The Terrorist (1998)

An Italian sex worker falls in love with a black American soldier during World War II.

An isolated orphanage, called the 'House of Angels'. The director of this orphanage religiously brainwashes the children into believing that eating is a shameful thing. Among the children, Shin Sung-Il is the most exemplary student who tries hardest to follow the director's doctrine, but he is also the most chubby. He tries to fast from time to time, only to fail. Meanwhile, the children suspect the director's real intention and plan an uprising to escape from the orphanage. However, it is Sung-Il who escapes. Out in society, Sung-Il discovers people eating openly without shame. With hatred toward such depraved people, he feels the pangs of hunger more and more...

Beijing, 1902: an enterprising young portrait photographer named Liu Jinglun, keen on new technology, befriends a newly-arrived Englishman who's brought projector, camera, and Lumière-brothers' shorts to open the Shadow Magic theater. Liu's work with Wallace brings him conflict with tradition and his father's authority, complicated by his falling in love with Ling, daughter of Lord Tan, star of Beijing's traditional opera. Liu sees movies as his chance to become wealthy and worthy of Ling. When the Shadow Magic pair are invited to show the films to the Empress Dowager, things look good. But, is disaster in the script? And, can movies preserve tradition even as they bring change?

You wake up in a warehouse where a bunch of degenerates is willing to execute you.

Ross, who lives with his eccentric Uncle Cullen, is desperately trying to become a successful businessman. When he attempts to sell the family wine collection to finance a new venture, his uncle hatches a plan to remind Ross of the talent he left behind.

After being falsely accused of a murder, Marcos runs away to the small and quiet town of Cuevano. There he finds that the family matters are more complicated than his.

An island retreat. A man, his face bandaged, plays cards nonchalantly. His ex-wife arrives. Conversations happen. (Mubi)

Squash is a 2002 French short film directed by Lionel Bailliu, with Malcolm Conrath and Eric Savin. Two businessmen, Alexandre and his boss, play a game of squash. The game escalates from "fun" to fairly high stakes, as both players demonstrate that squash is a mental game, not just a physical game. The film was nominated for an Oscar for Best Live Action Short Film.

Who would have expected Brigitte to marry a prisoner with a long sentence in the first place? In this romantic action movie, that is only the first in a long line of surprising actions by the young woman. Somehow, she manages to get hooked to the young prisoner before realizing that he'll be locked up for another three or four decades. She decides that this is much too long to wait to spend time with her sweetheart and decides to learn how to fly a helicopter. Why? So she can fly in and take him out of his prison yard, which is exactly what she does, thrilling romantics all over France and seriously upsetting the authorities. This award-winning film is based on a true incident from 1986.

Three episodes, all with relatively similar plots about a love triangle between a woman and two men.

“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón

After a bull is killed in a bullfight, its body parts are transported across Spain, France, Italy and Belgium. The bull's parts fall into the wide variety of people, including: an Italian actress selling the bones in a supermarket promotion, a Spanish woman who dines on its steaks, a little girl in France who imagines a world where animals are much larger than humans, and a taxidermist whose wife is simultaneously giving birth to quintuplets.

No passado século XIX, em ilha deserta do Atlântico, dá-se o encontro entre Pierre Duchemin, jovem marinheiro dum barco francês, e Hunila, solitária desde a morte do marido, Filipe, e do irmão, que exploravam os parcos recursos da pesca à tartaruga. Esta relação paradisíaca terá, porém, um fim e, recolhida por um veleiro português, em 1830, Hunila conta a sua história.

A woman steals from her drug-dealer boyfriend and runs away. She meets a sympathetic woman on the way who helps her escape.

A look at Alfred Hitchcock's films. The Master of Suspense himself, who is interviewed extensively here, shares stories including his deep-seated fear of policemen, elaborates on the difference between shock and suspense, defines the meaning of "MacGuffin," and discusses his use of storyboarding in designing a film. Clips from many of his greatest films (including "North by Northwest", "Shadow of a Doubt", "The Birds", and the legendary shower scene from "Psycho") illustrate his points, often to Hitchcock's own voice-over observations, with narrator Cliff Robertson offering other critical insights.

Montreal, 1904. Giuseppe and Ninetta own a boarding house where they welcome their fellow Sicilians. One day, as he comes to the defence of one of his boarders, Giuseppe accidentally kills Theo, his French Canadian best friend’s son-in-law. This drama depicts the tensions between people from different ethnic backgrounds and their life-changing impact. Based on a true story, 'The Saracen Woman' paints a portrait of Italian immigration to Quebec and the affinities and conflicts that arose from the clash of two different cultures.

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.

On a whim, Eve, a young Swedish traveler, accepts an invitation from Peter to vacation on his family's private island off the coast of New England. As a series of unexpected delays prevent other guests from arriving, Eve discovers that she has little in common with the increasingly erratic Peter. Gradually the idyllic natural beauty of the island gives way and Eve finds herself trapped in a state of surreality punctuated by bizarre visions, dimensional shifting and secret pizza.

Gina is a modern business woman in her late forties, she has a lover named Adrian, who she sees once in a while just to have sex; they are both atracted to the historic figure of Pancho Villa, while he admires his power, she admires his virility. As Gina helps Adrian (who is a journalist) to write a book about Pancho Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers. She gets sick of only having sex, and when she decides to get married with him and have a baby, he escapes to buy cigarrettes and gets lost for three months. Gina forgets about him and gets a new boyfriend (half the age she is), and when Adrian tries to get her back and she refuses him and humiliates him, the one and only Pancho Villa appears as his machista conscience ready to do anything to get Gina back.

A glimpse at the daily lives of patients in a Romanian psychiatric hospital.