Largo es el camino al cielo (1998)
Gênero : Animação
Runtime : 8M
Director : José Ángel García Moreno
Sinopse
A man tries desperately to escape his monotonous life and the slavery of the clock
Old Jacinta knits non-stop longing for a visit
At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him
The people of a town are condemned to die one by one by a mysterious stranger who erects a gallows in the town square.
A man from the city walks around the country side. He tries to find out what farmers are hiding below the plastic belts on their territory.
Breath governs life and is also the sign of changes in emotion.
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M. Rasta, a high society con man, is accused of a crime he didn't commit.
This picture shows an old gentleman seated at his shaving table. The razor is evidently giving him a great deal of trouble...
The gang goes to a circus sideshow to visit Dickie and Spanky's uncle, mistakenly believing he is "The Wild Man from Borneo."
This Oscar-nominated documentary short tracks the shift in the relationship of an individual to his work between the 19th century and today. Focusing on how nails are made, we first see a blacksmith laboring at his forge, shaping nails from single strands of steel rods. The scene then shifts from this peaceful setting to the roar of a 20th century nail mill, where banks of machines draw, cut, and pound the steel rods faster than the eye can follow.
Zineb is a psychiatrist assigned to Rihana, a traumatized and pregnant young woman, who was raised as a son by her dictatorial father. Rihana's story awakens repressed thoughts in Zineb's own mind.
Insects are tortured in various ways amidst the sounds of screaming.
Memories split in the space.
The scene opens on a theatrical stage. The magician enters from the wings, and making a bow to the audience, removes his coat and hat and they disappear mysteriously in the air. He then takes a white handkerchief from his pocket, holds it over his knees, and his long trousers disappear, and behold! he is clad in knickerbockers. He next makes a pass with a magic wand and a table suddenly appears before the audience, on which is a large pile of tissue paper. The magician takes up the paper and shakes it a few times and three live geese fly out upon the floor. This is a highly pleasing and mystifying subject.
“Papá, os meninos maus da escola roubaram-me a lancheira que tinha o almoço que tu fizeste com tanto amor e carinho.”
A montage of some home movies taken by Archie Stewart (1902-1998), an early enthusiast in taken 16 mm sound films of his family. We see his daughters, Mary and Anne, playing in the aftermath of a January, 1936, snowstorm. Next, indoors, the girls bring in a birthday cake and sing to Archie. He has Anne read to him from a children's book, and a year later, has her read aloud to show her progress. Anne and Mary dress up Pat the family dog in a dress and scarf and hold a tea party, chattering away. Archie's high-pitched voice provides narration on and off camera.
A man arrives home late and drunk as usual. His wife reminds him that he's supposed to take their daughter out to a play. While watching the play, he's faced with his own drinking evils and how his life would be without them.
A love story of a couple who both reconsider the meaning of their former lives, only to come up with decision that they should marry.