Billposters (1940)
Gênero : Animação
Runtime : 8M
Director : Clyde Geronimi
Sinopse
Donald and Goofy are putting up advertising posters in a farm. Goofy prepares to post on a windmill, but his tools keep disappearing and reappearing on the windmill blades. Donald puts up his posters, a picture of a soup can, and a goat eats them immediately. Goofy gets stuck to his poster after it comes around on the windmill. Donald, being his calm, even-tempered self, gets into a battle with the goat.
Mr. Olivares is already recovered; all he needs is to take a vacation in a paradisiacal place where he can relax.
This short gay themed film touches some of the more extreme areas of gay eroticism. The encounter of the younger, possibly virgin young man, with a slightly older man is full of little ritualistic intimacies that will shape this young man's life - and his life will never be the same again....
A successful young man's world view is turned upside-down when he inherits his great-great-grandfather's diaries, and starts pursuing the mystical geometric theories held within. Based on a short story by Ian McEwan.
Focuses on a boy as he discovers love and comes to face the morality of his family. The film speaks of this through a web of oblique details, attempting to capture the flesh of relations and, perhaps, the very tension of being...
A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The horse and cart flatten him and continue on, out of the camera's stationary range. The cop runs after the cab, the woman dashes to the body. The cop brings back the driver; is the victim dead?
A magical glowing white motorcar ignores policemen, drives up buildings, flies through outer space, and can transform into a horse and carriage.
An inventor uses a wireless controlled flying torpedo to destroy enemy airships.
In a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.
Felix the Cat can't find anything to eat, so he bribes Father Time to send him back to when life was easier. However, the Stone Age turns out to have its own problems. (IMDb)
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.
Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.
On 1 November 1895, the brothers Max and Emil Skladanowsky presented their pioneer film work and legendary Bioscop program in Berlin′s Wintergarten Theater. With live musical accompaniment, the compilation program included short film sequences with famous artists of the time: Italienischer Bauerntanz, Komisches Reck, Der Jongleur, Das boxende Känguruh, Kamarinskaja, Die Serpentintänzerin, Akrobatisches Potpourri, Ringkampf, and Apotheose, with the Skladanowsky brothers bowing to their audience.
Billy Bitzer filmed 21 short actualities inside the Pittsburgh Westinghouse Works in April and May of 1904. Audiences of the day would have been treated to footage of factory panoramas, women winding armatures and turbines being assembled. These industrial films were produced for the American Mutoscope & Biograph Company.
The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed work car on a parallel track. At the time of filming, the subway was only seven months old, having opened on October 27, 1904. The ride begins at 14th Street (Union Square) following the route of today's east side IRT, and ends at the old Grand Central Station, built by Cornelius Vanderbuilt in 1869. The Grand Central Station in use today was not completed until 1913.
"Studie II (Hallucinationer)" (Study II (Hallucinations)) (1952), comprises twelve staged scenes that were modelled after a set of drawings. Accompanied by metallic sounds, various body parts, limbs and objects form surrealistic collages against the background of a black space. Peter Weiss intended to create associative images that can not be deciphered completely. Beyond any logical interpretation, he wanted to show pure inner feelings.
A man is drinking wine, pukes it up, and eats it. He repeats it for a while, until he starts to rub the vomit all over himself.
Two impish clowns construct a magic lantern. They prop it up at an angle, and use it to project pictures onto a wall. When the picture show ends, they open up the lantern to reveal a group of dancing girls inside - and this is only the first of the indications that this lantern really is magical.
An experimental short film from Stan Brakhage.
A spoof of Bizet's Carmen, showcasing child star Baby Peggy.
A man toils at building an elaborate contraption. But to what end?