Organism (2010)
Gênero :
Runtime : 14M
Director : Nina Reyes Rosenberg
Sinopse
The story of the on / off relationship of high school lovers Carmen and Jen. Sometimes surreal but always sexy, this short film places the spotlight on relationship blues in a palette of dayglo pink and blood red.
A Venetian countess, pregnant with illegitimate child, befriends her also pregnant servant girl and they almost become more than friends, but her family, infuriated over her scandalous pregnancy, has a plan for her and the baby.
Hannah, 24, has been in Paris for six months and has partnered with Greg. One night, she goes out with Greg and meets a girl with whom she begins to flirt. They end the evening in bed and make love.
A pop sci-fi lesbian fantasy set in the year 2700 in the fictive burned-out city of Ache which follows the tangled lives of three woman -- Volley, Nun and Spy.
The unlikely friendship of two twenty-somethings in Seattle blossoms, complicates, and ultimately redefines their understanding of sexuality and modern relationships.
Utilizando uma pesquisa revolucionária, filmes caseiros descobertos recentemente, fotografias de arquivo e outras fontes visuais, The Female Closet é uma interrogação cultural das vidas de três artistas não assumidas.
Selin is a young woman of Turkish descent living in Brussels, who has a passionate love affair with the idealistic police officer Jennifer. Unable to talk to her conservative family about her homosexuality, she keeps the relationship secret. Turkish mobster Kadir falls in love with her and asks for her hand in marriage. While Selin's unsuspecting parents are delighted, Jennifer is on the verge of arresting him for drug trafficking. The film highlights the cultural mix and the friction between the different communities living in Brussels and raises questions about the rigid traditions and the intolerance towards homosexuality within the Turkish community.
Tanya's father and Urmila's uncle both treated them badly, and the men they encounter as adults aren't any better. In and out of dysfunctional relationships, the two friends look to each other for the love and support they've never found in the opposite sex.
Four girlfriends reunite for a week of partying on the beach, and it's all sand, sun and margaritas until one of them turns up dead.
CQ2 (seek you too) is the story of an teenager, with an uncertain future, who canalises her lust for life in the study of contemporary dance.
Buenos Aires. When Monica and Mirna meet by chance, nothing will ever be the same again. However, their relationship is hindered by the fact that Mirna has to leave, to follow a deep calling to a lost place in her past. To the Andes.
Fanci and Loretta are getting married tomorrow, and a series of crises hits. Fanci's not sure her parents will come, and that upsets her; this focus on her parents, in turn, upsets Loretta. Sam, Fanci's ex-boyfriend and now the boyfriend of Fanci's house-mate, Sophia, has accidentally torn Fanci's wedding dress. Plus, all over San Francisco are mysterious power outages. That night, strange adventures befall the principals: Fanci has a terrifying vision that sends her running naked into the streets; her father visits a cross-dressing dominant; her mother follows him into the night and has her own misadventures; Sam, looking for a tailor, calls on Loretta. Can all be set right?
When her lesbian affair with Regine hits the rocks, Anna needs to escape her job as a photographer, her home, her friends and everything that reminds her of the past and so she aims a borrowed Volkswagen van for the south of France and steps on the gas pedal. As she travels, her daydreams take on the force of reality as she fantazises about the past with Regine, yet the change in color tonalities of her imaginings and other camera tricks contrast her make-believe world with the scenic countryside and picturesque villages she passes on her way. As the road unspools before her like a role of film, images from her mind's storehouse of reels flash by - and the parallels between traveling away and mentally going back become clearer, for as the title suggests, she has to "depart to arrive."
In 1939, the author Annemarie Schwarzenbach and the ethnologist Ella Maillart travel together by car to Kabul, but each is in pursuit of her own project. Annemarie Schwarzenbach, who was among Erika and Klaus Mann's circle of friends in the 30s, is searching for a place of refuge in the Near East to discover her own self. Ella Maillart justifies her restlessness, her need for movement and travel, with a scientific pretext: she would like to explore the mysterious Kafiristan Valley and make a name for herself with publications on the archaic life of the nomads living there. Both women are on the run, but political developments and their own biographies catch up with them again and again. Their mutual journey through the outside world, which runs from Geneva via the Balkans and Turkey to Persia, is compounded by the inner world of emotions with a tender love story.
A story about the transformative friendship between four young kids experiencing the fun and torment of living in a rural town, while questioning and exploring their sexual identities.
A young married woman who is desperately unhappy is tempted into a lesbian relationship with an interior decorator.
Through the prism of a beauty pageant staged by female inmates of a Siberian prison camp emerges a complex narrative of the lives of the first generation of women to come of age in Post-Soviet Russia. Miss GULAG explores the individual destinies of three women: Yulia, Tatiana, and Natasha, all bound together by long prison sentences and circumstances that have made them the vigilantes of their own destinies. For these women, undoubtedly, life is harsh under the constant surveillance of UF-91/9, but it is no less so on the outside. Today they, their families, and loved ones are sustained by hope for a better life upon release. This is a story of survival told from both sides of the fence.
On the heels of her breakup with her long-term boyfriend, Sebastian (Allan Lazo), struggling screenwriter Fiona (Sonia Montejano) finds herself overwhelmed by a case of writer's block and an unexpected crush on an enigmatic young woman.
Isidora, an old woman, discovers that her mind is quickly deteriorating. At an apparently relaxed dinner table, she will desperately try to hide her state from her daughter, a demanding woman who awaits any sign of senility in order to take way everything she has.
Beautiful young Daisy feels stuck working as a shopgirl by day and caring for her ailing mother by night. A suicide gone wrong leaves Daisy wrongly imprisoned, while the neighbor whose testimony put her away struggles with guilt. A tongue-in-cheek homage to 1950s women-in-prison films.
This documentary is about the perspectives and lives of black lesbians from assorted backgrounds.