Educated Evans (1936)

Por cerca de 1970, um menino e uma menina entram na floresta em uma tentativa de salvar a alma de seu animal de estimação recentemente falecido. Eles viajam para um lugar conhecido como "O Antro", e se deparam com o diabo que aterrissou depois de ser expulso do céu. Lá, as crianças começam a cavar um buraco no inferno.

After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.

This mostly lost film (please check your attic) is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

O corpo de um homem rico é encontrado no interior de sua casa e o laudo pericial aponta suícidio, porém cinco anos depois a residência do homem passa a receber estranhas presenças sobrenaturais que, ao que tudo indica, são vampiros.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

Tells a heart-rending saga of an orphan girl, whose body and soul are divided between her aged husband and a young forest officer she had fallen in love with. Being the wife of the old Choudhari has she any right to expect love from another man forms the crux of the story.

A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.

Daughter of an Eastern lumber king, Stephanie Trent travels in the guise of a schoolteacher to the logging village of Trentsville to search for "a real man." There she meets Jimmy Raymond, a young novelist posing as a local while writing his story. When Stephanie comes to Jimmy's cabin to report a supposed plot against him, he acts as though he intends to assault her. She nearly throws herself out the window but is stopped by Jimmy, who explains that he is working on a novel and merely wanted to determine a young girl's reactions. In retaliation, she orders that he be kidnapped and held in a nearby cabin, but remorsefully nurses him back to health when he is shot trying to escape.

John Douglas, a down-on-his-luck engineer, takes his sweetheart, Sara Deeping, to a play starring Carla King, and he falls in love with the actress.

When a rare species of butterfly is found in a mysterious valley in Japan, a pair of entomologists go to investigate and find more. They discover Varan, a giant monster, Who decided to leave the valley and head straight for Tokyo.

Henry Potter is the irresponsible playboy son of a New York millionaire. Fearing he will disgrace the family name if he stays in New York, the father sends him to San Francisco to work in the family shipyards and, to make a man out of him, he is told he will have to start at the bottom and work his way up. Henry decides this is not a good idea and resents it to the point he will indeed start at the bottom but will work his way down from there, and disgrace the family name in San Francisco.

A very rare lost film by Pathe Exchange that was found by Ben Model on eBay and preserved in time. Not much information known to exist.

In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.

An English explorer disturbed by the practices of an isolated tribe attempts to rescue a native girl he has become fascinated with. THE DEVIL DANCER was highly praised at time of release for its exquisite cinematography, especially in the use of light and shadow. The film received an Academy Award nomination in this category. Sadly, it is among the lost. No prints or negatives are known to survive.

When Doris Baker spends her husband Dick into serious debt, he embezzles funds from the bank where he works to cover some speculative investments. He is joined in these plans by one of the bank's directors, but when Doris unknowingly snubs the director's wife, he pulls out his aid. Dick finds himself in serious trouble, and then Doris leaves him after an argument. She is about to leave for the Orient with her daughter Bessie, a friend, Mrs. Prescott, and an admirer, Patrick Alliston, but they are stopped at the station because Dick is believed to be with them. He isn't, and his difficulties drive him to an aborted suicide attempt. Doris finally wakes up to what is going on and reconciles with Dick. The bank examiner looks over the books and helps Dick get back on his feet, much to the director's chagrin.

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

A theatrical troupe from the west end of London loses its leading lady (Rose Trelawny) when she goes off to marry a rich young man from the other side of town (Arthur Gower). The rest of the play deals with the budding romance and trials and tribulations of their love, as well as the changing face of late-19th-century theatre.

An optimistic girl survives city life as a shoe shine till she ends up in children's court. Just as she helps her geranium, Sally, to grow, a kindly judge sees her potential and takes her to his mother's country home to flourish.

The Flicker Alley DVD "Georges Méliès: Encore New Discoveries (1896-1911)" misidentified a partial hand-colored print of the 1906 film "Alchimiste Parafaragaramus ou La cornue infernale" (The Mysterious Retort) as this film, "L'hallucination de l'alchimiste" (An Hallucinated Alchemist) from 1897, which continues to be considered a lost film.

Unfound film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.