Squadron (1992)

During the Nazi era, a Jewish woman on the run takes a trolley which passes near the Warsaw ghetto, where the uprising battle is taking place, and some passengers are struck by stray bullets. They take temporary refuge in an empty building, and there she has a chance meeting with her ex-fiancé. He offers to put her up--that is, hide her--for a few days. He's now married, a professional who lives in an idyllic suburb reached by a trolley that runs through the woods. His wife seems more committed to putting up the fugitive than he is. The story involves the neighbors, the building owner who avoids involvement and seeks solace in classic poetry, and the super and his suspicious wife.

A documentary about Isa Abdullah Ali, an American Muslim, who has been part of many Muslim military movements.

A group of young friends from the country decides to toss out their morals and go for the gold in this Polish-made drama. Believing that money is the only thing they need to be happy, the ambitious pals engage in serious crime, eventually causing some of them to wonder if the prize was really worth the price. Robert Olech, Maria Pakulnis, Jacek Rozenek, Piotr Glowacki and Dominika Markuszewska star.

This highly personal film essay demonstrates that Chinese cinema has dealt with questions of gender and sexuality more frankly and provocatively than any other national cinema. Yang ± Yin examines male bonding and phallic imagery in the swordplay and kung fu movies of the '60s and '70s; homosexuality; same-sex bonding and physical intimacy; the continuing emphasis on women's grievances in melodramas; and the phenomenon of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

Sampson is one of several Andrzej Wajda films harking back to his youth during the Nazi Occupation of Poland. Many of these concern not only the struggle between good and evil, but also between passive and impassive. The hero is a Jewish youth. He, like his family, has always been silent and undemonstrative in the face of prejudice. Now he stands up for his right to survive, and in so doing represents the fighting spirit that culminated in the 1943 Warsaw Uprising. It was originally titled Samson, but re-spelled as Sampson upon its American release to avoid confusion with a sword-and-sandal epic of the same name.

Ever since I started making films it has bothered me in a certain sense that film images are far too concrete, because technically they try to imitate the sense of space characteristic of everyday life. So the story ignites the imagination only to be slowed down by the images and stops the viewer from taking a flight of fantasy. I have always been searching for an intrinsically different tool in filmmaking. One that could record space in its temporal progression. I would never have thought it existed!

On an ordinary winter's day, various people from outside Warsaw come to the Polish capital city for different reasons. They all have something to deal with, and their paths eventually intertwine.

The story of male friendship, vitality and the joy of living, even after turning 60 years old. When one of the three friends is taken to hospital, the others are there for him.

Two teenage step brothers head off on a road trip across Scotland, with their relationship challenged by Caitlin, the free spirited and enigmatic girl who comes between them.

A documentary film about the Finnish screaming male choir.

Helina, a modest checkout assistant at the Butterfly retail chain, dreams about getting a better life for herself and her daughter. An opportunity presents itself when Helina becomes a store manager. However, she soon discovers that the price for better wages and an improved standard of living is dishonesty, employee exploitation, and fraud.

During the Cold War, a local Polish officer and a young Soviet woman wedded to a Soviet officer are drawn together by music.

A young man tries to make sense of the world in the summer heat of late nineties Estonia.

An arrogant medical man discovers there's more to his new patient than he imagined in this drama from Polish filmmaker Feliks Falk. Dr. Konstanty Grot (Borys Szyc) is an ambitious young doctor who is determined to make a name for himself, to the point that his wife often accuses him of being more interested in his career than in her. Grot believes that he can earn the respect of his peers by successfully treating a supposedly incurable patient, and he believes he may have found a likely candidate in Pawel Plocki (Grzegorz Wolf), a mental patient who can barely function. Grot signs Plocki out of the mental hospital where he's been treated for years and moves him into his own home; in time, Plocki shows genuine improvement, and Grot thinks he?s beaten the state medical establishment at their own game. But that?s before Grot learns some secrets about his patient that cast his condition in a new and disturbing light.

A few young waiters at a popular New Jersey restaurant are dreaming of becoming actors or otherwise getting into the artistic community.

Two couples, one Catholic, one Protestant, exist on two sides of the chasm that is everyday life in Northern Ireland.

Barlam (Omar Rodriguez-Lopez) struggles to find himself as he bags groceries, has a semi-incestuous relationship with his sister and attempts to understand his parents' long-ago divorce. Events spiral out of control when he becomes obsessed with a boy who looks like him. Rodriguez-Lopez, a songwriter/guitarist for rock band The Mars Volta, writes and directs this drama that had its North American premiere at the 2010 Tribeca Film Festival.