Jonas e o Circo Sem Lona (2015)

Every kid wants to be cool and fit in - life's a blast even when you're different. When Mo's reflection is revealed, he sees a body that doesn't quite resemble any of his peers. Here, he tells the tale of his youth, growing up on the south shore of Long Island, New York

A young Jewish boy travels europe in search of the grave of his Great Grandfather who was killed by the Nazis in the War.

When adults are ineffectual, children have to grow up quickly. Ola is 14 and she takes care of her dysfunctional father, autistic brother and a mother who lives apart from them and is mainly heard the phone. Most of all she wants to reunite a family that simply doesn’t work — like a defective TV set. She lives in the hope of bringing her mother back home. Her 13 year old brother Nikodem’s Holy Communion is a pretext for the family to meet up. Ola is entirely responsible for preparing the perfect family celebration. “Communion” reveals the beauty of the rejected, the strength of the weak and the need for change when change seems impossible. This crash course in growing up teaches us that failure is not final. Especially when love is in question.

A advogada Helena é uma jovem idealista que defende crianças e jovens infratores. Ela tem a custódia de seu irmão caçula, Caio. Órfãos, os dois têm um relacionamento de muita cumplicidade e o afeto entre eles é visível, mas Caio é um adolescente instável e impulsivo, que vive cercado por amigos de reputação duvidosa. Um dia, o jovem comete um delito e torna-se réu na Vara da Infância e Juventude de Santos, local onde Helena trabalha.

Juninho, Menor, Neguinho, Adilson e Eldo são jovens moradores do bairro do Nacional, na periferia de Contagem. Divididos entre o trabalho e o lazer, o crime e a esperança, cada um deles terá que encontrar maneiras de superar os obstáculos e domar o tigre que mora dentro deles.

Joca (Eduardo Macedo), um jovem de treze anos, descobre o amor quando conhece Basano (Adeli Benitez), uma menina paraguaia. No entanto, para conquistá-la, Joca passará por grandes dificuldades relativos a problemas de fronteira entre o Brasil e o Paraguai e a relação seu irmão Fernando (Cauã Reymond), um homem que pertence a uma perigosa gangue de motociclistas.

In a Kyrgyz village, five older women adopt an infant foundling. Jump ahead about 12 years: the boy, Beshkempir, is entering puberty, the age, his granny says, when life goes berserk. He plays with friends, horsing around, sniggering about sex, going to an outdoor movie. He works, fishing and making bricks of mud. And, he's starting to notice girls. He and his best friend fight, and he learns to his consternation that he's a foundling. A death in the family pushes Beshkempir even faster toward adult roles: he must brush tears from his eyes, lead a funeral procession, and reconcile with his friend. Then, he borrows a bicycle and calls on Aynura: courtship begins.

A story about a young boy, Otto, whose childhood is brought to an abrupt end when Frank, an older boy, suddenly enters his life.

At the impressionable age of 16, young Mateo faces a dilemma about the direction his life will take when his corrupt uncle asks him to infiltrate a local Barrancabermeja theatre group to uncover its members' political activities.

“My best friend, Anna, asked me if I would mind taking her fifteen-year-old son Itvan to Berlin with me. I accepted immediately.” An elegant, refined man in his forties sets off with Itvan on a long, enjoyable journey, his Winter Journey. They cross snowbound Germany by car. As the man drives the boy through cities and countryside, Itvan discovers the past and the vast job of reunification now underway. Poetry and culture are also part of the journey, which is accompanied by classical German music. When their paths cross with the man's former lovers or the journey provides unexpected encounters, Itvan also gets to know more about the man's own life. When they finally arrive in Berlin, their ways must part. Itvan watches the man leave, taking the melancholy of his existence with him. However their journey together has created an unbreakable tie between the two men. Itvan will never be the same again.

A contemporary evocation of Judas Iscariot trying to escape from his own guilt after betraying his best friend. He wanders into a forest and lost in himself, meets a mysterious young man. The young companion will accompany him on this path of repentance and penance and help him deal with his feelings, understand his guilt and cope with he has done. This is the story of the last three days of a repentant.

Matthew is a boy who just left school. He is handsome and athletic and believes himself to be gay. He retains a friendship with only one school friend, Phil, who has stuck by Matthew despite hostile reactions from his peers. As their relationship grows more intense, Phil's girlfriend Sharon and his classmates become vindictive and aggressive. The two friends find themselves ostracized by both friends and family and decide to run away.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.

In 1939, José Garcés is in French prison camp after the defeat of Spain's Republicans. To entertain and inspire his fellow prisoners, he tells the story of becoming a man in 1919, the year he realized that learning to live is the same as learning to die. His stiff and demanding father loses a fortune in German war bonds, takes a job in Caspe, and leaves José on his own in Zaragoza to finish high school while apprenticing in a pharmacy. José courts his beloved Valentina via letters, becomes intimate with Isabel, a maid he meets in a cinema who shares his ideas of free love, and comes under the influence of El Checa, an anarchist and gentle teacher who leads a doomed revolt.

Matei lives with his grandfather in Romania. His parents have gone to work in Italy. After arguing with his grandfather, he leaves. A poignant, beautifully shot film on the illusions and disillusionments of childhood.

The story begins with an experiment. A filmmaker in the country of Georgia posts an ad inviting youth to audition for her film. Facing the camera, the hopefuls confess their struggles and dreams. These raw interviews unfold seamlessly into cinematic slivers of Georgian life.

If the scorpion could see and the viper could hear, there would be no escape". The viper is deaf and the scorpion can't see, so it is and so shall be, the same way the countryside is peaceful and the city bustling and the human being impossible to satisfy. Lacrau demands the return "to the curve where man got lost" in a journey from the city towards nature. The escape from chaos and emotional void we call progress; matter without spirit, without will. The search for the most ancient sensations and relationships of mankind. The amazement, the fear of the unknown, the loss of basic comforts, loneliness, the meeting with the other, the other animal, the other vegetable. A dive looking for a connection with the world. Where beginning and end are the same, but I am not.

Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.

15-year-old Moritz lives in a posh area of Hamburg, but his parents did not care about it. The teenager suffers from ridicule of his classmates and finds refuge in his dreams and playing the saxophone. Only when he joins a band and began performing there Moritz pulled out of the vicious circle, and finds love with new friends...

A family finds itself in a dead-end situation. They are only safe behind the walls of their own house and yard. As time vanishes from their home, the shelter slowly turns into a prison. However, nothing can keep the children from dreaming and yearning to be free and the urge to make a decision seems inevitable.