Slapper (2016)

Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.

Dr. Charon and his group of mad scientists built a neutron bomb with trying to blackmail the free world for global power. But the hero appears, Neutron, who, with the help of Dr. Thomas and reporter Nora spoil those plans.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

In order to stop a vampire from terrorizing the countryside, some locals decide to break into his coffin at night and steal his ashes. Complications ensue.

If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1

A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.

A 13 minute glimpse of the Feria de Cali celebrated between Christmas and New Year… A carnival of commodity fetishism, red devils and white indians that will be recognizable to anyone who has encountered the surrealist ethnographies of Michael Taussig.

Fang Xiuying era um fazendeiro nascido em Huzhou, Fujian em 1948. Ela sofria de Alzheimer durante os últimos oito anos de sua vida. Até 2015, seus sintomas já eram muito avançados e seu tratamento em uma casa de convalescença era ineficaz, então foi interrompido em junho de 2016 e ela voltou para casa. O filme segue sua provação em 2015 e, em 2016, nos últimos dez dias de sua vida.

A film about defying and stretching the generally accepted standards of good motherhood.

A fat middle-aged man in German officer's uniform gets off a train somewhere in Russia in winter. He is a doctor who has just been called up we learn eventually. This is the end of the line- the Germans are about to retreat. He goes to a hospital which is being evacuated and is thrown out. Kicked out he wanders with another conscript- a failed actor turned postman. The postman is deafened by a shell explosion. They meet their Russian equivalents, others as bad at killing as they are, while other Russians and Germans kill one another around them.

As WWII comes to a close, a wounded Soviet soldier and a Kazak woman seek refuge in a church. In this holy place, they take time to rest and appreciate the beauty of their surroundings, as the interior of the building is lined with ornate works of art. A group of Nazi soldiers eventually disrupts this moment of peace, as they enter the church and defile the sacred works within. Undetected, the original occupants witness this atrocity and the proud Russian feels compelled to fight in an effort to preserve his country’s history.

In the wake of their father’s death, two children gradually come to realize the perverse nature of their upbringing.