Whitsuntide Fair at Preston (1906)

A man from the city walks around the country side. He tries to find out what farmers are hiding below the plastic belts on their territory.

Memories split in the space.

A formal 1861 portrait of a Chinese Mandarin and his wife is the starting point for this allegorical investigation of the fantasies spawned in the West about the East, particularly that which associates femininity with the mysterious Orient. ADYNATA presents a series of oppositions-male and female images, past and present sounds-which in and of themselves construct a minimal and fragmentary narrative, an open text of our imaginations, fears and fantasies.

Familiar objects are transformed into a candy-coated vision of war in this seminal stop-motion short by PES.

A surrealistic montage set in motion by a tidal wave and incorporating a samurai battle.

Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health.

Zineb is a psychiatrist assigned to Rihana, a traumatized and pregnant young woman, who was raised as a son by her dictatorial father. Rihana's story awakens repressed thoughts in Zineb's own mind.

Insects are tortured in various ways amidst the sounds of screaming.

M. Rasta, a high society con man, is accused of a crime he didn't commit.

This picture shows an old gentleman seated at his shaving table. The razor is evidently giving him a great deal of trouble...

Word & number gag, no camera.

A seven-year-old boy is sent to a farm on a remote island, when his mother goes abroad. On the island the boy gets to know a twenty-year-old woman who seems willing to take on a mother's role. But the boy is reaching an age of sexual awareness and instead of regarding her as a mother figure; he falls obsessively in love with her.

The gang goes to a circus sideshow to visit Dickie and Spanky's uncle, mistakenly believing he is "The Wild Man from Borneo."

This Oscar-nominated documentary short tracks the shift in the relationship of an individual to his work between the 19th century and today. Focusing on how nails are made, we first see a blacksmith laboring at his forge, shaping nails from single strands of steel rods. The scene then shifts from this peaceful setting to the roar of a 20th century nail mill, where banks of machines draw, cut, and pound the steel rods faster than the eye can follow.

Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in this slow, elegant film betray a certain dry humor -- a child devouring the last of a bowl of yogurt and then crying; a cow getting its head stuck in a pail; and a woman singing to herself, accompanied by her snoring husband. Other scenes capture the nomads' hardscrabble lives -- drunken herdsmen in the grips of existential despair, growling dogs, and a camel enduring a rather grim septum piercing. By the end of the film, the family pulls up stakes and herds its sundry four-legged beasts -- camels, cattle, goats, dogs, and horses -- to a more fertile plain. This film was screened at the 1999 Yamagata International Documentary Film Festival.

"In Chakra, I was able to transfer the traditional order of the chakras into a film, starting with the first (lower) chakra and working up to the seventh (top) chakra…" - Jordan Belson

A shy old man works up the gumption to meet a woman on whom he has a crush.

“Papá, os meninos maus da escola roubaram-me a lancheira que tinha o almoço que tu fizeste com tanto amor e carinho.”

The scene opens on a theatrical stage. The magician enters from the wings, and making a bow to the audience, removes his coat and hat and they disappear mysteriously in the air. He then takes a white handkerchief from his pocket, holds it over his knees, and his long trousers disappear, and behold! he is clad in knickerbockers. He next makes a pass with a magic wand and a table suddenly appears before the audience, on which is a large pile of tissue paper. The magician takes up the paper and shakes it a few times and three live geese fly out upon the floor. This is a highly pleasing and mystifying subject.

A montage of some home movies taken by Archie Stewart (1902-1998), an early enthusiast in taken 16 mm sound films of his family. We see his daughters, Mary and Anne, playing in the aftermath of a January, 1936, snowstorm. Next, indoors, the girls bring in a birthday cake and sing to Archie. He has Anne read to him from a children's book, and a year later, has her read aloud to show her progress. Anne and Mary dress up Pat the family dog in a dress and scarf and hold a tea party, chattering away. Archie's high-pitched voice provides narration on and off camera.