When Seattle Invented the Future: The 1962 World's Fair (2012)

Em Eiffel, a história acompanha o engenheiro civil, Gustave Eiffel, e sua busca por inspiração sob extrema pressão. Depois de sua elogiada colaboração com Auguste Bartholdi na Estátua da Liberdade, Gustave deve produzir uma obra espetacular para a Exposição Universitária de Paris de 1889.

No ano que antecedeu a Feira Mundial de St. Louis de 1904, as quatro filhas dos Smith aprendem lições de vida e amor, mesmo que se preparem para uma mudança relutante para Nova York. Agora Seremos Felizes é muito mais que um musical. É a encantadora história de uma família na virada do século, repleta de magias e recordações. Judy Garland é Esther Smith, uma garota da agitada cidade de St. Louis que, junto com sua família, tem que se mudar para Nova York. Como se não bastasse deixar todos os seus amigos para trás, ela ainda irá perder a sensacional Feira Mundial de St. Louis de 1904. Esther precisa fazer alguma coisa para evitar essa tragédia!

When a giant stone statue on Wester Island is disturbed, the legendary monster Jiger appears and heads for Japan. Gamera tries to stop this new rival, only to be injured when Jiger lays eggs inside of him. As two boys in a submarine go on a dangerous quest inside of Gamera's body to save him, Jiger threatens the Expo '70 world's fair in Osaka.

Vicky Barton and her brother, Johnny, take a trip to the 1896 Paris Exhibition. They both sleep in seperate rooms in a hotel. When the sister gets up the next morning, she finds her brother and his room had disappeared and no one will even acknowledge that he was ever there. Now Vicky must find out what exactly happened to her brother.

Explore the world of 1893 through a cinematic visit to Chicago's Columbian Exposition. Many of the world's greatest achievements in art, architecture, science, technology and culture are unveiled there. The grounds were designed by Frederick Law Olmsted, famous for his design of New York City's Central Park, and constructed under the supervision of Daniel Burnham. The Fair was an engineering marvel. On opening day, President Grover Cleveland depressed a golden telegraph key which sent the first courses of electricity throughout the Fair powering fountains, machines, electric railways and thousands of lights. It was the first use of electricity on such a massive scale. Nearly 28 million visit the "White City," which inspires future innovators like Henry Ford, Walt Disney and Frank Lloyd Wright, and debuts the Ferris Wheel and Cracker Jack.

In the 1920s, enterprising Louise Randall is determined to succeed in a man's world. Despite numerous setbacks, she always picks herself back up and moves forward again.

How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.

The largest world's fair in history (which took place in St. Louis in 1904) included the first Olympic Games on American soil, where competitors were openly administered drugs and marathon runners were chased off course by dogs. Other firsts include the first ferris wheel; also, Apache chief Geronimo sold visitors autographs and his hat -- which he then replaced with another from a box hidden under the table. Features never-before-seen images.

In 1915-16, San Diego's Balboa Park was the scene of an exposition to mark completion of the Panama Canal. This film takes us through the exposition: from the Cabrillo bridge and a panoramic view of the site, to the facades of the California Building, Horticultural Building, Panama Canal Exhibit, and the reproduction of the locks at Gatuna. We see tourists on the isthmus and a crowd outside the Panama Film Company's exhibit of how movies are made. We watch the feeding of fish at the laguna, and we end at the Plaza de Panama where toddlers are surrounded by pigeons. Fatty Arbuckle makes a brief appearance outside the Panama Film exhibit. Titles give us each structure's cost.

Biography of humorist and movie star Will Rogers

Make No Little Plans: Daniel Burnham and the American City reveals the fascinating life and complex legacy of architect and city planner Daniel Hudson Burnham. In the midst of the late nineteenth century urban disorder, Burnham offered a powerful vision of what a civilized American city could look like, one that provided a compelling framework for Americans to make sense of the world around them. A timely, intriguing story in the American experience, Make No Little Plans explores Burnham's impact on the development of the American city as debate continues today about what urban planning means in a democratic society.

A collection of twenty short films, averaging 2-3 minutes, by various filmmakers depicting American life, intended to be shown in a continuous loop at the American Pavilion of the 1958 Brussels World’s Fair. Some releases of the film include ten extra minutes of rough cuts.

Animated segments which might have originally framed live action footage of bakers at work making Wonder Bread and Hostess cakes.

Historical photographs and film of the 1962 Seattle World's Fair bring this documentary to life. Seattle's business, civic and cultural leaders and longtime residents tell of the excitement and ambition the Fair ignited.

A documentary short on Disney's 'Tomorrow Land' DVD.

Made for screening at the U.S. Pavilion at the 1974 World's Fair in Spokane Washington, USA, which had a Native-American environmental theme, MAN BELONGS TO THE EARTH depicts the history of air, water, and earth pollution, and how environmentalists are trying to solve these problems using various technologies.

Uses first-person accounts from Missourians who went to the Fair in 1904, interviews with historians, archival motion pictures, and photographs to situate the St. Louis Fair in the social, political, and cultural context of American society in 1904. Covers American civilization at the turn of the century; the representation of history; authenticity; modernity; dress and body language; oral history and childhood memories; world fairs as experiences; and receiving information through visual symbols, words, and exhibits.

In 1961 Turin celebrated the centenary of the Italian unity with a large exposition which lasted from May till October of that year. One of the most popular exhibits was the 28 minute documentary ITALIA ´61 IN CIRCARAMA which was produced by the Walt Disney company and sponsored by the Italian automobile manufacturer Fiat. The spectacular views of this Cinerama tour of Italy (filmed with nine cameras) impressed more than two million visitors during the entire duration of that Turin Expo.

30 anos após "Garganta Funda" ter revolucionado a opinião pública, surge Dentro de Garganta Funda - o documentário que coloca frente a frente as modestas intenções de quem fez o filme e as consequências devastadoras que (inadvertidamente) criaram.