Paths in the Night (1999)

18-year old Georg and 13-year old Barbara have been playing together as children. Play becomes love later, which leads to a catastrophe , as their parents are hostile leading to file a report to the court, as Barbara is still under age.

Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

Based on a true story, Miguel Alexandre's two-part drama focuses on an East German woman and the fight for her children. Spring 1982: Sara Bender, living with her daughters Silvia and Sabine in the East German town of Erfurt, wants to marry her colleague Peter, but shortly before the wedding, her father is killed in a road accident. As the funeral takes place in West Germany, she isn't allowed to got there, so she starts planning to leave her communist home country forever. Trying to flee via Romania, she is caught by the secret service. After years in jail, Sara is ransomed by the West German government, but without her daughters. To draw the world's attention on her desperate situation, she starts demonstrating at the Berlin border crossing Checkpoint Charlie

Adaptation of the classic fairytale.

Die Brüder Kipp (Joachim Król) und Most (Horst Krause) machen sich auf den Weg, um das Gut ihrer Oma zu erben. Auf diesem Weg begegnen sie Viktor (Konstantin Kotljarov), einem desertierten russischen Soldaten, der die beiden kidnappt und Nadine (Sophie Rois), die sich ihnen freiwillig anschließt. Zwischendurch gibt es noch einen Zusammenstoß mit Straßenrowdies, was diesen allerdings nicht gerade gut bekommt. Auf ihrem Weg zum Erbe (oder was davon übrig bleibt) geraten die Protagonisten in manche scheinbar ausweglose Situation.

The brothers Theo and Gustav Benthin pull profits through smuggling in divided Germany: Theo in the West and Gustav in the East. The East German police catch on quickly, however, and Gustav is arrested. The small band of smugglers disperses, with Gustav’s chauffer Peter Naumann fleeing to the West and his sister choosing the East after struggling to find work and lodging in the West.

August 1961. The former Foreign Legionnaire, King, has collected a gang of hooligans, with whom he creates mischief in the GDR. After some careless work on a construction site, an event during which two people lose their lives, they move to a campsite on the Baltic Sea. With sputtering mopeds, loud radios, and occasional outbursts, the gang makes the vacationers' lives living hell. Unfortunately for them, Lieutenant Czernik discovers the connection between them and the accident at the construction site. To stop them from fleeing to West Berlin, Lieutenant Czernik and the police need to arrest them, one at a time, with King as the last.

Meier, a paperhanger in East Berlin, inherits from his father in West Berlin. With this money he wants to fulfil himself the dream of his life: a journey around the world. He buys a forged West German passport and pretends to go on a trip to Bulgaria while he really is off to see the free world. When he wants to return to East Berlin he finds himself in an unbelievable predicament and his double life begins. He can't keep away from his East German friends. As with all the best comedies, the action builds up to an eventual crisis. It's a light comedy, which won several national Film Academy Awards. The film is very political, with lots of political jokes/innuendos which only Germans will understand. One is left feeling what a total obscenity that stupid Wall was, dividing one people for 30 years (1-2 Generations) simply by the coincidence on where you just happen to be in the early morning on the 13th August 1961.

The movie tells a true story in the life of well-known German actor Manfred Krug. Living in the German Democratic Republic he is forced to leave the country after protesting against the expatriation of singer/songwriter Wolf Biermann in 1976.

World War II is over and Heinrich, a young German boy, influenced by the Russians, starts to act according to Communist principles in a small German village.

15-year old Klaus Kambor, called Kurbel, is living in a village in Lusatia and already thinks of himself as an adult. He can hold a lot of rhubarb wine and has already kissed a girl. But with his new method of lawn mowing, which he thinks is brilliant, Klaus makes a big mistake: He causes a wild fire in the forest. Then he does not react adult-like at all, but shirks the responsibility, which leads to the break-up with his girlfriend Daniela. Furthermore, Klaus does not realize that several of the places he likes the most in his environment are now going to be sacrificed to mining. When Klaus becomes friends with the teacher Konzak and with the construction worker Jule, he feels understood for the first time and starts to take more responsibility.

The law student Caroline and the assistant professor Tom are husband and wife, but they keep their marriage a secret. While Caroline is afraid of annoying her mother Hella who ever since her divorce twenty years ago distrusts men in general, Tom dreads the criticism of his professor, a family law specialist who objects to the concept of marriage. By chance, Caroline gets hold of some juicy information: Her mother and the professor used to be a couple and she is their child. With almost missionary zeal she addresses herself to the task of convincing the two grown-ups to get back together. In the process, however, she steers both her academic studies and her own marriage into a crisis.

Wolf Brandin is in his mid-twenties and lives with his wife and child in East Berlin at the end of the 1950s. In West Berlin, the student of electrical engineering is recruited by the American secret service CIA. But Brandin immediately notifies the State Security of the German Democratic Republic and from then on lives a dangerous life as a double agent. When Brandin reaches the breaking point, his marriage starts to unravel because Brandin is not allowed to tell his family about his double life.

After a breakdown, Rita returns to her childhood village in 1961. As she recovers, she remembers the past two years: her love for the chemist Manfred, ten years her senior; how his enthusiasm about his new chemical process turned to bitter disappointment in the face of official rejection; how he escaped to West Berlin a few weeks before the Wall was built and hoped that she would follow him …

OSTKREUZ tells the episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Wall. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.