Rohmer in Paris (2013)

3-D puppet animation adventure about two kids from Warsaw in Poland who discover an old piano in amongst a pile of junk that transforms into a magical flying machine. The kids, Anna and her cousin Chip Chip, use the Flying Machine to fly across Europe to find Anna's father in London. Before it happens, they have to learn how to fly the magical machine... On their way they have to navigate an obstacle course of hot air-balloons, swoop into Paris on a mission of the flying machine, weather a fierce storm in the English Channel, and with sunset fast approaching find dad in the big darkening city of London. Before they reach him they are torn from the flying machine by a magic storm, and find themselves back in the pile of junk in Warsaw. However maybe the Dad saw something in the stormy skies of London, because the next day he comes home to his daughter.

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

An Icelandic farmer's son decides to leave his farm, fiance, friends, dog and horse, during the depression before World War II, to start a new life somewhere else.

Short film of 7 sections with each one using a different experimental film technique.

A darkish journey down memory lane, to visit some news events, folkways and thought patterns associated with the late forties and early fifties. The film is also concerned with such perceptual phenomena as color-space, "false tones" caused by varying black-white alternations of simultaneously seen rhythms set up by multiple repetitive actions, and the use of image outlines as "containers" for other imagery. Sort of a working notebook, which is continued in EASYOUT and DOWN WIND.

A high school outcast new to town becomes friends with a violent loner still haunted by the death of his parents.

Seeking escape from his stalled relationship and unhappy place in the world, a recently pink-slipped music teacher sets out to hike Kentucky's Sheltowee Trace Trail. Among the verdant hills of Appalachia, he encounters various strange characters and becomes the reluctant companion of a gregarious father and son who ultimately help him rediscover what he's been missing.

An autocratic Director (Harold Pinter) and his Assistant (Rebecca Pidgeon) put the final touches to the last scene of some kind of dramatic presentation, which consists entirely of a man (John Gielgud) standing still onstage.

A film by Pat O'Neill

A man wanders around Venice, still bruised from a failed marriage, lost in an empty city, finding old books, memories, and a momentary ghost.

A department store security guard is secretly in love with a clerk in the store's bookshop. When he witnesses a seeming rival being attacked in the train, he gets off instead of helping him. Not being able to deal with his bad conscience, his formerly controlled life breaks down.

Martin is a 30-something photographer who has made it his life quest to find his soulmate. After seeing a girl admiring his work in a gallery, he runs into her again at a photo shoot for a wedding. The two hit it off, but Martin becomes puzzled when she leaves before he wakes up the next morning. From there, we get a peek inside Martin's psyche, as he cannot comprehend why she hasn't made a life-long commitment to Martin after one date.

A psychedelic montage of home movie footage gives way to a silent western story.

A hand-processed portrait of Jake Williams – who lives alone within miles of forest in Aberdeenshire, Scotland. Jake always has many jobs on at any one time, rarely throws anything away, is an expert mandolin player, and has compost heaps going back many years. He has a different sense of time to most people in the 21st Century, which is explicitly expressed in his idea for creating hedges by putting up bird feeders.

This short from the UPA studio was nominated for the 1952 Oscars. Based on the Madeline series of children's books.

Suggestion: Please see 'Another Occupation' before 'Seeking the Monkey King'. Contains flicker like many of my works; avoid if you have epilepsy or other unusual brain conditions.

Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.

An elegant home movie, its subject is Breer's apartment which faces the Tappan Zee (T.Z.) Bridge. It is permeated, as are all his films, with subtle humor, eroticism and a sense of imminent chaos and catastrophe.

Utilising an apparently new-found obsession with the colour red and reinvigorating some of the circular imagery of A Man and His Dog Out for Air and 69, Breer delves into the very basis of animation to explore how a variety of easily recognisable objects can be portrayed and manipulated differently using pixillation and classically drawn animation. -Malcolm Turner

Depois de perder seu bebê, Grant e Christine visitam um amigo em sua casa isolada à beira-mar. Ao longo de um longo fim de semana, segredos são revelados e a vida da criança morta é vivida em uma série de sonhos fantásticos.