Fforest Bay II (1973)

Tar pits form as petroleum seeps to the surface through fissures in the Earth’s crust, leaving viscous asphalt pools. To make Tar Pits Film, Jennifer West threw a strip of film into the La Brea Tar Pits in Los Angeles, still-bubbling asphalt pools which have seeped from the ground for tens of thousands of years. The film was then ridden over hot asphalt by a motorcycle and drenched in other substances including thick mayonnaise and body lotion.

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Music by Byron Westbrook, 16mm film by Paul Clipson.

Via the New York Times: "...a severely obscure meditation on pre-revolutionary Russia in the form of an encounter between a ghost from the past and the ghost's present-day guardian. In fact, the two characters seem to be the shade of Anton Chekhov and the young man who tends a Chekhov museum in the Crimea, though that is never made explicit."

After the pandemic isolated him from his normal life and friends, a boy must deal with the unbearable dullness of a new life at home, the hurtful and escapist trappings of nostalgia, and distorted perceptions of life and his family through seeking the colors that defined the best years of his youth. A zero-budget experimental short film that expresses universal feelings of loss, paranoia, and hope the world experienced during the early months of the COVID-19 pandemic through some abstract scenarios and sounds.

Nura is determined to live her life to the full, despite a future without her eyesight.

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

The human psyche unfolds and becomes something different in this musical dance film featuring specialised choreography and direction.

Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.

Adams Film is a visual collage combining live action footage with abstract images and textures drawn onto 16mm film stock. Footage of a casual Janiak family gathering is sandwiched between superimposed garden scenes and rebellious direct animation. The soundtrack consists of assorted tape loops.

Viva Las Vergas! The synthesis of simulacrum and solar max. (Selected Screenings and Awards: Ann Arbor Film Festival, Dallas Video Festival, Athens International Film and Video Festival, New York Underground Film Festival)

Portrait of a catastrophe, these are times of fire.

A video sketch at Hayama's bed, situated in Bangkok.

Filmed in an empty shop, the remaining features of the space are used to create a kaleidoscopic light film. Ceiling lamps become coloured spheres and circles that sweep across the frame. Pillars provide wipes and fades, window shutters are hole punched stencils, passing buses shoot beams of light. A toy solar system appears. Scale and depth constantly shift and colours are blindly combined as exposures gradually multiply

Starting in the late 1930s, illustrator and experimental animator Douglass Crockwell created a series of short abstract animated films at his home in Glen Falls, New York. The films offered Crockwell a chance to experiment with various unorthodox animation techniques such as adding and removing non-drying paint on glass frame-by-frame, squeezing paint between two sheets of glass, and finger painting. The individual films created over a nine-year period were then stitched together for presentation, forming a nonsensical relationship that only highlights the abstract qualities of the images. —Kansas City Electronic Music and Arts Alliance

After a job goes wrong, a woman flees to her hometown in southern Colombia. Along the way she encounters a mysterious figure, which might be the embodied spirit of an ancient plant. A non-linear video installation uses experimental animation to tell a story about psychotropic plants, crime and Colombian society.

A short film by Sophie Michael that "uses color both to estrange what the camera sees and to build a new language".

Music by Jefre Cantu-Ledesma, 16mm color film by Paul Clipson.