Rouge Amargo (2013)
Gênero : Crime, Thriller
Runtime : 1H 33M
Director : Gustavo Cova
Sinopse
Julián, um ex presidiário, registra-se em um velho hotel em uma perigosa zona da cidade. Já no seu quarto é surpreendidos por sons violentos e gritos de uma mulher desesperada. Sem hesitar, Julián saca sua arma e sai, encontrando ali com Cyntia, uma jovem totalmente nua que lhe pede ajuda. Báez, um homem sinistro e violento enfrenta Julián. Enquanto lutam, ele reconhece a pessoa morta no recinto, é um popular candidato a deputado. Antes da polícia chegar, Julián e Cyntia conseguem fugir do hotel. Sem terem pra onde ir ou onde esconderem-se, decidem recorrer a Rita, um travesti amigo de Cyntia quer os refugia em sua casa. Enquanto Luis Harili, um jovem jornalista, e Marchetti, um policial veterano, tentam desvendar o caso, Julián e Cyntia se unem para escapar da justiça que os culpa do assassinato do político, enquanto tentam desesperadamente descobrir quem está por trás do crime.
Quatro estudantes de origem hispânica são apaixonados pelos estudos em robótica, e decidem se inscrever em um disputado concurso de robótica subaquática promovido pela NASA. Eles têm talento e força de vontade, mas são de origem pobre, e nunca tiveram acesso à tecnologia mais avançada em suas escolas. Mesmo assim, os quatro amigos devem enfrentar a equipe formada pelo respeitado MIT (Massachusetts Institute of Technology).
Salomè, casta e pura, chega a Jerusalém e se enamora de um centurião romano, que é braço direito de Pôncio Pilatos. Ela dança para o tetrarca, Herodes Antipas, tentando salvar João Batista, ainda que o resultado seja justamente o oposto. Nisso se resume essa farsa histórica filmada por William Dieterle, que tenta compensar sua mediocridade valendo-se da beleza de Rita Hayworth e ostentando tomadas de cena grandiosas.
Mercedes’ fantasy turns into a nightmare. Juan’s greatest fear takes the shape of a strange man entering his house. The city has fallen into chaos and anarchy, so it's going to be difficult to get some ice for the drinks; but tonight, Mercedes is an object of desire to men, so nothing else matters.
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.
Fifty-something widow Anita loses her lifetime dream job as a cinema attendant when the new owner wants to tear down the old theater and build a trendy multiplex in its stead. Depressed at first, Anita finds comfort in watching the shirtless hunks on the theater's construction site. She befriends a married excavator operator, Antonio, and the two start their secret candlelit trysts in the site's office cabin. But soon Anita learns that excavators are only needed in the early phase of a construction project...
Camilo is a 10-year-old boy who has a conscience that is too awake, serene and transcendent for his age. He lives in the midst of amusing and dangerous chaos, of a family of characters deeply affected by the tremendous impossibility of developing normally in the world, in our current society. Through their eyes we will see how each one, consciously or unconsciously, inevitably constructing their own destiny.
For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'
For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.
A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.
Uma moça pobre, que trabalha em uma loja de cortinas, namora com um guitarrista que se torna famoso na mesma época em que ela se torna cega.
19-year-old Floreal is suddenly forced to face a past he tried very hard to overcome. A past that involves his eccentric grandmother Amanqay and a power stone she left behind.
