L'amatore (2016)

On 17-year-old Kate's last weekend in town, she and her friends plan to spend it together at SpaceCON– the local science fiction convention they attend every year. At the convention Kate meets Paul, a recently turned teen-vampire (who is also dressed as one). But when Kate tries to make a move on him, he accidentally bites her in the neck. Kate and her friends soon discover Paul is not the only vampire at the convention, and it is up to them to stop the vampires and find a way to turn Kate back before it is too late.

Destroyed in a dramatic and highly-publicized implosion, the Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. The Pruitt-Igoe Myth explores the social, economic and legislative issues that led to the decline of conventional public housing in America, and the city centers in which they resided, while tracing the personal and poignant narratives of several of the project's residents. In the post-War years, the American city changed in ways that made it unrecognizable from a generation earlier, privileging some and leaving others in its wake. The next time the city changes, remember Pruitt-Igoe.

A biographical study of legendary actress Charlotte Rampling, told through her own conversations with artist friends and collaborators, including Peter Lindbergh, Paul Auster, and Juergen Teller. Intercut with footage from some of Rampling's most famous films, this "self-portrait through others" is a revealing look at one of our most iconic screen stars.

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

Andy Brewster (Seth Rogen) está prestes a realizar a viagem de seus sonhos pelo país. Depois de decidir dar início à sua aventura com uma rápida visita à mãe Joyce (Barbra Streisand), Andy se vê forçado a levá-la com na viagem. Por cenários sempre diferentes, ele constantemente se irrita com as artimanhas da mãe, porém, com o tempo, percebe que suas vidas têm mais em comum do que imaginava. Os conselhos de sua mãe podem acabar sendo exatamente aquilo que ele precisa.

Melody returns to her old home to Fairlands the funeral of their daughter, June to attend. But Melody not recognize their city regains because it is almost entirely disappeared under tons of sand. She also learns that they have a 10-year-old grandson, River, has. Melody River will take into their new life, but this is fighting back. He wants to hatch the eggs of ostriches, which he has always fed with his mother. Rivers father, Scoop, a lazy musician and the man in the city post office, wants Melody leaves the city. Here are a lot of conflicts, to Melody learns the truth. But haunts as a sand storm the city, suddenly everything changes.

Englishmen come to explore and settle the new world. There they find natives who are curious about their "firesticks" and strange customs.

During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.

A South African spinster (Jane Birkin) murders her father (Trevor Howard) after he rapes the wife of the black foreman for his plantation.

"Psy-Show" concerns a man approaching middle age, a fragile soul who becomes the plaything of his psychoanalyst who surreptitiously re-positions his quiet motorized chair as his patient lies on the couch.

A esposa de um desonrado diplomata francês sofre de “lepra da alma,” outro termo para tédio. Por meio de uma mistura de fofocas fora de tela, ficamos sabendo da conduta escandalosa de Anne-Marie na Índia dos anos 30 e seu destino fatal gerado pelo tédio e pela culpa colonial.

Brother Number One is a New Zealand documentary on the torture and murder of New Zealand yachtie Kerry Hamill by the Khmer Rouge in 1978. It follows the journey of Kerry's younger brother, Rob Hamill, an Olympic and Trans-Atlantic champion rower, who travels to Cambodia to retrace the steps taken by his brother and John Dewhirst, speaking to eyewitnesses, perpetrators and survivors.

Enquanto tenta levantar dinheiro para recuperar seu carro, George é atraído por Lola, uma francesa que trabalha em um estabelecimento que aluga belas modelos para fotógrafos. Sua breve noite de amor dá a ambos a vontade de lidar com seus respectivos problemas.

From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

An intimate glimpse into the experiences of a young Tibetan family struggling to reconcile their traditional way of life with a rapidly modernizing world.

The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.

An intertwining story of murder and mystery across two decades. In the early twentieth century, several pregnant girls meet in a country house, where they have been sent to give birth and have their children adopted. The girls are never seen by outsiders again. Almost twenty years later, two historians return to the house to research the case, and when the disturbing truth is revealed, the dark story continues.

A rich student's fiancee has her face destroyed by a car accident, and refuses to return to him fearing the loss of his love.

Giorgio, a young soldier, is in love with the married Clara and becomes her lover. But they are separated when Giorgio is posted far away, where he meets the unhappy, unhealthy, and unattractive Fosca, who develops a passionate love for Giorgio and tries to make him love her. This rendition of Stephen Sondheim's Tony Award-winning musical was recorded on the stage with it's original all-star Broadway cast. Originally broadcast as part of "American Playhouse" on PBS (season thirteen, episode six).

Irene lives with Mateo, his father, and her son David, 22 years old. Living together is harmonious and happy, but there is a conflict: David, a brilliant student of architecture, has decided to go and live with his girlfriend Clara, a supermarket cashier. Despite its liberal way of thinking, Irene cannot understand such an unequal relationship. However, David finds in his grandfather the necessary complicity to carry out his plans. Mateo is a old and vital octogenarian despite his tough history: he was a child during the Spanish Civil War (1936-1939), and he lost his house and all his family. But none of that could finish with his energy and desire to live. One day, however, Mateo arrives with terrible news.