… ere erera baleibu izik subua aruaren… (1970)

A whistle blower counts the steps. The steppers share glances. The whistle blower stops blowing the whistle and attempts to steal their glances. Steps are broken and transform. A new glance replaces the old.

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Um jovem diretor decide fazer um filme sobre a sua própria vida.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Images of concrete and stone. A cemetery. Light making its way through the tree leaves.

2064. Cora, uma norueguesa, encontra um documentário inacabado no qual Benjamim, seu pai brasileiro, tentava investigar, 50 anos antes, a história dos próprios pais dele: Teo, que morreu louco quando ele ainda era criança, e Elenir, uma mulher misteriosa de quem ele mal ouviu falar. Em sua investigação, Benjamin descobre que ambos fazem parte de um complexo quebra-cabeça familiar, cheio de traumas e tabus, no qual ele começa a se ver como uma das peças principais. O material presente no documentário de Benjamim é organizado e comentado por sua filha, na tentativa dela de compreender o passado perdido de sua família. Aviso: O longa CORA possui imagens danificadas propositalmente, os defeitos fazem parte da poética e intenção do filme.

An experimental film: dozens of pictorial techniques applied directly on celluloid; a work of impressive aesthetics that recovers certain ideas of abstract expressionism: endless chromaticism, constant mutations, the music of the cosmos, mysticism, synesthesia… and an enigmatic title that, although it imitates the phonetics of the Basque language, means nothing.

Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.

Evento e murmúrio: modular a atenção entre canais fluídos, como sintonizar aleatoriamente no rádio, pode revelar mensagens no ruído. Essa foi uma das bases para a técnica de "salto de frequência" de Hedy Lamarr, que deu a lógica das redes móveis atuais. Quando vamos à praia, redes de transmissão falham, saltamos ondas, vagamos em busca de sinal, acumulamos tempos mortos.

The introductory text of as they pass is spoken calmly and quietly. The voice doesn't tell a story, it conveys atmosphere. It´s superimposed over images that flare up briefly and are punctuated by relatively long intervals of black frames whenever the viewer begins to orient him or herself. And suddenly, the images in Bödenauer´s animation made with silk paint on glass - start to overlay one another: They´re arranged by layer, extending into the screen´s depths, and the uppermost layer flows apart, revealing the one below it. In the end they seem to have all moved away, their composition has turned into strips of color which zip upward or to the side. This is accompanied by an increasing volume of sound. At the film´s conclusion there is openness rather than a point.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

A young girl has been falling in love with Neptune for 10 years. In His birthday, she wants to meet Him.

A lonely character in a deserted world watches as it goes up silently in flames.

Vague moving shapes framing the black screen could be anything, but what they depict is nothing.

Cubatão vai virar mar.

an eight-hour long experimental film/performance art piece in which filmmaker chandler pippin creates their own arbitrary form of service work and films a shift in its entirety.

A seemingly mundane evening in suburbia is disrupted by an unforeseen event.

From high up in the glacier-carved mountains of Northern Spain, towards the Atlantic Ocean in the cities of Porto and V.N.Gaia in Northern Portugal. A journey through a river and through sound.