Bandits in Search of Mom (2018)

Belgrade in 1963. In a yard surrounded by buildings, a group of young people of different backgrounds and social status, but of similar views about love and self-affirmation, spend their time together. Their friendship is dyed with various events typical for socialism, such as working actions or Youth Day's parade. All what happens within this yard may become an allegory of one generation's destiny.

Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.

A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.

A flat broke aging boxer, living on the verge of existence, teams up with the equally desperate people in the city's suburbia to steal, cheat, and even kill for the money.

Hannah (Sarah Polley) tem 30 anos, é introvertida, solitária, misteriosa e trabalha numa indústria têxtil. Ela vai passar as férias num pequeno povoado costeiro, em frente a uma plataforma petrolífera. Um incidente faz com que ela permaneça alguns dias na plataforma cuidando de Josef (Tim Robbins), que sofreu uma série de queimaduras que o deixaram cego temporariamente. Com ele trabalham vários outros homens, cada um com uma personalidade marcante.

A short film which documents a 24 hour period in the city of Belgrade, Yugoslavia.

Defender os ideais stalinistas logo após o rompimento do marechal Tito, líder da então Iugoslávia, com o Stalin, ditador russo, não era a melhor das ideias. Após a publicação de uma charge inoportuna de sua autoria, Mesa é enviado para um campo de trabalhos forçados, uma prisão longe de sua família – que acredita que o pai está em uma “viagem de negócios”. Desnorteado, o jovem Malik, filho de Mesa, tenta lidar com a crise que sua família e seu país enfrentam da melhor maneira possível, enquanto começa a descobrir o amor.

Era uma vez uma comunidade de exuberantes ciganos. Dois avós que julgavam estarem mortos, dois jovens apaixonados, uma senhora que queria vender a filha, um rapaz gorducho, um comboio roubado e desaparecido, um burro, um porco, dois gatos e uma fanfarra suspensa na árvore.

O ano é 1980. Halil, um muçulmano, e Milan, um sérvio, são amigos na Iugoslávia. Os dois meninos cresceram juntos. Eles moravam perto de um túnel inacabado, o Túnel da União e da Fraternidade, que deveria ligar Belgrado à Zagreb, servindo como símbolo da Iugoslávia unida. Doze anos depois, estoura a guerra da Bósnia e ambos agora encontram-se em lados opostos.

Uma apresentação das polêmicas teorias e terapias do psicanalista Wilhelm Reich, ferrenho incentivador da liberdade sexual. Simultaneamente duas jovens iugoslavas - uma delas militante comunista - tentam seduzir um astro russo, enquanto norte-americanos adeptos do sexo livre contam suas aventuras e compartilham algumas de suas dicas.

In order to save a friend's daughter, a 17-year-old Jewish girl, from the Ustashas, the Croatian family arranges her to be wed to their son Ivo.

German war documentary about Yugoslavia from 1941.

During the Battle of Sutjeska, partisan troops must endure 24 hours of big and heavy attacks on German units Ljubino grave, to the main Partisan units, with the wounded and the Supreme Headquarters, pulled out the ring that is tightened around them.

Um mensageiro do Departamento de Estado, Mike Kells, vai para a Trieste do pós-guerra, depois de falharem na coleta da encomenda de um colega. A Polícia Militar está feliz por ele se envolver, mas as coisas ficam um pouco difíceis. Afinal, ele é apenas um carteiro.

The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

Film "Normalni ljudi" is based on the motives of various writings by Srdjan Valjarevic. Srdjan is an excellent writer so unpretentious and humble that it is a crime placing his ideas into this context. I do not wanna go into the reason why did he except to sign this film. Oleg NOvkovic's approach to it is wrong from the very beginning. Surreal is only his attempt to make a noir film ( by: ninjakrme)

Andy vive numa pobre cidade da Iugoslávia com sua família e Gus, uma mula que chuta bola de futebol como ninguém. A fama corre e o animal vai parar nos EUA.

In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.