Last Take, Last Shot (2005)
A film for the little people of the film industry.
Gênero : Comédia, Drama
Runtime : 0M
Director : Sigfreid Barros-Sanchez
Sinopse
A black comedy film, which focuses on two film workers, Raffy, the clapper, and Dido, a utility boy. Both share the same dream: to direct their own films someday. Their lives as mere "small production people" took a different turn when, together with the people in the unit van they were riding,had an encounter with armed men. Their co-workers were killed, and the two of them were forced to drive the unit van out of fear until it ran out of gas. The van contains equipment for movie production like cameras, lights and film stocks. They ended up in a secluded barrio not yet reached by modern technology, and therefore, the townsfolk knew nothing of the movie industry.
O astro do cinema Vincent Chase recebe uma ligação de Ari Gold, seu antigo agente e agora chefe de um estúdio, com um projeto. Algumas de suas ambições mudaram, mas o vínculo entre eles permanece forte conforme se viram no mundo feroz de Hollywood.
Greg Sestero se aproxima do excêntrico Tommy Wiseau após uma aula de atuação e os dois desenvolvem uma intensa amizade ancorada no sonho em comum de fazer sucesso nas artes dramáticas. Juntos eles partem para Hollywood, onde Tommy, cansado de ser rejeitado em testes, decide produzir, financiar, dirigir, escrever e protagonizar – ao lado do melhor amigo – o longa que o catapultará ao estrelato "The Room".
Durante 20 anos, Walt Disney tentou adquirir os direitos de Mary Poppins da escritora australiana P.L. Travers, que sempre se recusou a vendê-los para que Disney fizesse um de seus desenhos bobos. Entretanto, a crise financeira faz com que ela tenha que negociar. Desta forma, Travers viaja até os Estados Unidos e passa a trabalhar juntamente com a equipe escolhida por Walt Disney para que Mary Poppins possa chegar às telas. Minuciosa e com muita má vontade, ela começa a encontrar problemas de todo o tipo. Como o contrato lhe dá o direito de cancelar a cessão dos direitos caso não concorde com a adaptação, Disney e sua equipe precisam aceitar seus caprichos para que o filme, enfim, saia do papel.
Hollywood movie director, Dick Dickster, is a drunk hack with a big ego and a bad attitude. He's broke, in debt, and unemployable. His manager, Sammy Davas Jr. wants to dump him as a client. His wife, Hardy, is divorcing him and wants alimony. Dick owes the mob fifty grand and hit man Tony Baritoni has been sent to collect. And District Attorney Ed Lawler is re investigating statutory rape charges against Dick from his cult movie: Cult of Doom. A film school student, Tim Meeks begins filming a documentary about Dick. They interview producers, directors and actors about their bizarre encounters with The Dickster. Then a mysterious XXX producer, Coco Hart, offers Dick 100-K to turn Cult of Doom into: Cult of Poon. Dick can't say no.
Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
O documentário pretende oferecer um olhar sem precedentes sobre o esmagador significado cultural da trilogia ’De Volta Para o Futuro’. A equipe do filme viajou para mais de uma dúzia de estados e passou por dois continentes para a captura de material. Eles realizaram mais de 50 entrevistas com elenco, equipe – incluindo Robert Zemeckis, Michael J. Fox, Lea Thompson, Bob Gale, Alan Silvestri – e alguns dos maiores fãs da trilogia – como Dan Harmon, Stephen Clark, Adam F. Goldberg e Joe Walser.
Um documentário explorando 30 anos da série de filmes "Friday The 13th", apresentando todas as novas entrevistas com elenco e equipe de todos os 12 filmes e vários fãs e cineastas de terror.
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.
An in-depth look at the entire making of Ridley Scott's Gladiator. Consisting of: Tale Of The Scribes: Story Development, The Heat Of Battle: Production Journals, Attire Of The Realm: Costume Design, Shadow And Dust: Resurrecting Proximo, The Glory Of Rome: Visual Effects, Tools Of War: Weapons, Echoes In Eternity: Release And Impact,and final Production Credits.
When David Lynch was making his film Blue Velvet, German filmmaker Peter Braatz was also on set, shooting documentary footage with a Super 8 film camera. Now, on Blue Velvet's 30th anniversary, Braatz presents his footage, along with still photographs, as a "meditation" on Lynch's work.
This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.
Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce.
Kurdish childhood friends Hussein and Alan want to produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.
Animator. Storyman. Troublemaker. At 80 years old, see how Disney Legend Floyd Norman, the first African-American animator at Disney, continues to impact animation and stir up "trouble" after the company forced him to retire at age 65.
Jimeoin, in the title role, plays a man fixated on the concept of celebrity, or more accurately, how he can become one. He is passionate about being a celebrity, but unfortunately he just isn't very talented. After trying to secure roles in myriad productions he finally finds employment as an extra, and what follows is his misadventures as he becomes involved with shady business men, producers and mobsters all of whom are fixated with show business.
Operating out of the movie capital "Nyallywood," Pompo has been shooting one B-grade entertainment flick after another that anyone would enjoy. One day, Pompo's "movie buff" assistant Gene spots a new script written by Pompo and is moved by its exquisite story. In a fit of passion, he proclaims, "I want to see this as a finished work in theaters as soon as possible!" However, Pompo tells him, "So you shoot this film." Thus, Gene takes on his first directing gig. Meanwhile, Natalie, an ordinary girl who just arrived in town with movie actress dreams, has been discovered by Pompo...
Superfan David Whiteley celebrates the unsung British heroes behind the first film in the Star Wars’ franchise, 1977’s eponymously titled Star Wars. The Star Wars saga ends with the release of The Rise of Skywalker in December 2019. This documentary celebrates where it all began. It includes previously unheard stories from the people who made one of the most successful movies of all time, with additional interviews and previously unseen behind-the-scenes footage. The presenter, Star Wars superfan David Whiteley, who has his own connection to the original film (he was born on May the 4th), tracks down the often modest British talent who brought the galaxy to life. David explores the contribution of the London Symphony Orchestra and meets Ann Skinner, who was in charge of continuity. As well as seeing her original stills from the set, Ann reveals how she helped Sir Alec Guinness with one of the most famous speeches in Star Wars.
As a young couple struggle with the demands of life with a new baby, they plow forward on production for their latest self-funded independent feature film.
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.