The Chechen (2015)

A rock concert, the irruption of the police, four friends forced to flee quickly and forget their backpack there. Friendship and adolescence combined as one, the future less than a time to travel rather than a space (a city) to discover.

We follow the film journey of director Viollaine de Villers and traveller Jean-Pierre Outers around the Chinese interior during the late 1980s. In a fragmented sequence of archival shots, vignettes of local culture gradually emerge, including everyday work, leisure time moments, and reflections of ancient myths. But it’s not just another of the countless travel documentaries or urban symphonies, but rather a suggestive video essay. The VHS camera becomes a fully-fledged historiographical medium through which foreign culture is revealed in all its myriad facets without crystallizing it into a comfortably consumable image

Breakthrough tells the story of a renegade scientist’s quest to find a cure for cancer, the disease that killed his mother. Texan Jim Allison is a 2018 Nobel Prize winner for discovering how to prompt a cancer patient’s own immune system into defeating their disease, but for decades he waged an often-lonely struggle against the painful skepticism of the medical establishment.

Revolves around a group of individuals who are all connected by a lost bottle of breast milk.

Demolition of the old and building of the new Kunsthalle in Mannheim in the years 2013 to 2018.

While trying to lead a normal life in Berlin, a young man struggles with his own emotional isolation

In this fluid dance film, director Sophie Fiennes collaborates with choreographer Lucy Bennet to reimagine Stopgap Dance Company's performance piece Artificial Things.

Henrik is a successful actor and comedian who's always trying to prove he's not a homophobe. In his private life, he is lonely and insecure, struggling with adulthood. One day, after dislocating his shoulder, he joins a yoga class and makes his first gay friend ever.

Um documentário de Peter Azen

Referência histórica do cinema brasileiro, Humberto Mauro foi contratado em 1936 como diretor do INCE – Instituto Nacional de Cinema, produzindo cerca de 350 curtas e médias-metragens durante esse período.

Julia Polniuk is ten years old. She trains figure skating – and there is not much time left for her to succeed in sports and to meet the expectations of her family, which has moved to Poland from Ukraine. The girl has the opportunity to take part in the Polish Figure Skating Championships. This could bring her fame and success, and maybe even help the whole family to obtain Polish citizenship. But can a child spread its wings and fly with such a burden on its shoulders?

An intimate and vital account of love and friendship within a group of youngsters. They live in a complex, contradictory, and isolated world – the self-proclaimed state of Transnistra, where the national flag still holds the hammer and sickle. Tanya plans to move abroad, however future seems to offer frighteningly limited possibilities for her lovestruck friends.

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

A "guerrilla-video" about the more hidden, surrealist face of the Sanfermines, an empowering reflection in the face of the violence inflicted above all on women and bulls.

Fragments of an endless night, Robert and Teresa meet and get to know each other, and get separate by the force of oppression and the threat of death and disappearance that continually creeps in.

A documentary four years in the making that highlights the wondrous Ogasawara Islands, where 65-year-old Miyagawa Noritsugu resides. A surfer that draws in artists of all kinds to the beautiful island in which he resides.

Fudo is a drug addict who decides to quit heroin and reconcile with his mother after his best friend dies. However, people continue to perceive him as an addict and refuse to believe he has really changed. Estranged from the people around him and tortured by feelings of guilt over his best friend's death, Fudo is at risk of returning to his old life.

Ahmed drives through the derelict nightscape of Cairo, anxious to secure money to pay for an abortion for a young woman - a procedure that must take place immediately. He comes across an intriguing group of young people, led by a woman who aims to solve the enigma surrounding a giraffe rumoured to be hidden at the Cairo zoo. As an absurd chain of events unfolds, Ahmed is distracted from his mission

This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities.