violent path of revenge.
Coming out of jail and hoping for a quiet life, Yokohama yakuza has to take the lead of his gang after the death of his boss. His small group is is taken in a crossfire between a big yakuza group from Osaka at war with the Tokyo alliance for the control of the city. He tries to keep to the old yakuza code but he is no match for the new thugs who live and fight without honor.
The story follows a university student who moves into an apartment building and becomes involved with a waitress. The landlord then attempts to evict the tenants and sell the building through illicit means.
‘Tattooed Life' begins with a parasol wielding Yakuza assassin attacking a rickshaw. It almost looks like feudal Japan until somebody pulls a gun and we're reminded that it's the 20th century. Post-shooting, the assassin delivers his bounty to his brother (to pay for his art school education) before getting ambushed in one of the few rickshaw-jacking incidents in film history, and being rescued by his art-student brother. In the aftermath, one brother is marked for death by the Yakuza, and the other brother won't go to art school with blood on his hands, so they decide the perfect way to deal with such hardships is to become fugitive construction workers in northern Japan . And why not?
An aging geisha, whose angry teenage son is ashamed of her profession, works alongside a young geisha, resentful of her family for forcing her into a life of ignominy.
Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.
Ryuji tries quitting the yakuza to actively support his wife and daughter; as he's used to easy money, it's a difficult transition.
When the mobster Iwaida Nishikawi is executed by the hit man Takeshi, his family chases the killer. Takeshi's brothers Takashi and Hideshi Miwa try to find Takeshi, who is hidden with the nurse Rie Ishibashi, to protect him and Hideshi discovers that Takeshi was secretly sent by their Yakuza boss to eliminate Iwaida. Meanwhile, the mobster Kenmoshi abducts Takashi's wife Mariko and rapes her, trying to force Takashi to deliver his brother to him.
In prison for 50 years after massacring his corrupt workmates with a samurai sword in 1945, Ginji Sonesaki (Riki Takeuchi) is given the nickname of Ginji the Slasher. On his release he finds himself on the streets living with the homeless hiding from a man whose life he tried to end. His former boss and the object of Ginji's hatred is now a highly-regarded figure in politics but Ginji plans to remind him of his past transgressions and make him pay for ruining his life.