Twenty Years of African Cinema (1983)

Several animals chat via text messages. Between mundane exchanges of words, rivalries emerge. Have they become human?

Duke Ellington and his orchestra play two jazz compositions plus 'Stormy Weather' (sung by Ivy Anderson).

Bandleader Frances Carroll leads The Coquettes, an all-female band, in several swing tunes.

On a hot summer day, a group of boys of the Roman suburbs play and laugh in one of the many rivers that surround the city. The camera scrutinizes them, approaches them, reveals the gestures and glances, wraps them in a sort of visual dance, while the words of the commentary (entrusted to the poetic sensibility of Pier Paolo Pasolini) narrate the stories, desires, dreams, the future.

John and his class go on a school trip to the Tower of London. While he is there he loses his pet mouse and vows to return and find her later. Back in school, he is not very attentive and falls asleep during a lesson about electricity so his teacher sends him home. On the 'tube' there is a sudden flash, and John, the train and all of the passengers turn yellow. With the help of Nick (short for 'Electronic') John learns about electricity, invades the Tower of London and saves his pet mouse ... or was it a dream. This is the Powell & Pressburger touch applied to children's films.

Sophia, a brilliant doctoral student, has always maintained a symbiotic relationship with her brother Karim. The arrival of a new lover in Karim’s life significantly alters their dynamic.

Her doctor thinks Rita Rio is crazy for loving music too much, but she proves him wrong by becoming a successful bandleader.

Five, even six, variations on a theme, commentary and interpretation of the same photograph. An exercise to tell and summarize the history of the Cinémathèque française.

The obscure philosopher Georg Hermes almost withdrew from the world to concentrate on his studies, especially Heraclitus, having no relationship since his mother's death. When he wants a new suit for a lecture (actually very minor) about his new book, he meets the sisters Franziska, Breate and Marthe, who run a boutique, share a house and have a lover each. Those invite Georg to dinner, Franziska even on dates. Falling off a boat he gets naked with her, and they become lovers. The girls all take to Hermes and get him to move in, spoiled by all and offered polygamy.

Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

Por favor, agora não! título francês original La Bride sur le cou, é um filme de comédia francesa lançado em 1961, dirigido por Roger Vadim e estrelado por sua ex-esposa, Brigitte Bardot.

Marie Kolverer é uma prostituta vienense que se oferece como espiã ao serviço secreto de seu país. Transformada na sedutora agente X27, uma espécie de Mata Hari, ela facilmente seduz e extrai segredos de oficiais inimigos durante a Primeira Guerra Mundial. Contudo, ela acaba se apaixonando pelo Coronel Kranau, um espião russo...

Mort Rifkin e sua esposa Sue viajam para a Espanha para acompanhar o Festival Internacional de Cinema de San Sebastián. Na cidade, Mort passa a desconfiar que Sue pode estar tendo um caso com um atraente cineasta francês, enquanto ele mesmo se encanta por uma jovem espanhola, o que acaba influenciando consideravelmente a dinâmica do casamento deles.

A day in the life of Maria, an old woman who lives on a farm in Puglia. She is not afraid of death, the gestures and actions that fill her days give meaning to time.

French silent film pioneer Abel Gance directs this 1935 classic about Lucrezia Borgia, her brother, Cesare. and her father, Pope Alexander VI -- one of history's most ruthless and ambitious crime families.

Um homem (Ben Affleck), descontente com a sua vida, viaja a Paris e inicia uma profunda relação amorosa com uma europeia (Olga Kurylenko). Ele volta para os Estados Unidos e se casa com esta mulher, para ajudá-la a ter a permissão de estadia americana. Mas após o casamento, a relação dos dois se degrada. Neste momento, ele encontra uma antiga namorada (Rachel McAdams), com quem inicia um novo romance.

When two employees of a clothing factory are murdered, the shadow of suspicion falls upon a lowly stock boy.

Two men in love, hugging and then apart, one in the city and the other in the country.

“Why does cinema need death, when it can’t show it?” The filmmaker’s monologue and the discourse of images meet