Balika Badhu (1976)
Gênero : Drama, Romance
Runtime : 1H 56M
Director : Tarun Majumdar
Escritor : Tarun Majumdar
Sinopse
In a village circa the British rule in India, lives a young school-going male named Amal, who is shortly to get married to a girl named Rajni. The traditional ritual-filled marriage takes place, the young couple are then left alone for a few days, and this is where the two develop their love and friendship. Then Rajni must return to her parents' house, while Amal continues with his studies in school, and at home with Masterji, an elderly teacher. His life is enlivened occasionally when Rajni is permitted to visit. Rajni next visit is scheduled for Durga Pooja, but she does not come, instead she comes at Vijay Dashami, to stay there for a couple nights, before going on a Tirth Yatra with her family, where they are scheduled to visit all the holy places in India namely, Benaras, Gaya, Mathura, Vrindavan, Hardwar, Nasik, Hrishikesh, Dwarka, Rameshwaram, Kamakshya, Puri, and Konarak.
O rei de Mahishmati, Amarendra Baahubali e sua esposa Devasena gorvenaram o reino onde as pessoas estavam vivendo em paz e prosperidade, até que um cruel ministro se junta com o rei Bhallaladeva e captura o reino, matando Baahubali em uma grande guerra. Para evitar ameaças, Bhallaladeva manda matar Devasena e seu filho, que conseguem fugir. Agora, o filho de Baahubali, Shivudu, que é secretamente criado pela mãe de Bhallaladeva, volta para o resgate do reino de seus pais.
Shivudu, o filho de Bahubali, está cada vez mais perto de conhecer sua verdadeira herança e encarar de vez suas novas responsabilidades. Querendo respostas para questões que fogem de seu conhecimento, como o real motivo por trás da morte de seu pai, ele encontrará uma barreira para os seus planos devido aos fatos de seu próprio passado.
A man suffering from anterograde amnesia as a result of a violent attack in the past sets out to avenge his girlfriend's death with the aid of photographs, notes and tattoos all over his body.
Na era medieval em Rajasthan, situado no Norte da Índia, a rainha Rani Padmavati é casada com um nobre rei Maharawal Ratan Singh e vive em uma próspera fortaleza com seus súditos. Alauddin Khilji, um ambicioso sultão, descobre a beleza de Padmavati e desenvolve um amor obsessivo pela Rainha de Mewar.
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Samir precisa enfrentar previsões astrológicas nada favoráveis, seus destemperos e um rival determinado a conquistar o coração de Rani, o amor de sua vida.
Badrinath is looking for a typical bride; Vaidehi is looking for an independent life. Together they must break with tradition and redefine their role
Uma mulher recém-casada pede divórcio porque sua nova casa não tem vaso sanitário. Desesperado, o marido tenta convencer os vizinhos a instalarem o aparato no vilarejo.
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Descobertos por um excêntrico professor de balé, dois jovens de Mumbai encaram a intolerância e o julgamento da sociedade ao perseguirem seus sonhos.
Ambições da vida profissional interrompem uma história de amor, mas um relato do passado pode oferecer uma lição importante.
When Governor Jaisingh Sinha is murdered, the needle of suspicion points towards his estranged son Sahil who has been fighting with his father over the girl he had chosen for him to marry. Sahil is in love with Isha but the governor wanted him to marry Sheetal. Now Sahil must prove his innocence and find out who the killer is.
Inpired from the movie "Liar Liar", this movie is about a lawyer (Govinda) who lies his way through marriage and career. His wife (Sushmita Sen) falls in love with him because of his honesty and when she finds out of his dishonesty she threatens to divorce him. Their son, to avoid the divorce, wishes on a shooting star that his father should lose the ability to lie. What happens after that is an enjoyable journey.
Um grupo de sete jovens decidem passar uma noite em um hotel supostamente assombrado para comemorar a despedida de um deles que vai morar nos EUA. Apesar das advertências das pessoas e de outros “sinais” que tentam afastá-los de lá, eles entram no hotel e, em seguida, a verdade aparece para eles.
Sidharth (Aamir Khan), is a Mumbai 'Tapori' and a boxing champion. His elder brother, Jai (Rajat Kapoor) works with Raunak Singh (Sharad Saxena), who now rules their "Basti" through terrorising its people and collecting 'Hafta' from local merchants. Sidharth idolized his father, a freedom fighter, whom he saw falling to his death as a child. This effects Sidharth through his adult life. Sidharth meets a young girl, Alisha (Ranee Mukherjee), who rides with a motorcycle gang and Charlie (Deepak Tijori), the gang leader. Sidharth also meets Hari, whose idealism reminds him of his father. Hari's social work in the community possess a threat to Raunak Singh's evil empire. What happens to Hari changes Sidharth's life forever. How Sidharth breaks Raunak Singh's chains of 'Ghulami' around the community forms the crux of the story. Featuring the superhit song "Aati Kya Khandala" sung by Aamir Khan.
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Após uma carreira cheia de frustrações, um ator aposentado ganha o tão desejado papel de protagonista, mas percebe que está totalmente despreparado para o cinema moderno.
Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.
Fathers & Sons is a comedic exploration of a group of men and their relationships with their fathers. A middle-aged Jewish man meets his father for the first time at the funeral of his mother. A south-Asian accountant introduces his white fiance to his father - a gay, Bollywood choreographer. A recently bankrupted Wall-Street broker has come home to borrow money from his music teacher father, and four brothers gather at the paternal home to pay their last respects and to collect their inheritance.
Eight year-old Hamid learns that 786 is God's number and decides to try and reach out to God, by dialing this number. He wants to talk to his father, who his mother tells him has gone to Allah. One fine day the phone call is answered.