A noi ci dicono

Palermo, Sicília, 1980. Tommaso Buscetta, membro da Máfia, decide mudar-se para o Brasil com sua família fugindo da guerra constante entre os diferentes clãs da organização criminosa. Mas quando, após viver várias desgraças, ele é forçado a voltar para a Itália, toma uma decisão ousada que mudará sua vida e o destino da Cosa Nostra para sempre.

A siciliana Letizia Battaglia começou uma batalha ao longo da vida com a máfia quando apontou pela primeira vez sua câmera para uma vítima brutalmente morta. Documentando o domínio bárbaro da Cosa Nostra, ela deu testemunho inabalável de seus crimes. Suas fotografias, arte e bravura ajudaram a dar um fim a um chocante reinado de matança.

The multigenerational saga of the rise and fall of the Corleone crime family. Story is told in chronological order, and numerous scenes that were deleted from each film have been restored.

No fim dos anos 70, Salvatore, um menino de 10 anos, vive com a família na cidade de Palermo. Sob sua ótica, ele narra os dilemas de crescer em um local dominado pela máfia.

Durante o conturbado processo de unificação italiana na Sicília, o príncipe Don Fabrizio passa a simpatizar com os ideais socialistas, mas não gosta da ideia de perder seu prestígio e privilégios.

Narra a trajetória e história verídica de Salvatore Giuliano, o líder e bandido siciliano que ousou enfrentar a igreja, o estado e a máfia, na esperança de tornar a Sicília independente, no final dos anos 40. Giuliano rouba dos ricos proprietários de terra para dar aos aflitos e humildes camponeses, e os instrui a comprar terras com esse dinheiro.

PK é uma comédia sobre um estranho na cidade, um alienígena, que faz perguntas que ninguém fez antes. Elas são inocentes, perguntas infantis, mas elas trazem respostas catastróficas. As pessoas que estão estabelecidas em seus caminhos por gerações, são forçados a reavaliar seu mundo quando o vê nos olhos inocentes de PK. No processo PK faz amigos leais e inimigos poderosos. Conserta vidas quebradas e irrita o sistema. A curiosidade infantil do PK transforma-se em uma odisseia espiritual para ele e milhões de outros. O filme é uma exploração ambiciosa e exclusivamente original de filosofias complexas. Ele também é um simples e humano conto de amor, risos e deixe estar. Finalmente, é uma saga sobre uma amizade entre estranhos de mundos separados.

Cinisi é uma vila na província de Palermo, conhecida pelo aeroporto de Punta Raisi, que os chefes mafiosos locais utilizam para seus negócios. Aqui vive o pequeno Peppino Impastato, a cem passos da casa do chefe Tano Badalamenti, com quem sua família tem um relacionamento próximo, marcado pela lei do silêncio.

Good hearted but not very wordly-wise, Dante is happy driving the school bus for a group of mentally handicapped children, while feeling he is somehow missing out on life and love. So he is very excited when after nearly being knocked down by her car he meets Maria, who seems immediately enamoured of him. He is soon invited to her sumptuous Palermo villa, little suspecting that this is part of a plot. He bears an amazing likeness to Maria's stool-pigeon gangster husband and it would be convenient for them if the mobster, in the shape of Dante, was seen to be dead and buried.

Determinado a quebrar o reinado da máfia na Itália, Giovanni Falcone, um advogado corajoso, ousou desafiar a Cosa Nostra.

Sicilian bandit Salvatore Giuliano's bullet-riddled corpse is found facedown in a courtyard in Castelvetrano, a handgun and rifle by his side. Local and international press descend upon the scene, hoping to crack open the true story behind the death of this young man, who, at the age of twenty-seven, had already become Italy’s most wanted criminal and celebrated hero.

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

What happens when western anthropologists descend on the Amazon and make one of the last unacculturated tribes in existence, the Yanomami, the most exhaustively filmed and studied tribe on the planet? Despite their "do no harm" creed and scientific aims, the small army of anthropologists that has studied the Yanomami since the 1960s has wreaked havoc among the tribe - and sparked a war within the anthropology community itself.

Palermo, Sicily, November 1925. Cesare Mori, the new prefect of the city, soon to be known as the Iron Prefect, begins a ruthless war against the Mafia, a sinister organization that has subjugated the island for centuries, something that the dictator Benito Mussolini and the fascist authorities can no longer allow.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.

January 6, 1980. The President of the Sicilian Region Piersanti Mattarella is going to Mass with his family. A young man approaches the car window and shoots Piersanti in cold blood and kills him. Despite the confusion of the moment with a series of misdirections towards left-wing terrorism, the crime appeared anomalous in its modalities. The young Deputy Prosecutor on duty, that day of the Epiphany, will be Pietro Grasso, future Anti-Mafia Prosecutor and President of the Senate. The investigations will be continued by the Instructor Judge Giovanni Falcone, who will uncover dangerous relationships between the Mafia, Politics, Nar and neo-fascists, the Magliana gang, Gladio and Secret Services.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.