Solstik på badehotellet (1973)

Egon and the gang are hired to stage a robbery of an antique Chinese vase for an economically challenged baron. Naturally they fooled, which infuriates Egon. The gang tries to get back at the baron by switching the vase with a cheap Hong Kong copy. One attempt is made during the barons hunting party, where Egon ends up being bricked up in the catacombs. In another attempt, the gang has to coordinate breaking through several walls at The Royal Theater in Copenhagen with the "Elverhøj" overture.

Sigfred dioecious is an acidic man. Teacher and can not really hate children. When he one day a tile in the head, change his behavior, however, significant. He is cheerful and have a huge appetite for life. Sigfred wife's first unhappy that he is so happy girl, but when she gets him made ​​normal again, she will be disappointed. She wants her new husband back ...

Danish comedy film directed by Bent Christensen

Villa Orfeus er en ejendommeligt gammelt hus, som er blevet et klenodie for kvarterets beboer. Det er et fristed, hvor husets beboer får lov til at være anderledes, at være sig selv i en fremmedgjort verden. Lydia Wiljengren (Ellen Gottschalch), der er enke efter en rig musikhandler, ejer "Villa Orfeus". Hun har efterhånden sat hele sin formue overstyr ved sin forkærlighed for musikalske mennesker. Den eneste betingelse for at bo i huset er, at de enten kan spille eller synge.

-En gammel godsejers eneste datter er død i Italien, efter at hun forlod familien for 15 år siden. Hjem til Danmark kommer nu hendes søn. Han truer godsejerens nevø for sin arv, hvorfor nevøen iværksætter flere planer for at bringe drengen i ugunst hos hans bedstefar. Planerne lykkes næsten, men takket være hjælp fra bl.a. præsten ender historien med en forening mellem barnebarnet og bedstefaderen.

Werner (William Rosenberg) is an inspector for group of farmes called Digeskov. Left alone by Digeskovs owner, Werner is tricking small neighboring farmes out of there land. The owners doughter find out and stops Werner and she falls in love with a young poor farmer from a neighbor farm.

The good people of a small community in the countryside near Copenhagen enjoy life and find their way to love.

Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) this trite drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go. Several of the performances -- especially Fritz Helmuth as the love-starved, aptly named Bent -- manage to reach a little beyond the stereotypes, but Bodil Kjær, of all people, delivers a simply dreadful (and one-note) parody of a once-glamorous movie star.

After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.

Mafiaen, det er osse mig er en dansk komediefilm fra 1974 og en fortsættelse af Mig og Mafiaen. Filmen har manuskript af Lise Nørgaard og er instrueret af Henning Ørnbak.

Ole Ernst stars as an energetic conman lured into trying to set a factory on fire to catch in on the insurance. The plan backfires and both the factory owner, his wife and the conman hunted by the police must flee to Sweden.

A woman, Ilse Brehmer, finds the body of a dead man, a journalist. He has been murdered, and later when the body turns up in the harbor, the woman denies everything, even though witnesses has seen her nearby the crime scene. She simply can’t remember anything, but the detective on the case, Mørck, knows how to smell a lie and soon start to unravel this bloody mess.

Alice does not live at home but with friends in an abandoned factory. She sells drugs to enable them to fulfill their dream of a tavern. When the police are after her, she seeks Hour switch. Here she meets Berit and helps Berit mother south on vacation. But simultaneously pursues Alice of a drug kingpin but cheating him.

It has hardly been seen before that a 83-year-old actor has starred in a Danish film, but it is the case here, where Kai Holm says goodbye to a long life in film and theater service. He plays an old peasant who on his deathbed is waiting for his son (Jon Bang Carlsen). In a few days he relives the village life, he comes from, and which was marked by a hard and authoritarian upbringing. He is at his father's deathbed despair because it is still impossible to make contact, and in a crisis situation, he recognizes his father's brutality in itself. The film draws a bitter picture of human relationships where dreams while they die, degenerates into power relations.

A group of children fleeing from a cruel stone age society with violence, exploitation and sexual abuse.