Ultimas Palabras (2011)

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

A porcelain doll’s explorations of a dreamer’s imagination.

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.

Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.

Um rato sai para passear na floresta e se encontra com vários predadores.

Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

Em um pequeno porto no sul da França, um farol ao mar é fotografado quadro a quadro durante um dia todo, do nascer ao pôr do sol. Embalada pelo barulho das ondas e do vento incessante, a mesma série de fotos é repetida três vezes.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

Enigmatic, stop-motion, animated story of a man's day.

'Amy, is narrated by a model (Liisa Repo-Martell) who’s painfully uncomfortable with her own body and “old woman’s” face. Astonishing closing image is a tightly composed telephoto shot on the start of a marathon race among young schoolgirls, dashing toward and then across the screen in ultra-slo-mo, and accompanied by a girls’ chorus hauntingly singing Brian Wilson’s God Only Knows. Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety

Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.

Shabbat Dinner is boring as usual for William Shore. His mother has invited two crazy hippies and their son and is doing her best to show off, his father is drunk and berating their oddball guests, and he doesn't have much in common with their son Virgo. That is, until Virgo tells him that he has just come out as gay.

An experimental short film from Toshio Matsumoto featuring Mona Lisa.

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

A short film that explains the quote, the greatest gift that we can give, is the gift of self.

A lonely aged woman feels an irresistible attraction to a young man who works at the construction site opposite her house. , Her only concern ,to the end, the jewels and money that keeps in a drawer.

The point-of-view of a street dog in relation to the world around her. She runs into adversity and forms alliances.

Eight-year-old Lulu gathers snails in the park where she goes every day with her mother. Her obsession with the snails leads her to develop a special relationship with a strange foreigner who haunts the park–with unexpected results.

Polo and Domingo spend their last days together between Ciudad Mendoza and Cordoba, in Veracruz, Mexico, before Domingo moves to another city for college. Domingo has to say goodbye to his girlfriend, Mina; while Polo deals with his feelings towards his best friend in the little time they have left.

Once up on a time, there was an ugly and violent monster. Because he was ugly, everybody disliked him. One day, the monster came to the small town to get some food and found a small girl. The monster tried to eat her, but something happened to him and changed him.

John despises his father for being a failure in life. When John returns home to facilitate his father's funeral, his life comes to a turning point, as he discovers the true motivation of his misjudged father.

In Trinidad and Tobago, a six-year-old dreams of being a superhero.

Liana is a newly transferred teacher, who is finding the transition a lonely one, until someone mysteriously starts sending her a flower every day. There's only one way to catch the secret admirer, red handed.

A lesbian daughter in rural Cambodia was forced to marry a man. But she never lost faith in true identity; she rose and failed, then she stood up and fought again for the freedom to become her own self.

A young man, who feels constrained living with his father takes drastic measures to liberate himself.

Under the Baobab tree, Africa's tree of life, a parting father writes a letter to his son in diaspora, reminding him of the values he taught him, asking him to pass them on to his children and to stand as tall and proud as the Baobab tree, despite all the hardships they may face in their lives.

Anna é uma órfã criada por freiras. Sua mestre lhe conta que, antes de completar seus votos, ela deve encontrar sua família, então ela vai visitar Wanda, sua única parente viva, antes que esta venha a falecer. Wanda diz a Anna que ela é judia, então as duas mulheres iniciam uma viagem, não só para encontrar a sua trágica história de família, mas para saber quem elas realmente são e aonde pertencem.