Coming Attractions (2010)
Gênero :
Runtime : 25M
Director : Peter Tscherkassky
Sinopse
A film woven around the idea that between early cinema and avant-garde film exists a connection.
A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.
Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.
Gus é uma nuvem cinzenta solitária e insegura que esculpe filhotes. Cada nuvem é responsável por esculpir um tipo de filhote, como de cachorro, gato ou bebê humano. Após esculpidos, as nuvens passam os filhotes para sua cegonha, que entrega para os futuros pais. O problema é que os bebês que Gus é responsável por esculpir, diferente de outras nuvens, são um tanto perigosos, como crocodilos, porcos-espinhos, entre outros. E a cegonha Peck, companheiro inseparável de Gus, é quem lida com a entrega desses filhotes. As criações de Gus são verdadeiras obras de arte, mas para Peck não são mais que um punhado de entregas. Á medida que as criações de Gus ficam mais “indisciplinadas”, o trabalho de Peck fica mais difícil. Como a cegonha vai lidar com o seu trabalho pavoroso e o temperamento de seu amigo Gus ao mesmo tempo? Faz parte da Coleção Pixar Curtas 02.
A documentary following young Anishinaabe water activist Autumn Peltier as she travels to the UN to preserve the future of Indigenous communities.
Após o mundo ser afetado com um vírus e o distanciamento social passar a ser uma realidade, três amigos começam a fazer ligações semanais para manter contato, porém tudo começa a ficar estranho quando um deles tem uma mudança brusca de personalidade.
Quando descobre que os Bergens não têm mais feriados em seu calendário, a eternamente otimista Poppy, rainha dos Trolls, procura o auxílio de Branch e de toda a turma em uma missão deliciosamente estranha de consertar algo que os Bergens nem acham que está ruim! A música não para nunca com Trolls Dias de Festa da DreamWorks!
Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.
A kid begs to stay home while his older sister runs to the store. After she leaves, he wishes he would have gone because he doesn’t feel comfortable being at home in the dark as strange things start to happen...
Se passando logo antes do emocionante epílogo do último capítulo da trilogia de filmes – e 10 anos depois do final de “Como Treinar o Seu Dragão 3” – “Como Treinar o Seu Dragão: Homecoming” começa com Soluço e Banguela compartilhando histórias de sua relação especial com suas respectivas famílias enquanto elas se preparam para o Festival Snoggletog.
A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.
Margo, Edith e Agnes encontram um caminhão de sorvete. Então as três vão atrás do caminhão, mas Agnes cai quando tenta pedalar até o caminhão. Os Minions, vendo ela tão chateada com isso, decidem construir para ela uma motocicleta temática, com Unicórnios. Agnes sai para um pequeno passeio pela cidade.
Um Minion, vendo muitos donos passearem com seus cachorros, quer um filhote também. Ele tenta arrumar uma joaninha, mas não dá certo. Felizmente o UFO que expulsa a joaninha, de alguma forma, concorda em se tornar um Bichinho de Estimação.
Dennis sonha em ter um cachorrinho e, claro que o Drac não resiste a este pedido.
A agente britânica Peggy Carter se une à nascente organização S.H.I.E.L.D. Enquanto procura o enigmático Zodíaco, a agente Carter luta contra seu chefe misógino e burocrático, o agente Flynn.
Trancado na prisão, o infame Trevor Slattery concorda em encontrar um documentarista.
Um casal se depara com uma arma Chitauri e usam ela para cometer crimes.
A assistente social está chegando à casa do Gru para verificar se ela é adequada para crianças. Margo, Edith, Agnes e os Minions decidem fazer uma reforma na casa para torna-la segura para crianças e assim evitar a volta ao orfanato.
Na igreja com a família na Véspera de Natal, Angela tem uma ideia extraordinária. Um conto comovente baseado numa história de Frank McCourt.
Primeiro curta de Wallace e Gromit a ganhar um Oscar de Melhor Curta de Animação, no qual Wallace e Gromit, com a ajuda das encrenqueiras Tecno-Calças da NASA ( Administração Nacional da Aeronáutica e Espacial ), tentam caçar um ladrão pingüim Feathers McGraw que roubou um diamante do Museu Principal.
After discovering her mother’s dead body, Luz tries to protect her younger sister, Catalina, from the harmful reality by using fantasy and games.
A lyrical story about first love, death and disappointment, based on a poem of the same title.
Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.
A short film by Walerian Borowczyk. This first volume looks at the first three letters in Grandma's encyclopaedia: A for 'Automobile', B for 'Ballon', and C for 'Chemin de fer'.
Majka "Tagarela" é uma rapariga a entrer na adolescência. Nasceu com uma deficiência menor. Enquanto a sua mãe continua a repreendê-la pela forma como ela anda, os colegas zombam dela e chamam-lhe "pato". Ao longo de um primeiro caso de amor inocente e uma amizade secreta, ela recebe pouca compreensão de seus pais e muita malícia de seus colegas de escola. Majka encontra refúgio junto da sua avó e no seu próprio mundo de fantasia. O realizador Peter Solan fez um retrato sensível de uma estudante de 12 anos de idade. A linguagem cinematográfica eloquente fala para tanto para as crianças como para o público adulto.
Mondo, a young orphaned gypsy, finds himself in France, where he scouts out potential foster families, evades the police and meets an assortment of eccentric people. In his travels, Mondo first encounters a magician who takes on the boy as an assistant. Then he moves on again, eventually befriending Dadi, a street-smart vagrant, and Giordan, a wise fisherman. All the while, the boy keeps an eye out for would-be parents.
A group of convicts slowly drag their balls and chains through a desolate landscape. One of them discovers a strange structure and decides to climb it.
In this French drama, a teenager falls into a life of crime, little realizing the consequences. S. is a moody young man who loses his job at a bakery, and decides to throw in his lot with a group of thieves about the same age as himself. S. and his cronies are strictly small-timers, pulling off second-rate break-ins for an older crime boss, but his willingness to do what he's told helps him rise up the ladder to bigger and more lucrative jobs. However, S. lacks the maturity or experience to deal with the risks, and after a few disastrous mistakes, he finds his fortunes sinking far faster than they rose.
A man struggles with his identity, his life choices, his interracial relationship, and his latent homosexuality. A portrait of some young intellectuals in early sixties Montreal.
This drama about a boorish non-conformist takes place in Hungary after the war and is dulled a little by political overtones but is still an engaging story. The setting is the countryside, where an independent, landowning farmer busies himself in his free time by bedding down the women on his farm and then tossing them aside. One such ill-treated lass ends up marrying a young man who is in charge of a communal farm, a farm the womanizing "beast" of the title is later forced to join. The arrogant, formerly independent farmer does not reform his ways and is soon chasing after the young manager's wife, the woman he dropped not that long ago. The results are disastrous.
Dutch documentary filmmaker Joris Ivens follows the course of the famous wind as it originates in the Alps and finds its way to the Mediterranean Sea. Natural sounds and creative camera work provide a mood film showing the effect of the fury of the wind on the life of southern France.
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.
The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian Metz and Jacques Lacan have established in theory is rendered as film in Tabula Rasa. At the beginning we can recognize only shadows from which the picture of a woman undressing herself hesitantly emerges. But exactly at the point when one believes one can make out what it is, the camera is located in front of the object. Tabula Rasa takes distance, the fundamental principle of voyeurism, in so far literally, as it shows us the object of desire but continually removes it from our gaze.
‘Tattooed Life' begins with a parasol wielding Yakuza assassin attacking a rickshaw. It almost looks like feudal Japan until somebody pulls a gun and we're reminded that it's the 20th century. Post-shooting, the assassin delivers his bounty to his brother (to pay for his art school education) before getting ambushed in one of the few rickshaw-jacking incidents in film history, and being rescued by his art-student brother. In the aftermath, one brother is marked for death by the Yakuza, and the other brother won't go to art school with blood on his hands, so they decide the perfect way to deal with such hardships is to become fugitive construction workers in northern Japan . And why not?
Dyuishen is assigned to the mountainous Kirghiz region of Central Asia by the Young Communist League after he is discharged from the Red Army. It is 1923 and the Civil war has ended. The former soldier becomes a teacher, bringing the Leninist doctrine to the remote Moslem area where elders did not allow children to go to school. He falls in love with one of his students, but the young woman is sold by her father to a wealthy chieftain. When the school is burned down, the majestic poplar trees that are a source of local pride are cut down to rebuild the new structure.
An unnamed hero roaming the streets of St Petersburg is befriended by a beggar with a donkey and a slightly deranged prostitute.
In Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based on 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss.
Unable to sleep in the sweltering heat, a young couple bares their bodies --- and their souls --- to each other over one life-changing night. They didn't know each other when the night began. It got hot, they stayed in. Now they know each other better than most.
This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.
Undertaker L.B. Jones, the richest black man in his county of Tennessee, is divorcing his wife for infidelity with a white policeman. Taking a stand against racism, he is greeted with a hostile bunch of Southern bigots and other various stereotypes.
Director Nikita Mikhalkov documents the history of Russia from 1980 to 1991 by annually asking his daughter Anna such questions as "What do you love the most?", "What scares you the most?", "What do you want above anything" and "What do you hate the most?"