Diary of a Perv (2014)
Gênero :
Runtime : 2H 59M
Director : Keiran Lee
Sinopse
Sex driven adult legend Kieran Lee offers a glimpse fro his daily life through four POV scenes. From banging his wife, Kirsten Price and Digital Playground star, Jesse Jane in a scorching hot threesome to experiencing casual sexual encounters with Chanel Preston in a hotel room and Maddy O'Reilly the house maid, to later screwing his best friend's sister, Veruca James. Kieran is sure to make every man envious. Two additional POV scenes from the perspective of Xander Corvus and Erik Everhard include Digital Playground star, Selena Rose and Giselle Leon.
They were stolen from their homes, locked in chains and taken across an ocean. And for more than 200 years, their blood and sweat would help to build the richest and most powerful nation the world has ever known. But when slavery ended, their welcome was over. America's wealthy elite had decided it was time for them to disappear and they were not particular about how it might be done. What you are about to see is that the plan these people set in motion 150 years ago is still being carried out today. So don't think that this is history. It is not. It is happening right here, and it's happening right now.
Ravi (Ravi Teja) is an aspiring film director who works as an assistant director to Idly Vishwanath (Brahmanandam). Mallik (Subba Raju) is the hero of the film and Mumaith (Mumaith Khan) is the heroine for the project. Sandhya (Siya), the film's junior artiste, falls in love with Ravi. But Ravi is goal oriented like Kamal Hasan in Sagarasangamam. Also, Ravi's mother (Rama Prabha) is fighting against cancer. Amidst all this, how Ravi reaches his goal by impressing heroes and producers with his talent forms the main theme. Krishna Bhagawan portrays the role of a villain alongside Supreet.
Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
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