Sodoma (1970)
Gênero : Drama
Runtime : 16M
Director : Otto Muehl
Sinopse
The Austrian avant-gardist Otto Muehl may well be the most scandalous filmmaker to ever work in cinema, and Sodoma stands as his most famous work. This creation takes the experiments a bit further down the road.
The broker Erich arrives with his prostitute at an apartment, already populated by three men. Abusive games, dancing and flirting occur. Things eventually degenerates completely.
Wanting to provide for her daughter, a 25 year old mother travels from her UK home of Canvey Island to get into porn in America having done some UK videos. The documentary follows her journey further into the business and watches as she comes under a variety of influences.
The remake of the first Yugoslavian hardcore porn film, made with different actors.
Peterson based this romantic piece on Balzac’s Le Chef-d'oeuvre inconnu and Picasso’s Minotauromachie. The film combines a story of the competition for the love of a woman with images of a young girl with a candle wandering through a corridor, a modern adaptation of the mythological Minoan labyrinths.
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.
An actress and a director run through a melodramatic scene, speaking to a mannequin.
[A] cautionary tale about past-their-prime thespians caught up in a typically Kucharian vortex of madness. - Anthology Film Archives
"This beautiful example of far-fetched blasphemy accompanies a happy, ugly nun into the woods for her constitutional, replete with charming bird noises. Praying to and fondling a priapic mushroom, she is unaware of the evil rapist shadowing her. When the rape occurs, it is in long shot, hidden from view, under a huge tree. Articles of clothes and her cross sail through the air; the tree - entirely dominating the screen - sways rhythmically and repeatedly. A few minutes later it stops; then another tree, a few feet away, begins to sway in identical fashion. The rapist finally emerges, exhausted." (Amos Vogel, Film as a Subversive Art)
Prom night, teenage drivers and alcohol.
Home movie of the day in the life of the Kelly Family of Lebanon, Kentucky.
A sex education film produced for children in US schools.
Her looks… a cross between the girl next door and a shop-girl Venus, which made her an instant hit. Her copulatory talents and fantastic physical form merely added to the legend.
The striking landscapes of rural Sardinia provide the backdrop to this lyrical look at the hardscrabble lives of the region’s shepherds in winter.
As festas de rua durante as comemorações da Páscoa na região da Sicília, na Itália.
It's 1950 and a young woman asks her mother what love is.
A short drama which seeks to explore some of the problems in inter-faith relationships.
An intimate study of the life of a domestic cat, taking place over a period of months as she gives birth to a litter of kittens and cares for them as they grow.
Short film of a statue of an angel by an ornamental pond on a summer's day.
Smoke, sparks and steam dance together in Cornell's found-footage collage. Backwards title cards (or an alien language, if you like) punctuate this mishmash of the industrial and the ancient.
Robert Breer animation from 1969. 16mm, color, silent, using spray paint & stencils.
Registros do dia-a-dia agitado numa rua do Harlem espanhol de Nova York durante a década de 1940.
Little Stabs at Happiness is a collection of silent shorts Jacobs shot from the period of 1959-1963. Jaunty tunes (and a somber reflection) accompany the footage.
Commissioned by the San Francisco Mime Troupe as a short to be screened during intermission for its rather infamous 1965 Minstrel Show (Civil Rights from the Cracker Barrel), which assaulted racial stereotypes by wildly exaggerating them. Scored by Steve Reich.
