The Climax (1930)

Por cerca de 1970, um menino e uma menina entram na floresta em uma tentativa de salvar a alma de seu animal de estimação recentemente falecido. Eles viajam para um lugar conhecido como "O Antro", e se deparam com o diabo que aterrissou depois de ser expulso do céu. Lá, as crianças começam a cavar um buraco no inferno.

A surreal mosaic pieced together from fractured memories and childhood recollections as told by an unnamed narrator who relives a traumatic incident from his past. A time when people went about their lives, and yet, they told tales of a predator who stalked the streets at night, sneaking into windows and adducting the innocent; this menace went by one name, Pastor Jessup.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

This mostly lost film (please check your attic) is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

O corpo de um homem rico é encontrado no interior de sua casa e o laudo pericial aponta suícidio, porém cinco anos depois a residência do homem passa a receber estranhas presenças sobrenaturais que, ao que tudo indica, são vampiros.

A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.

Gold digging blonde Lorelei and her brunette friend Dorothy are searching for rich husbands. This film is believed lost.

The circus provides the backdrop for this melodrama that chronicles the lives of four children raised within the big top. Film historian and collector William K. Everson stated that the only surviving print was lost by actress Mary Duncan who had borrowed it from Fox Studios. In the December 1974 issue of "Films in Review," he explained that Mary Duncan, one of the film's stars, wanted it to show to a group of friends in Florida. The star was aware that it was a dangerous nitrate print and assumed that Fox had others. She threw the only copy in the ocean, a mistake characterized by Everson as "a monumental blunder to rank with Balaclava, Sarajevo, and the Fall of Babylon as one of history's blackest moments."

Palestine, under the rule of Rome. Salome, daughter of Herodias and both niece and stepdaughter of King Herod, becomes infatuated with the prophet John the Baptist, who publicly denounces the depravity of the royal family and proclaims the arrival of a new messiah. (Film presumed lost.)

After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.

Based on a the horror novella of the same name. First Russian horror film.

The adventures of a female reporter in the 1890s.

Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars Fred C. Devonald and James C. Duncan.

An industrialist badly in need of money hopes to marry his daughter off to a rich suitor, but she only has eyes for her penniless childhood sweetheart.

A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.

Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.

Este é o segundo filme dirigido por Hitchcock, mas, que se saiba, não resta nenhuma cópia. Em Kentucky, Beatrice (Nita Naldi) é uma professora que recusa as abordagens do vilão Pettigrew (Bernhard Goetzke). Como vingança, ele inventa que ela teria molestado Edward (John Hamilton), um jovem retardado. Temendo a ira dos moradores da cidade, Beatrice se esconde nas montanhas, onde é acolhida pelo eremita Fear O God (Malcom Keen). Ele propõe um casamento de aparências para acalmar os ânimos das pessoas, mas os dois se afeiçoam e a união se torna real. Mas Pettigrew, ainda com ciúmes e raiva, arma novas mentiras para prejudicar os dois, dando continuidade a uma trama de intrigas, injustiças e reviravoltas. Apesar da história se passar nos Estados Unidos, o filme foi rodado nas montanhas da Áustria. Filme mudo.

1957 Vampire/ghost horror/drama from Malaysia

Charles (Henry Hewitt), Joseph (Ian Fleming), and Sir Benjamin (John Charlton) are in love with Maria (Dodo Watts), and Lady Sneerwell (Anne Grey) is in love with Charles.