Namibia: The Struggle for Liberation (2007)

With more than 300 days a year, the sun dominates this country so much that it’s even shining from their flag. It’s a barren land, sometimes it’s like it’s from another planet but still familiar. It is land of contrasts and colours with wide landscapes and fascinating deserts. Influenced by various cultures during colonization and now reborn from the shadows of Apartheid in 1990, Namibia gives a beautiful collage of culture, language, art, music and food. Everyone who loves an adventure should travel to Namibia, the precious corner of our world full of incredible natural wonders. The experience of endless landscapes and an unparalleled blaze of colour make Namibia unforgettable. NAMIBIA – THE SPIRIT OF WILDERNESS invites you on a trip whose fascination will never let you go: From the Namib Desert over the breath-taking Fish River Canyon to the spectacular Etosha National Park where you will see wild elephants, antelopes, giraffes, zebras and lions.

Bikes for Africa is an entertaining, insightful and moving documentary following the life adventures of Hap Cameron and Mandy Todd, and their attempt to help implement a self sustainable bike workshop in rural Namibia with a container load secondhand donated bikes from Melbourne. The film investigates how a bicycle can fundamentally change the lives of rural Africans, and brings to focus the great works of two-wheeled charities Bicycles for Humanity and the Bicycling Empowerment Network Namibia.

In Africa, poachers brutally maim and kill elephants for their ivory, much of which is exported to China or smuggled into the United States. The profits help fund terrorist organisations, and are used to buy guns and artillery. WILD DAZE takes an unflinching look at these problems from various perspectives, and shows how the slaughter has decimated the elephant population, left survivors traumatised, and seriously harmed the forests of Eastern and Southern Africa.

Lazarus meets Victor during an accident in which his niece is involved. Something about Victor leaves Lazarus restless and he can’t forget the encounter or the man.

Onze passageiros de um ônibus se abrigam em meio às ruínas de uma cidade fantasma. À medida que o resgate se torna cada vez mais remoto surge entre eles a idéia de montar em pleno deserto a peça Rei Lear, de William Shakespeare, como forma de passar o tempo e atenuar as tensões crescentes. "Não demorará muito para que estejamos brigando uns contra os outros por um gole de água" vaticina um personagem no filme. As malditas interrelações humanas encenadas com o texto shakespeariano não superam a incapacidade de conviver em grupo harmonicamente. "O estupendo streap tease das necessidades humanas" diz um personagem em certa altura.

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Milking the Rhino is a 2009 documentary film that examines the relationship between the indigenous African wildlife, the villagers who live amongst this wildlife and conservationists who look to keep tourism dollars coming in. Both the Massai of Kenya and the Ovahimba of Namibia have spent centuries as cattle farmers. With their lands being turned into protected game reserves, these ancient tribes have turned to tourism as a means of survival. While some environmentalists think that community-based conservation is ideal for these villagers, the dangers of drought and the starvation of their cattle remains a constant reality.

Come and experience Tippi's world!

Tippi is no ordinary child. She believes that she has the gift of talking to animals and that they are like brothers to her. 'I speak to them with my mind, or through my eyes, my heart or my soul, and I see that they understand and answer me.' Tippi is the daughter of French filmmakers and wildlife photographers, Alain Degre and Sylvie Robert, who have captured her on film with some of Africa's most beautiful and dangerous animals. Tippi shares her thoughts and wisdom on Africa, its people and the animals she has come to know and love. Often her wisdom is beyond her years, and her innocence and obvious rapport with the animals is both fascinating and charming.

A musical trip through southern Africa to the tunes of the post-apartheid generation. Kwaito music originated in the 1950's in the dusty streets of South Africa's townships such as Sophiatown, Pimville and subsequently in Soweto. It is inseparable from the Pantsuela culture of the rebellious youth gangs during the Apartheid regime. Since there was no money for musical instruments or for extravagant costumes, they concentrated on their dancing and singing skills and, turning the streets into their stage. Currently almost fifty years later - Kwaito culture is experiencing a renaissance in a manner completely inconceivable in those days.

Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.

Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. In this short film, children tempt fate by playing with scorpions.

This film depicts a moment of flirtation between N!ai, the young wife of /Gunda, and her great-uncle /Ti!kay. The two share a "joking relationship," a Ju/'hoan kin relationship which provides opportunities for casual intimacy, emotional release, and support.

Children and teenagers throw sticks, berries, and leaves at each other from perches in a large baobab tree.

In Namibia, conservationist Maria Diekmann found herself on the frontline of the battle to save these wanted animals after unexpectedly becoming a surrogate mother to an orphaned baby pangolin named Honey Bun. On an emotional journey, Diekmann travels to Asia to better understand the global issues facing pangolins, before joining forces with a Chinese megastar to help build a campaign to bring awareness to the plight of these surprisingly charming creatures.

Germans colonized the land of Namibia, in southern Africa, during a brief period of time, from 1840 to the end of the World War I. The story of the so-called German South West Africa (1884-1915) is hideous; a hidden and silenced account of looting and genocide.

Men and women of the !Kung people in Ojokhoe, Namibia perform healing dances by firelight. First we see men perform the giraffe dance, and then women perform the !gwa dance.