Rope Dance (1986)

A confrontation of two worlds-- Two rooms, one of which is full of light and colors, the other a monotonous gray.

A short Surrealist animation from Denmark which begins with a zoom into a Paul Delvaux painting, then reverses the process by pulling back from a continually changing picture.

A man and a woman converse at a cafe's bar in this animated short.

A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart?

The camera pans across a field of flowers at extreme speeds in this short film by Hollis Frampton.

A butchered cow is decapitated in this short film by Hollis Frampton.

A series of ghost-like vehicles drive by in this short film by Hollis Frampton.

Black atmosphere, with depth-enhancing points of light, broken into shades of dim silhouettes by the ephemeral cloud-glow of lightning.

Sexologists, psychologists, and proponents of sexual freedom, the Kronhausens here attempt to induce erotic response in the audience by carefully chosen visual stimuli and juxtapositions (aimed at both conscious and unconscious). Phallic symbols and open orifices, a tongue licking an orange, an unexpected finger entering the frame: almost any object or act, no matter how innocuous, the Kronhausens show, can be made to appear erotic, and reveals our predisposition towards ‘shaping’ visual evidence for purposes of erotic gratification.

Early Balkan footage.

Os soberanos Nicolau II e Alexandra Feodorovna e seus convidados descem lentamente a Escadaria Vermelha, precedida por uma companhia de soldados blindados.

A couple of women are washing outside.

Early Balkan footage.

Early Balkan footage.

Early Balkan footage.

For a generation of young activists, the reality of war, imperialism, racism and the growing fragility of democratic liberalism was too much to handle. Force became a means to wrestle with this tension. As the discourse of a “country torn” finds its way into mainstream political analyses (for many the deep divisions in this country are not a new political reality), we should reflect on the writings of political dissidents and radicals. We should recognize the diversity of political analysis that is very much alive. The histories of armed struggle, if taken seriously, provide us with a means to think more critically about the center, and complicate its claims of moral and political right.

Through images showing the precarious conditions in which the poorest families in the country live, and the testimonies of the mothers themselves, a denunciation of child malnutrition in Chile is made. It also shows a hospital ward and babies in a state of extreme malnutrition, and images of a funeral, in which the coffin is evidently that of a child. The narration provides facts and figures that reinforce the magnitude of the problem.

Early Balkan footage.

Vaudeville team Shaw & Lee sing songs and tell jokes in hilarious deadpan.