Punk: Attitude (2005)

Após terminarem seu show, uma banda de rock acaba testemunhando um terrível ato de violência e um brutal assassinato. Como eles são as únicas testemunhas do crime, eles logos se tornam o principal alvo de uma gangue de skinheads. A banda, então, terá que se refugiar na "sala verde" se quiser sobreviver a "queima de arquivos" promovida pelos brutais assassinos.

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

An archive celebration of studio performances from the British bands that broke through courtesy of punk between 1975 and 1982. Starting with Dr Feelgood and Eddie and the Hot Rods and culminating in Gang of Four, with performances from Top of the Pops, The Old Grey Whistle Test, Something Else and other shows by The Sex Pistols, The Clash, The Buzzcocks, The Damned, Joy Division, Siouxsie and the Banshees and many more. Hey ho, let's go!

In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.

Um documentário sobre uma banda norte-americana que tocava punk ou proto-punk. Em virtude de estigmas da sociedade dos anos 70, a banda nunca conseguiu vingar. Até que há uns anos atrás o único registo discográfico da banda foi descoberto.

Documentário sobre a banda The Stooges, liderada pelo ícone do rock Iggy Pop. Através de entrevistas e imagens de arquivos, o doc apresenta um olhar aprofundado sobre a carreira, a obra, a trajetória.

What happens when a generation's ultimate anti-authoritarians — punk rockers — become society's ultimate authorities — dad's? With a large chorus of Punk Rock's leading men — Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against's Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band's anthem, 'Fuck Authority', to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.

Bodi é um cão tibetano que vive em uma aldeia cheia de ovelhas indefesas e se prepara para substituir seu pai como vigia do lugar. Mas tudo muda no dia em que um rádio cai literalmente do céu e a música abre o seu coração.

La Bamba descreve a ascenção meteórica de um rapaz de 17 anos, de descendência mexicana, desde seu trabalho no campo até ser um astro do rock nos Estados Unidos, mostrando seus grandes sucessos e o seu encontro com o destino. Impulsionado pelos hits de Richie Valens, nas interpretações ganhadoras de um Grammy pela banda Los Lobos, bem como de clássicas dos anos 1950, La Bamba recria os emocionantes primeiros dias do rock e presta uma homenagem ao legado de um inesquecível talento, cuja música ultrapassou todas as fronteiras.

Um fã ávido por rock'n'roll consegue um trabalho na revista americana Rolling Stone, para acompanhar a banda Stillwater em sua primeira excursão pelos Estados Unidos. Porém, quanto mais ele vai se envolvendo com a banda, mais vai perdendo a objetividade de seu trabalho e logo estará fazendo parte do cenário rock dos anos 70.

Lá vive Wade "Cry-Baby" Walker, um bad boy que é líder de um grupo. Ele é conhecido como "Cry-Baby" em virtude de chorar apenas por um olho, mas agora está apaixonado por Allison Vernon-Williams, uma jovem rica que é criada pela avó, Mrs. Vernon-Williams, que considera "Cry-Baby" um delinquente juvenil e não quer vê-lo junto da neta. Além disto, Baldwin, o namorado de Allison que é líder dos "quadrados", está totalmente contra "Cry-Baby" e o resto dos delinquentes juvenis, assim lidera uma guerra santa contra eles. Isto gera pancadaria e vandalismo e os jovens delinquentes são considerados culpados pelo caos, mas são liberados pelo juiz, com exceção de "Cry-Baby", que é mandado para um reformatório.

Dewey Finn (Jack Black) é um músico que acaba de ser demitido de sua banda. Cheio de dívidas para pagar e sem ter o que fazer, ele aceita dar aulas como professor substituto em uma escola particular de discilipla rígida. Logo Dewey se torna um exemplo para seus alunos, sendo que alguns deles se juntam ao professor para montar uma banda local, sem o conhecimento de seus pais.

Rob Gordon é o dono de uma loja de música beira da falência, pois apenas vende discos em vinil. Azarado no amor e ao mesmo tempo uma enciclopédia ambulante sobre música pop, os caminhos da vida terminam por levá-lo a analisar suas escolhas e prioridades, fazendo com que se torne uma pessoa mais madura.

O amor pela música uniu Liam (Josh Whitehouse), um artista batalhador e colecionador de vinis, e Natalie (Freya Mavor), que abandonou seu sonho de criar capas de álbuns e se tornou uma publicitária bem sucedida. Com os acontecimentos da vida afastando cada vez mais o casal, a trilha sonora do seu relacionamento continua os mantendo juntos.

Londres, verão de 2003. Matt (Kieran O'Brien) conhece Lisa (Margo Stilley), uma jovem estudante americana, em meio a um show. Eles logo se apaixonam, vivendo um intenso relacionamento sexual entremeado por vários shows que acompanham.

Bullet in a Bible é um BluRay ao vivo da banda Green Day, lançado em Novembro de 2005 nos principais mercados e em 1 de Dezembro no Brasil. Dirigido por Samuel Bayer, diretor de todos os videoclipes do álbum American Idiot, Bullet in a Bible apresenta os dois maiores shows da carreira da banda, tocando para 65.000 pessoas no Milton Keynes National Bowl no Reino Unido em 18 e 19 de Junho de 2005. 1. American Idiot 2. Jesus of Suburbia 3. Holiday 4. Are we the Waiting 5. St. Jimmy 6. Longview 7. Hitchin’ a Ride 8. Brain Stew 9. Basket Case 10. King for a Day/Shout 11. Wake me up When September Ends 12. Minority 13. Boulevard of Broken Dreams 14. Good Riddance (Time of your Life)

Hilly Kristal queria abrir uma casa de shows de country em Nova York, mas passa a acolher shows de rock com a condição de que todas as músicas sejam autorais, apadrinhando várias bandas como Ramones, Talking Heads e Blondie.

No início dos anos 80, Stevo e Heroin Bob são os dois únicos punks na conservadora Salt Lake City.

Dois empregados de um armazém de medicamentos encontram no subsolo do estabelecimento barris do exército, lacrados e acidentalmente liberam um gás mortal no ar. Esse gás acaba re-animando os Mortos de um cemitério próximo, que vão querer apenas uma coisa dos vivos: seus miolos.

A ardente chefe criminosa Lucy Diamond (Jordana Brewster de Velozes e Furiosos) está novamente na ativa e as D.E.B.S. - uma equipe de elite de super espiãs colegiais paramilitares - estão à sua procura. Mas quando sua melhor agente, a estonteante Amy Bradshaw (Sara Foster de O Golpe), desaparece misteriosamente depois de ficar frente a frente com a atraente vilã, as D.E.B.S. começam uma procura incansável pelo esconderijo secreto de Lucy e nem suspeitam que Amy talvez não queira ser resgatada nesta paródia sobre espiãs sensuais e seus encontros amorosos com armas.

Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.

David is a young man seduced by a religious cult that uses starvation, exhaustion, and brainwashing to mold recruits into money hustling disciples of a messiah-like leader. Chronicles David's chilling transformation into a gaunt, mindless shadow of his former self...and his ultimate salvation when friends and family launch a plan to kidnap and deprogram him.

O encontro anual de três décadas de drag queens e seus fãs em Manhattan é retratado neste documentário colorido. O filme concentra-se no espetáculo do evento, fornecendo exemplos abundantes de figurinos elaborados, perucas extravagantes e apresentações musicais excêntricas que caracterizam o evento.

Reclusive Rubin Farr teams up with vocal but unsuccessful multi-level salesman Ed Tuttle on a quest to bury Rubin's dead cat in the "perfect spot." Their trip takes them across Utah's desert where they have run-ins with Ed's ex-wife Rula and an elusive Andy Warhol critic.

Sinbad brings the '70s back with a nostalgic stand-up special dedicated to the films, fashion and other flashbacks from that era.

Taking place around the German reunification of 1990, a group of East Germans cross the border to visit West Germany and get slaughtered by a psychopathic cannibal family who want to turn them into sausages.

Documentary on the London punk-rock scene, circa '78

Ross McElwee travels through the North Carolina tobacco belt in search of the ancient southern traditions associated with tobacco growing and use, while comparing his filmmaking to commercial cinema, represented by Bright Leaf, a melodrama directed by Michael Curtiz in 1950, starring Gary Cooper, apparently based on the life of his great-grandfather.

For the past 40 years, Jan Svankmajer (Faust, Conspirators of Pleasure) has been hailed as one of cinema's most consistently surprising, wildly imaginative, and remarkable surrealists of our time. Utilizing a delirious combination of puppets, humans, stop-motion animation, and live action, Svankmajer's films conjure up a dreamlike universe that is at once dark, macabre, witty, and perversely visceral. KimStim (and Kino) is proud to to offer this collection of remarkable short works from an artist that has mesmerized audiences the world over and has inspired filmmakers from the Brothers Quay to Tim Burton and Terry Gilliam.

Filmed in IMAX, a young Mayan boy who lives close to the ruins becomes acquainted with an archaeologist (Guerra) and asks her to tell him about his ancestors. The crew travelled to over 15 locations in Mexico and Guatemala, including Tulum and Chichén Itzá.

A very informative documentary on the making of Peter Jackson's gore classic Bad Taste. Highlights include behind-the-scenes footage, detailed explanations of the special effects, an interview with Peter's mom and dad, and interviews with the cast and crew.

A beautiful, intelligent and flirtatious young girl, Yonta, is secretly in love with a friend of her parents, Vicente, a hero of the war of independence. Vicente is unaware of her passion as she is of the love of a young man who sends her anonymous love letters.

“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)

Filmmaker Ralph Arlyck first met Sean while living as a graduate student in Haight Ashbury at the height of the 1960s. The city was awash with the trappings of America’s cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck’s building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera. Sean’s casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence- “Sure, I smoke pot”-but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.

Low-budget film about a lingerie model who keeps getting hooked up with the wrong guy.

On Christmas Eve, a West suburb of Paris. Stéphane, Joëlle, Xavier and Sonia (25 years old) decide to take a stroll down the big park overhanging the city of their youth, musing on pop music, their work, sex and their disappointed ambitions.

Ross, who lives with his eccentric Uncle Cullen, is desperately trying to become a successful businessman. When he attempts to sell the family wine collection to finance a new venture, his uncle hatches a plan to remind Ross of the talent he left behind.

The making of an unfinished film about phobias. Says the director. Behind the screens, he discusses at length (with e.g. Coffin Joe) about the aesthetic boundaries of the project: volunteers under controlled circumstances become immersed in their phobias in order to film the fear on their faces.

Milton, a disappointed romantic, has sworn off women. He gives a lift to a female hitchhiker, whom he happily discovers is also a hurt soul and has sworn off men. Their trip together runs into interference from an aggressive driver who later reappears after the two have set up camp. He starts putting the moves on the woman, but when Milton's ex-girlfriend shows up, she gets into a fight with the interloper and gives Milton and his new pal the chance to slip away.

How does artist Matthew Barney use 45,000 pounds of petroleum jelly, a factory whaling vessel and traditional Japanese rituals to create his latest art project? Barney plowed the waters off the coast of Nagasaki to film his massive endeavor, Drawing Restraint 9. The documentary Matthew Barney: No Restraint journeys to Japan with Barney and his collaborator Bjork, as the visual artist creates a "narrative sculpture" telling a fantastical love story of two characters that transform from land mammals into whales.