Diary of an Ugly (2014)

Como um vírus contagioso, bonitas e atléticas adolescentes - todas lutadoras de artes marciais - começam a desaparecer em todo o mundo. Por trás desses sequestros está a poderosa Madame M, que pretende transformá-las em imbatíveis assassinas profissionais. Depois de anos de um severo e cruel treinamento, apenas três garotas sobrevivem. São elas, as belas e sensuais, Charlene, Jing e Katt, mulheres de corpos atléticos que recebem arriscadas missões. Mistura de Nikita e As Panteras, Fatal registra sensacionais cenas de lutas marciais. Um espetáculo único.

In the picturesque island of Cuyo, Palawan, an illegal Taiwanese fishing vessel docks carrying the fisherman named Muo Sei, a man looking for something or someone with the name Ploning. He has from sunrise to sundown to look for this "Ploning".

Yuddy (Leslie Cheung) é um homem diletante que seduz mulheres mas mantém uma relação conturbada com a mãe adoptiva (Rebecca Pan), a quem pressiona para saber a identidade e o paradeiro da mãe verdadeiro. Uma das mulheres com quem ele se relaciona é Li zhen (Maggie Cheung), que termina a relação e fica destroçada quando ele não a aceita de volta. O guarda da zona, Tide (Andy Lau), torna-se seu confidente e desenvolve silenciosamente uma particular afeição por ela. Entretanto Yuddy enceta uma relação com Mimi (Carina Lau), mulher extrovertida a quem também acaba por deixar. Para Yuddy a única mulher que interessava conhecer era a mãe incógnita.

Ian Montes is a picture of success. Despite being a son of a shipping tycoon, Ian refused to just ride in his father's empire. He built his own real estate company and earned his first million at a very young age. He never looked back since then. Driven by his ambition to become better, if not as good as his father, Ian managed to make it on his own. But behind all the glory is a man yearning for love and recognition.

O coronel do Exército norte-americano Joseph Madden é alocado nas Filipinas, onde seu grupo é obrigado a sair pelas tropas japonesas. Apesar da situação, Madden lidera uma guerrilha que inclui o neto de um herói de guerra contra os inimigos.

Isabel Reyes (Rhian Ramos) is an infamous soap opera villain in the country. Everyone simply loathes Isabel which makes her the most condemned personality in the world of television. But by some weird twist of fate, Isabel's life turns upside down when she encounters a near-death accident. The wicked antagonist experiences a sudden change of heart and being the top kontrabida of her soap opera, Isabel couldn't just deliver her heartlessness and cruelty in front of the camera. Her over-the-top villainous persona disappears and she finds herself powerless to kick and slap the lead star. Isabel's show hits a major ratings slump and the network advises her to take a break from work with hopes of reigniting her passion. To solve her dilemma, Isabel seeks the help of the biggest kontrabida icon in the country, no less than Ms. Bella Flores. She finds her on YouTube and says that for Isabel to get herself back, she needs to find the person who hurt her the most.

Based on an actual case, Fatima Buen Story mixes tabloid sensationalism with paranormal symbolism and features O’ Hara’s trademark qualities: sudden violence and heroic love against a background of cinematic magic.

Melba is the wife of a slain farmer-leader whose murder is attributed to an incumbent governor. She goes to the city to appeal the case and to seek out a new life after the tragedy. Working as a staff member at the office of City Councilor, she is introduced to the life inside politics. Eventually she will be deeply involved, as her decision to marry the budding politician lays a carefully planned agenda.

Four interconnected stories during the height of the Martial Law crackdown against rebels. The palpable aura of fear leaves Filipinos in a state of paralysis, unable or unwilling to move until the dark cloud of history passes over.

Estela, an idealistic, call center slacker is mentored by Trevor, a pragmatic, senior agent. Their interaction develops into an unconventional relationship that would challenge their most personal convictions.

A father who works abroad as an OFW ends up secretly playing a superhero role in a Japanese TV show.

About a woman who changes personality to please the man she's with, and about the man who brings her sexuality to full bloom.

A retired police sergeant has an unnatural stranglehold over his wife and daughter. His claustrophobically enclosed world is threatened when his daughter Mila finds herself pregnant and was forced to marry Noel. He attempts to extend his influence over his son-in-law, who resists; there is a confrontation...

An ex-seminarian slash communist runs a hotel in Baguio. He then meets a handsome upcoming lawyer. A once-a-year trip to Baguio by the lawyer and conversations with the hotel owner develop into an affair which encompasses decades of socio-political changes in the country.

Due to a delayed flight a group of German flight passengers have to wait in the hall of the airport of Manila. The crowd is quite mixed, ranging from an cultivated east German teacher couple up to sleazy sex tourists. As the waiting prolongs, more and more aggressions and long repressed behaviors shed their way to the surface.

It's the story of a young woman, whose husband, is arrested by the soldiers of a Japanese garrison, on the suspicion that he is a guerilla. Dizon pleads her case to the garrison's commander, who sympathizes and lets Yllana go; when the commander's wife dies and leaves their son motherless, Dizon, is hired to feed the baby from her own breast.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?

Intoy has had the hots for Doray since they were kids in Kalye Marino, Cavite City, formerly the American Naval Base in Sangley Point. Both marginalized as the long-lasting effect of American abandonment of the said base, Intoy has become Kalye Marino’s best “tahong” caretaker-with-no-angst-about-poverty, while Doray a cheap prostitute-with-no-guilt, tending to her siblings’ needs. Intoy strives to have his own cages of “tahong” so he can have Doray, not for just a night of quickie sex, but forever. But what will he do to when she offers to drop by his hovel-on-stilts to quench his passion, but before it happens Nature has chosen to play a joke on his tahong cage? Will it be goodbye to his tahong business or to his damsel-in-distress and ultimately to Kalye Marino? From Eros S. Atalia’s 2001 Palanca Grand Prize-winning Short Story, Intoy Syokoy ng Kalye Marino is a love tale minus the obligatory romantic sentiments.

Guam, U.S.A. Thursday, November 24, Thanksgiving Day. Alex, a local newspaper photographer, gets into a “green card marriage” with her good friend James, a Guam-born Filipino. Miriam, a former member of the Philippine press and now an established Guam journalist, longs to repair a damaged relationship with her American husband. Ella, a hotel housekeeper for almost 20 years, finds means of sending her 88-year old mother to the Philippines with the uncertainty of coming back. As the island of Guam celebrates this classic American holiday when people count their blessings and give thanks, the lives of the three Filipina immigrants intersect and find themselves at a tug-o-war of sacrifice and significance where they must find their home or must they find it somewhere else.