The Metropolitan Opera: Luisa Miller (2018)
Gênero : Música
Runtime : 4H 0M
Director : Matthew Diamond
Sinopse
Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.
Em sua última semana de vida, Jesus Cristo lida com a traição, o amor e o ciúme. A premiada ópera-rock é contada a partir da perspectiva de Judas Iscariotes e conta com um elenco estelar de grandes artistas.
A musical adaptation of Victor Hugo's novel "Notre Dame de Paris" which follows the gypsy dancer Esmeralda and the three men who vie for her love: the kind hunchback Quadimodo, the twisted priest Frollo, and the unfaithful soldier Phoebus.
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
The Magic Flute opens with Prince Tamino being rescued from a serpent by Ladies in the employ of the Queen of the Night. Papageno the bird-catcher arrives and claims he killed the serpent, but the outraged Ladies padlock Papageno's mouth for his lie. They also show Tamino a portrait of Princess Pamina, the Queen's kidnapped daughter, and he immediately falls in love. Protected by a golden flute, he sets off with the bird-catcher Papageno to rescue Pamina from the clutches of the sorcerer Sarastro and a madcap adventure involving magicians, wild animals and very Masonic-like trials. Triumphing over all adversity, the lovers unite, as the forces of light banish the darkness and Papageno even finds a true love of his own. The internationally renowned Mozart interpreter Sir Colin Davis conducts the chorus and orchestra of the Royal Opera House and a glittering cast in David McVicar's 2003 production of the opera Mozart wrote in the final year of his life, recorded live at Covent Garden.
Music Director James Levine conducts his first new Met production after a two-year absence: Robert Carsen’s hit staging of Verdi’s great human comedy. Ambrogio Maestri is an ideal Falstaff, leading an extraordinary ensemble cast of veteran and up-and-coming Met stars, including Angela Meade (Alice), Stephanie Blythe (Mistress Quickly), Franco Vasallo (Ford), and Jennifer Johnson Cano (Meg). Lisette Oropesa and Paolo Fanale are the young lovers, Nannetta and Fenton.
Mary Barrett is an aspiring opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their relationship develops into love. But, jealousy and misunderstandings prevent Mary and Guilio from acknowledging their true feelings.
Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.
Star soprano Anna Netrebko scored a triumph in Laurent Pelly’s acclaimed 2012 production, singing the title heroine for the first time at the Met. Manon’s story—from innocent country girl to celebrated courtesan to destitute prisoner—is one of the great tragic tales in literature and music, and this performance brings out all of its colors, as seen through Massenet’s masterful score, from the comedic beginning to the heart-wrenching finale. Piotr Bezcala is des Grieux, Manon’s lover, who decides to become a priest when she leaves him, but ultimately is reunited with her, only to lose her again. Paulo Szot sings Lescaut, and Fabio Luisi conducts the Met Orchestra and Chorus.
Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.
Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.
The Franco Zeffirelli production of Puccini's "Turandot", recorded live at the Metropolitan Opera in April, 1987. Éva Marton stars as Turandot, with Plácido Domingo as Calaf, Leona Mitchell as Liù, Paul Plishka as Timur, and Hugues Cuenod as L'Imperatore Altoum. James Levine conducts.
The imperious Onegin rejects naive Tatiana's proposal of love and also incites a duel with his best friend turned rival Lenski (Piotr Beczala). This sets the scene for a dramatic story of love, loyalty and betrayal. Acclaimed theatre director Deborah Warner presents this lavish new interpretation of the timeless tale. Set in the 19th century and moving episodically from farmhouse to ballroom, the production culminates in an unforgettable finale set during a snowstorm.
Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
Anna Netrebko as the beautiful and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the poor but good-hearted country boy who wins her love—with the help of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts.
Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.
Em 1973, a polícia texana deu como encerrado o caso de um terrível massacre de 33 pessoas provocado por um homem que usava uma máscara feita de pele humana. Nos anos que se seguiram os policiais foram acusados de fazer uma péssima investigação e de terem matado o cara errado. Só que dessa vez, o único sobrevivente do massacre vai contar em detalhes o que realmente aconteceu na deserta estrada do Texas, quando ele e mais 4 amigos estavam indo visitar o seu avô.
Le grand sorcier Merlin apprend que Wolvencroft, mage diabolique et maître des forces obscures est de retour et bien décidé à détrôner le Roi Arthur en traversant le temps. Alerté, Sir Lancelot, décide d'emprunter le couloir du temps à la poursuite du mage maléfique pour l'empêcher de mettre à exécution ses plans diaboliques...
In this actioner, a bounty hunter is assigned to bring back an enormous and angry ex-convict who wears a deadly glove made of leather and steel. Rock'em sock'em mayhem ensues.
A renegade federal agent uses a new drug to create an army of unbeatable warriors.
Duas perigosas armas nucleares são roubadas e posteriormente vendidas a um grupo terrorista, fato que pode desencadear a próxima Grande Guerra. O repórter televisivo Patrick Hale precisa investigar o caso e acaba se envolvendo em toda a trama envolvendo a polícia, o governo e líderes de instituições religiosas e políticas, mas inesperadamente surge uma pista de que seu próprio governo pode estar envolvido no crime.
The horrifying yet delicious and chewy Gingerdead Man causes murder and mayhem on the set of a horrible low budget movie set. It will take the determination of the studio's young new owner to save both his company and well as the lives of his young new friends. Including a terminally ill young boy whose final wish it was to meet the studios stars - The Tiny Terrors.
A história de Adam Stein, um homem que viveu o drama de ser judeu na Alemanha nazista e sobreviveu aos traumas dos campos de concentração. Sua mente ficou afetada e agora está internado em um hospital psiquiátrico, no qual tentam reconduzí-lo a uma existência o mais normal possível para quem viveu os horrores do Holocausto. Mas Adam não é um homem comum nem um doente comum. Ele é muito inteligente para confundir os seus médicos e perceber o que está além da realidade.
O chefe da equipe de um hospital luta para encontrar um significado para sua vida durante uma enxurrada de mortes de funcionários.
Nina is totally heartbroken at the death of her boyfriend Jamie, but is even more unprepared for his return as a ghost. At first it's almost as good as it used to be - hey, even the rats that infested her house have disappeared. But Jamie starts bringing ghostly friends home and behaving more and more oddly.
Rocky, Colt e TumTum devem lutar contra um rico e malvado dumper de lixo tóxico, a fim de salvar uma tribo indígena local e seu amigo Joe. Os 3 Ninjas devem ajudar a encontrar o pai de Joe e encontrar um disco secreto que contenha evidências que possam deter o aterro tóxico que está destruindo a comunidade indígena. No entanto, a cidade é de propriedade do homem rico e ele controla a polícia e até mesmo o prefeito. Eles devem lutar contra uma gangue de motoqueiros e cowboys renegados nesta aventura ninja sem parar.
A ventriloquist is at the mercy of his vicious dummy while he tries to renew a romance with his high school sweetheart.
Uma história de amor e gosto pelos livros, Nunca Te Vi, Sempre Te Amei apresenta os ganhadores do Oscar Anne Bancroft e Anthony Hopkins atuando de forma excepcional. Helen Hanff (Bancroft), uma escritora mal-humorada, envia uma carta a uma pequena livraria de Londres, solicitando algumas obras Inglesas clássicas raras. Frank Doel (Hopkins), o discreto vendedor inglês de livros, atende a seu pedido, iniciando uma troca de cartas comovente e graciosa entre dois continentes por duas décadas. A aspereza de Hanff contrasta com o comportamento pomposo britânico de Doel, mas o amor mútuo aos livros forma entre eles um elo que se intensifica com o passar dos anos. Suas cartas íntimas e altamente detalhadas descrevendo seus sonhos, esperanças, sofrimentos e alegrias nos faz mergulhar no universo de suas vidas, e eles acabam desenvolvendo uma amizade notável e duradoura.
A cada ano, três irmãos Samuel, Jeffrey e Michael Douglas visitam seu avô japonês, Mori Shintaro, a quem os meninos chamam carinhosamente de avô, para o verão. Mori é altamente qualificado nos campos de artes marciais e Ninjutsu, e por anos treinou os meninos em suas técnicas. Depois de um anel de crime organizado revelar-se muito para o FBI, é hora dos 3 irmãos NINJAS! Para usar suas habilidades de artes marciais, eles se unem para combater o ringue do crime e enganar alguns sequestradores muito persistentes!
William O'Niel é um delegado espacial enviado a uma base de coleta de titânio. Ele investiga uma série de mortes misteriosas de mineradores e descobre que a produtividade dos trabalhadores está sendo estimulada por drogas perigosas.
Um apaixonado casal de universitários da Califórnia segue uma viagem de costa a costa pelos Estados Unidos. Os estudantes se perdem da rodovia principal e desembocam numa estrada deserta do Texas, servindo perfeitamente à armadilha montada por Leatherface e sua família psicótica.
Max Bialystock (Zero Mostel) é um produtor teatral em uma maré de má sorte, que namora mulheres idosas com dinheiro para conseguir financiamento para suas novas peças. Entretanto, Max realmente acredita ter descoberto uma grande jogada quando conhece Leo Bloom (Gene Wilder), um contador que ao conversar com ele expõe a tese de que um fracasso pode ser mais lucrativo que um sucesso, bastando que se venda o espetáculo para diversas pessoas e fazer de tudo para que ele seja um retumbante fracasso, com sua temporada durando apenas um dia, pois assim não existirá lucro e todo o dinheiro que foi investido irá parar no bolso daquele que vendeu os direitos da peça. Após uma certa relutância, Leo se une a Max para montarem o pior musical que a Broadway já viu: "Primavera para Hitler". História refilmada em Os Produtores (2005).
Condenado a envelhecer entre os terráqueos, Connor MacLeod, o último guerreiro highlander, aos 75 anos, ainda é uma esperança para seu povo no planeta Zeist. Por isso, o ditador Katana se lança à Terra para matá-lo, desencadeando uma batalha de vida ou morte.
No estado do Texas, a jovem Jenny (Renée Zellweger) e seus amigos se divertem na estrada em plena noite de formatura. O grupo sofre um grave acidente e um deles se machuca, obrigando seus colegas a procurar a ajuda. Por azar, encontram uma família composta por diversos malucos dentre os quais o psicopata Vilmer (Matthew McConaughey) e seu irmão Leatherface (Robert Jacks).
Chegou o Natal! As garotas de uma fraternidade fazem planos para o feriado, mas estranhas ligações anônimas começam a incomodá-las. Quando Clare desaparece, elas ligam para a polícia, que não dá muita bola. Enquanto isso, Jess está planejando um aborto, mas seu namorado Peter é radicalmente contra. A polícia finalmente começa a se preocupar quando uma garota de 13 anos é encontrada morta no parque. Eles grampeiam o telefone da fraternidade, mas será que isso será suficiente para impedir a morte das garotas da fraternidade?