The Rebel (2006)
Try shooting a film for a grand.
Gênero : Comédia
Runtime : 25M
Director : Josef Wladyka
Sinopse
Blake and Justin have always shared the same dream, making movies. Their mentor is Robert Rodriquez and their film school is his book "Rebel Without A Crew". They worship the film making philosophies of Robert Rodriquez, one of them being, "you have to make 30 bad films before you make a good one". On their 29th film they manage to lock an extra in the trunk and forget about him for five days.
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by
Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.
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A porcelain doll’s explorations of a dreamer’s imagination.
Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".
Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.
Um rato sai para passear na floresta e se encontra com vários predadores.
Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.
A display at the strange and wonderful artifacts in a collection of medical curiosities.
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.
The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.
Enigmatic, stop-motion, animated story of a man's day.
'Amy, is narrated by a model (Liisa Repo-Martell) who’s painfully uncomfortable with her own body and “old woman’s” face. Astonishing closing image is a tightly composed telephoto shot on the start of a marathon race among young schoolgirls, dashing toward and then across the screen in ultra-slo-mo, and accompanied by a girls’ chorus hauntingly singing Brian Wilson’s God Only Knows. Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety
Em um pequeno porto no sul da França, um farol ao mar é fotografado quadro a quadro durante um dia todo, do nascer ao pôr do sol. Embalada pelo barulho das ondas e do vento incessante, a mesma série de fotos é repetida três vezes.
An experimental short film from Toshio Matsumoto featuring Mona Lisa.
Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.
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pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.