Fukushima, chronique d'un désastre (2013)

Quando a usina nuclear de Fukushima é atingida por um terremoto seguido de um tsunami, a ameaça de explosão é iminente. Mesmo com risco de contaminação, engenheiros arriscam tudo para evitar um desastre de proporções incalculáveis.

One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop star to Oscar-winning film composer. The evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following cancer, his haunting awareness of life crises leads to a resounding new masterpiece. RYUICHI SAKAMOTO: CODA is an intimate portrait of both the artist and the man.

A powerful documentary that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that immediately followed. A powerful documentary - shot from March 11th, 2011 through March 2015 - that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that followed.

The exciting story of the splitting of the atom, a scientific breakthrough of incalculable importance that ushered in the nuclear age, has a dark side: the many events in which people were exposed to radiation, both intentionally and by accident.

Após um romance que terminou mal, Marie, uma jovem alemã, pousa em Fukushima, determinada a mudar o rumo de sua vida. Mas não será nada fácil: Marie sofre para se adaptar não apenas à vida japonesa, mas ainda mais à vida em uma cidade traumatizada. Ela acaba encontrando refúgio ao se aproximar de Satomi, a última gueixa viva da cidade. Marie chega até mesmo a acompanhar Satomi à casa em que esta nasceu, mesmo a casa estando dentro da zona proibida. A relação entre as duas mulheres é tudo, menos fácil, dadas as diferenças culturais e geracionais existentes ali. Mas, pouco a pouco, a amizade verdadeira se desenvolve entre elas.

Six months after the explosions at the Fukushima nuclear plant and the release of radiation there, Professor Jim Al-Khalili sets out to discover whether nuclear power is safe. He begins in Japan, where he meets some of the tens of thousands of people who have been evacuated from the exclusion zone. He travels to an abandoned village just outside the zone to witness a nuclear clean-up operation. Jim draws on the latest scientific findings from Japan and from the previous explosion at Chernobyl to understand how dangerous the release of radiation is likely to be and what that means for our trust in nuclear power.

At 2:46 PM on March 11, 2011, the Fukushima Daiichi Nuclear Power Plant experiences a black out due to the aftermath of the Tōhoku earthquake and tsunami. The cooling system fails at the nuclear power plant and the temperature of the nuclear reactor rises. The worst case is coming. Scientists face an unexpected situation and government officials are confused by lack of information. Residents says goodbye to their hometown before evacuating.

In the aftermath of the Fukushima nuclear disaster, a Japanese farmer ekes out a solitary existence within the radiation red zone.

After the 11 March 2011 tsunami and nuclear disaster, residents of Futaba, a town in Fukushima Prefecture, are relocated to an abandoned high school in a suburb of Tokyo, 150 miles south. With a clear and compassionate eye, filmmaker Atsushi Funahashi follows the displaced people as they struggle to adapt to their new environment. Among the vivid personalities who emerge are the town mayor, a Moses without a Promised Land; and a farmer who would rather defy the government than abandon his cows to certain starvation.

Naraho town in Fukushima Prefecture is on the front-line of the government-funded nuclear power plant decommissioning work. Kokuhei Kusunoki is transferred from Aizu Wakamatsu City to Naraho Town to take over the Disaster PR Division. Murai takes Kokuhei around Fukushima including areas washed away by the tsunami. They examine the still incomplete railway lines, the unfinished decontamination area and villages in the danger zone, where deadly cesium continues to pile up. One day Kokuhei is told to organize a party to celebrate the professor who has been appointed as deputy director of the Atomic Energy Research Institute.

Chernobyl 1986. A nuclear reactor exploded, spewing out massive quantities of radiation into the atmosphere. Within days, the pollution had spread across Europe. Living on land contaminated with radioactivity would be a life-changing ordeal for the people of Belarus, but also for the Sami reindeer herders of central Norway. It even affected the Gaels of the distant Hebrides. Five years ago there was a meltdown at the Fukushima reactor, and thousands of Japanese people found their homes, fields and farms irradiated, just as had happened in Europe. This international documentary, filmed in Belarus, Japan, the lands of Norway's Sami reindeer herders and in the Outer Hebrides, poses the question: what lessons have we learned?

Fukushima's Minami-soma has a ten-centuries-long tradition of holding the Soma Nomaoi ("chasing wild horses") festival to celebrate the horse's great contribution to human society. Following the meltdown of the Fukushima Daiichi Nuclear Power Plant in the wake of the March 11, 2011 earthquake and tsunami, local people were forced to flee the area. Rancher Shinichiro Tanaka returned to find his horses dead or starving, and refused to obey the government's orders to kill them. While many racehorses are slaughtered for horsemeat, his horses had been subjected to radiation and were inedible. Yoju Matsubayashi, whose "Fukushima: Memories of the Lost Landscape" is one of the most impressive documentaries made immediately after the disaster, spent the summer of 2011 helping Tanaka take care of his horses. In documenting their rehabilitation, he has produced a profound meditation on these animals who live as testaments to the tragic bargain human society made with nuclear power.

Every nuclear weapon made, every watt of electricity produced from a nuclear power plant leaves a trail of nuclear waste that will last for the next four hundred generations. We face the problem of how to warn the far distant future of the nuclear waste we have buried --but how to do it? How to imagine the far-distant threats to the sites, what kinds of monuments can be built, could stories or legends safeguard our descendants? Filmed at the only American nuclear burial ground, at a nuclear weapons complex and in Fukushima, the film grapples with the ways people are dealing with the present problem and imagining the future. Part observational essay, part graphic novel, this documentary explores the idea that over millennia, nothing stays put.

The referendum whether nuclear power plants should be banned has been held in Japan. People must decide their future.

The Radiant explores the aftermath of March 11, 2011, when the Tohoku earthquake triggered a tsunami that killed many thousands and caused the partial meltdown of the Fukushima Daiichi nuclear power plant on the east coast of Japan. Burdened by the difficult task of representing the invisible aftermath of nuclear fallout, The Radiant travels through time and space to invoke the historical promises of nuclear energy and the threats of radiation that converge in Japan in the months immediately following the disaster.

TEPCO's Fukushima Daiichi Nuclear Power Plant is the site of one of history's worst nuclear disasters: the meltdown of three nuclear reactors. The decommissioning program in Japan learns from the Three Mile Island decommissioning in the US after the nuclear plant accident in 1976 in Pennsylvania.

December 21, 2015. The image of a fox was captured by a camera inside the unit 2 building at Fukushima No.1 nuclear power plant... A film-essay about contemporary Japan in the aftermath of March 2011 earthquake.