In the Surroundings (1998)
Gênero : Ação, Drama, Guerra
Runtime : 1H 6M
Director : Stjepan Sabljak
Sinopse
During the Croatian war of independence, five members of the National Guard escape from hostile confinement. While trying to break through the enemy lines, they fight against various paramilitary groups, dying one after another.
The year is 1940, Croatian coast, Kingdom of Yugoslavia. Jakov, a poor peasant from hinterland, and his daughter Mala, go to the city, trying to find a job to repay a debt...
Segue a história de uma jovem chamada Dara que é enviada para um campo de concentração na Croácia durante a 2ª Guerra Mundial.
Stipan is a policeman who comes to small Adriatic island off the Croatian coast in order to investigate reported strange phenomena that had frightened the whole population. At first, nobody wants to co-operate with him, but he finally finds that the island is being allegedly haunted by the ghost of Josip Broz Tito, Communist leader of former Yugoslavia. For Luka, the mayor, this is the opportunity to turn entire island into Tito-themed amusement park. Tito's WW2 veterans, on the other hand, don't believe in ghosts; for them, the apparition is actually Tito himself, who had returned in order to lead them into a new revolution which would restore Communism. Written by Anonymous
Em uma pitoresca vila na Dalmácia, há mais funerais do que nascimentos. Fabian (Kresimir Mikic) é um jovem padre indicado para ser o novo pároco desse lugar. Ao ouvir a confissão de um dos fiéis, ele descobre que a baixa natalidade é culpa da alta venda de preservativos. Horrorizado e querendo modificar essa situação, ele tem uma brilhante e drástica ideia: perfurar todas as camisinhas antes que elas sejam vendidas. Para isso, se junta ao jornaleiro Petar (Niksa Butijer) e ao farmacêutico Marin (Marija Skaricic). Só que o "milagroso" "boom" de bebês causa consequências inesperadas.
A German family Keller arrives to the coastal village to spend summer holidays with their Croatian friends. Horst Keller and Roger Katushic were friends ever since Karl May's film adaptations took place there. Their children were friends for years, too, and they look forward to the reunion. Fantasizing about free life and "cowboys & Indians" adventures in the canyon of the Cetina river, the boys go there without knowing that the three cruel Chetniks who had just escaped from prison hide there.
'Malo Misto' lives its own life, but not far behind the times. Hotel manager Roko Prč strives to organise tourism, so he introduces the first nudist beach. His wife Anđa brings two of her cousins from the Dalmatian hinterland and demands Roko to hire them. One of them, a young man named Ikan, earns the attention of a beautiful Swedish tourist. From Chile to Malo Misto returned Tonči, nicknamed Servantes, of course, without any money. He fell on the back of his hardworking aunt Keka, who even without him has enough problems of her own. Servantes also experiences an unexpected romance.
The rut of Dalmatian hinterland changes with the arrival of returning guest workers, and things they bring along: cars, radios and new way of life.
At the beginning of 1991, Yugoslav army did not acknowledge Croatian's independence, and still holding few military barracks in Croatia. Gajski travels to an island to get his son out of the army. Locals have besieged the barracks and organized a festival to try with singing and recitals to get major Aleksa and his soldiers to surrender, but Aleksa has explosives thru the barracks and wants to blow up the island.
Uma rapariga bonita, mas doente é casada com um homem severo, que não se importa dela. Só depois de ela morrer, ele percebe que ele realmente a ama.
Communist party commissar Ivica is sent to the lowland village to monitor the local partisan squad. Despite their disagreements he befriends their leader Dikan and they plan to evacuate the chief headquarters. Dikan also sees the opportunity to have his personal revenge on an enemy officer, responsible for death of one of his men.
Peter and Martina are a tourist couple on a vacation on the Croatian coast. Both are successful and in their prime. However, the couple is going through a crisis. Both are frustrated and unsatisfied with their lives. They hope this vacation will help save their relationship. They both hope that this, long expected vacation will improve their relationship. They go on a mountain trip, and they get lost. Far from their usual comfort, confronted with the raw nature, they are left with no other option but to face one another...
Situado na Zagreb pré-Segunda Guerra Mundial, a história é vista através dos olhos de Perica Šafranek de 6 anos de idade (interpretado por Tomislav Žganec). Um dândi de Zagreb, Fulir (interpretado por Relja Bašić), começa a flertar com a mãe de Perica durante um piquenique familiar. No início, o pai de Perica não percebe nada, mas quer se casar com a tia de Perica, então ele convida o homem para sua residência. Depois de vários encontros, o pai de Perica toma consciência das tentativas de Fulir de seduzir sua esposa.
The first Croatian sound feature film. Viennese painter, bound to an oath that will endure whole month without a woman, goes to Adriatic coast to paint, but in Trogir he sees beauty Mira and falls in love with her.
A corrupt village commissar insists on mounting a production of Hamlet. The clever local teacher, however, casts the son of a man framed for theft as Hamlet, and the commissar as the usurping king, leading to a climax of truly Shakespearean proportions.
ZG80 is a prequel of Metastaze. The movie brings back its characters to prewar Yugoslavia where they, as part of Bad Blue Boys, go on a football match in Belgrade to see Dinamo play against Crvena Zvezda. They encounter guest fans, their arch rivals Delije, in a series of events that lead to football fans war on the streets of Belgrade.
Ivan is a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian Homeland War. His father, Izidor, was a well-known political prisoner in the former Yugoslavia, and is now standing as an independent candidate for the Croatian Parliament. Then a face from the past re-appears: an impoverished Serbian refugee called Simo, who has recently returned to the town. As an ex-communist official, Simo imprisoned Izidor decades ago. He knows certain facts about Izidor that could destroy his reputation and wreck his political campaign. Simo demands money, in return for his silence and he also has a secret rendezvous with Ivan's mother, Ana. Soon a long-buried secret surfaces once more - with huge repercussions for Ivan. He starts to provoke hard-line Croatians by singing Serbian nationalistic songs, daring them to kill him.
The setting is the islands off the Dalmatian coast of Yugoslavia, during WW II. The islands are controlled by occupying Italian forces, and a resistence movement of Communists is dedicated to sabotaging and ending the occupation. When a wealthy young man joins the resistence, he falls in love with a woman who turns out to be a spy for the Italians. As a result of his liaison and her activity, they are both executed by a Communist comrade - a previous friend. The comrade is dedicated to the hard-line policies of the resistence, until he himself falls in love with the daughter of a bourgeois landowner on the island - a landowner who has collaborated with the Italians. Neither the Italian occupying army (one officer is shown in an attempted rape scene) nor the resistence fighters are stereotyped forces for good or evil, but all are equally subject to the dehumanizing effects of war.
A família de uma aldeia isolada em Lika tem uma boa vida usando a pensão americana do falecido avô Djuradj, agora recebida por sua viúva Nedja. A existência da família é ameaçada quando Nedja morre, mas o chefe da família surge com um plano astuto.
Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .